Syntagma Amici, Jérémie Papasergio - Fagotto, Basson, Dulcian, Curtal? (2008)
BAND/ARTIST: Syntagma Amici, Jérémie Papasergio
- Title: Fagotto, Basson, Dulcian, Curtal?
- Year Of Release: 2008
- Label: Ricercar
- Genre: Classical
- Quality: flac lossless
- Total Time: 00:59:10
- Total Size: 298 mb
- WebSite: Album Preview
Tracklist
01. Ballet CCLXVIII a 4 (Bassons Alto en Sol, Ténors Et Basse)
02. Canzon Sesta: L'Alcenagina Sopra Vestiva I Colli (Bassons Alto en Fa, Ténors Et Basse)
03. Vestiva I Colli Passeggiato Basso Solo (Basson Basse Et Orgue)
04. Canzona la Lucchesina a Due Cori (Bassons Alto en Fa, Ténors, Basse Et Orgue)
05. Madonna, Per Voi Ardo (Bassons Alto en Fa, Ténors Et Basse)
06. Pass'e Mezzo Antico & Saltarello (Bassons Alto en Sol, Ténors, Basse)
07. Nativitas Tua Dei Genitrix (Bassons Alto en Fa, Ténors, Basse Et Régale)
08. Toccata Di Durezze Sopra la Fagotta (Orgue)
09. Fagot (Bassons Alto en Sol, 2 Ténors, Basse)
10. Canzona Sopra la Fagotta (Orgue)
11. Basse Dance & Tordion (Bassons Alto en Sol, Ténors Et Basse)
12. Ricercar 14 "Da Pacem Domine" (Bassons Alto en Sol, Ténors Et Basse)
13. Trois Fantaisies Sur Une Jeune Fillette (Bassons Soprano, Ténor, Basse Et Régale)
14. Sonata Sopra la Monica Fagotto Solo (Basson Basse Et Orgue)
15. Domine Exaudi Orationem Meam (Bassons Alto en Sol, Ténors Et Basse)
16. Recercada Segonda Sobre Doulce Mémoire (Bombarde en Sol, Basson Basse Et Orgue)
17. Canzona a Due Tenori (Bassons Ténors Et Orgue)
18. Corente, Balletto & Gagliarda a 2 (Flûte À Bec, Basson Basse Et Clavecin)
19. Toccata Con Imitazione (Clavecin)
20. Sonata Settima (Passacaglia) [Basson Basse Et Clavecin]
Of all the instruments that were developed during the Renaissance, the bassoon undoubtedly possesses the most curious history. Associated with music in the open air, it was also praised for the sweetness of its sound, as certain of its names such as dolce suono show. The musicians of Syntagma Amici here explore its use as a family of instruments in polyphonic repertoire of the 16th century as well as in the first virtuoso pieces that were dedicated to it at the beginning of the 17th century.
01. Ballet CCLXVIII a 4 (Bassons Alto en Sol, Ténors Et Basse)
02. Canzon Sesta: L'Alcenagina Sopra Vestiva I Colli (Bassons Alto en Fa, Ténors Et Basse)
03. Vestiva I Colli Passeggiato Basso Solo (Basson Basse Et Orgue)
04. Canzona la Lucchesina a Due Cori (Bassons Alto en Fa, Ténors, Basse Et Orgue)
05. Madonna, Per Voi Ardo (Bassons Alto en Fa, Ténors Et Basse)
06. Pass'e Mezzo Antico & Saltarello (Bassons Alto en Sol, Ténors, Basse)
07. Nativitas Tua Dei Genitrix (Bassons Alto en Fa, Ténors, Basse Et Régale)
08. Toccata Di Durezze Sopra la Fagotta (Orgue)
09. Fagot (Bassons Alto en Sol, 2 Ténors, Basse)
10. Canzona Sopra la Fagotta (Orgue)
11. Basse Dance & Tordion (Bassons Alto en Sol, Ténors Et Basse)
12. Ricercar 14 "Da Pacem Domine" (Bassons Alto en Sol, Ténors Et Basse)
13. Trois Fantaisies Sur Une Jeune Fillette (Bassons Soprano, Ténor, Basse Et Régale)
14. Sonata Sopra la Monica Fagotto Solo (Basson Basse Et Orgue)
15. Domine Exaudi Orationem Meam (Bassons Alto en Sol, Ténors Et Basse)
16. Recercada Segonda Sobre Doulce Mémoire (Bombarde en Sol, Basson Basse Et Orgue)
17. Canzona a Due Tenori (Bassons Ténors Et Orgue)
18. Corente, Balletto & Gagliarda a 2 (Flûte À Bec, Basson Basse Et Clavecin)
19. Toccata Con Imitazione (Clavecin)
20. Sonata Settima (Passacaglia) [Basson Basse Et Clavecin]
Of all the instruments that were developed during the Renaissance, the bassoon undoubtedly possesses the most curious history. Associated with music in the open air, it was also praised for the sweetness of its sound, as certain of its names such as dolce suono show. The musicians of Syntagma Amici here explore its use as a family of instruments in polyphonic repertoire of the 16th century as well as in the first virtuoso pieces that were dedicated to it at the beginning of the 17th century.
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