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Paul McCreesh - Archiv Produktion - Paul McCreesh (2021)

Paul McCreesh - Archiv Produktion - Paul McCreesh (2021)

BAND/ARTIST: Paul McCreesh

  • Title: Archiv Produktion - Paul McCreesh
  • Year Of Release: 2021
  • Label: UMG Recordings, Inc.
  • Genre: Classical
  • Quality: FLAC (tracks)
  • Total Time: 9:16:34
  • Total Size: 2.24 GB
  • WebSite:
Tracklist:

01. Canzona No.14 à 10 (C207)
02. Messiah, HWV 56 / Pt. 1 : Symphony
03. Ein langer und schöner Aufzug (Ein schöner Aufzug By Pater Ignatius Augustiner) : Fanfare I (Riedl) + Fanfare II (Augustiner)
04. Solomon HWV 67 : Overture
05. Canción (untitled) a 6
06. St. Matthew Passion, BWV 244 / Part One : No.10 Choral: "Ich bin's, ich sollte büssen"
07. Saul, HWV 53 / Symphony : Allegro
08. Saul, HWV 53 / Symphony : Larghetto
09. Saul, HWV 53 / Symphony : Organo ad libitum
10. Saul, HWV 53 / Symphony : Allegro
11. Saul, HWV 53 / Symphony : Andante larghetto
12. Sonata XIII
13. Mass in C Minor, K.427 "Grosse Messe" : Gloria
14. Paride ed Elena : Overture
15. Toccata
16. Bring Us, O Lord God
17. Serse, HWV 40 / Act 1 : "Ombra mai fu"
18. "Lord, what is man, lost man?", Z.192
19. "O Solitude", Z.406
20. "In the black, dismal dungeon of despair", Z.190
21. "Lord, I can suffer thy rebukes", Z.136
22. Voluntary in G, Z720
23. "In guilty night" (Saul and the Witch of Endor), Z.134
24. Voluntary in C, Z717
25. "Plung'd in the confines of despair", Z.142
26. "Awake, ye dead", Z.182
27. "The earth trembled", Z.197
28. "My op'ning eyes are purg'd", Z.D72
29. "With sick and famish'd eyes", Z.200
30. Ground in C, Z.D221
31. O, I'm sick of life, Z140
32. "Close thine eyes", Z.184
33. Funeral Sentences for the death of Queen Mary II (1695) : Man..., Z27 - In the midst, Z17B - Thou knowest, Z58B
34. First Vespers of the Annunciation of the Blessed Virgin (as it might have been celebrated in St. Mark's, Venice in 1643) : Sacristy bell
35. First Vespers of the Annunciation of the Blessed Virgin (as it might have been celebrated in St. Mark's, Venice in 1643) - Arr. Ti : Organ: Intonazione
36. First Vespers of the Annunciation of the Blessed Virgin (as it might have been celebrated in St. Mark's, Venice in 1643) - Arr. Ti : Versicle & Response: Deus in adiutorium / Domine ad adiuvandum
37. First Vespers of the Annunciation of the Blessed Virgin (as it might have been celebrated in St. Mark's, Venice in 1643) - Arr. Ti : Antiphon: Angelus Domini
38. Messa e salmi (1640) : Psalm 109: "Dixit Dominus"
39. Motetti a voce sola (1621) : O intemerata
40. Antiphon: Beata es Maria
41. Selva morale e spirituale : Laudate pueri dominum (II), SV 271
42. L'organo suonarino : Organ: Suonata prima
43. L'organo suonarino : Antiphon: Beatam me dicent
44. Messa, salmi concertati e parte da capella, et letanie della B. V. : Laetatus sum (I), SV 198
45. Concerti ecclesiastici (1621) : Motet: "O Maria, quae rapis corda hominum"
46. Concerti ecclesiastici (1621) : Antiphon: Haec est quae nescavit
47. Messa e salmi (1640) : Psalm 126: "Nisi Dominus"
48. L'organo suonarino : Organ: Dialogo secondo
49. L'organo suonarino : Antiphon: Ante thronum
50. Musiche sacre (1656) : Psalm 147: "Lauda Jerusalem"
51. Ghirlanda sacra, libro primo (1625) : Motet: "O quam tu pulchra es"
52. Organ: Praeambulum
53. Chapter: Ecce virgo
54. Selva morale e spirituale : Deus qui mundum crimine iacentem, SV 278a
55. Selva morale e spirituale : Versicle & Response: Ave Maria / Dominus tecum
56. Selva morale e spirituale : Antiphon: Spiritus Sanctus
57. Messa e salmi (1640) : Magnificat
58. Sonate, symphonie, canzoni, opera ottava (1626) : Sonata con tre violini in eco
59. Sonate, symphonie, canzoni, opera ottava (1626) : Collect: Dominus vobiscum - Deus, qui de beatae Mariae
60. Sonate, symphonie, canzoni, opera ottava (1626) : Dismissal: Dominus vobiscum - Benedicamus Domino
61. Selva morale e spirituale : Laudate Dominum in sanctis eius, SV 287
62. Annuale : Organ: Intonazione (Excerpt & Arr. Timothy Roberts)
63. Messa e salmi ariosi (1643) : Motet: "Salve regina"
64. Requiem Officium Defunctorem : Taedet animam meam
65. Requiem Officium Defunctorem : Introitus: Requiem aeternam
66. Requiem Officium Defunctorem : Kyrie
67. Requiem Officium Defunctorem : Oratio - Dominus vobiscum
68. Requiem Officium Defunctorem : Epistola:Lectio Epistolae beati Pauli ad Thessalon.
69. Requiem Officium Defunctorem : Graduale: 1. Requiem aeternam - 2. In memoria
70. Requiem Officium Defunctorem : Tractus: Absolve, Domine
71. Requiem Officium Defunctorem : Sequentia: Dies irae, dies illa
72. Requiem Officium Defunctorem : Evangelium: Dominus vobiscum
73. Requiem Officium Defunctorem : Offertorium: Domine Jesu Christe
74. Requiem Officium Defunctorem : Prefatio: Per omnia secula seculorum
75. Requiem Officium Defunctorem : Sanctus: Sanctus, Sanctus, Sanctus
76. Requiem Officium Defunctorem : Benedictus
77. Requiem Officium Defunctorem : Pater Noster - Per omnia secula seculorum
78. Requiem Officium Defunctorem : Agnus Dei: Agnus Dei, qui tollis peccata mundi
79. Requiem Officium Defunctorem : Communio: Lux aeterna
80. Requiem Officium Defunctorem : Postcommunio: Dominus vobiscum
81. Requiem Officium Defunctorem : Motectum: Versa est in luctum cithara mea
82. Requiem Officium Defunctorem : Absolutio: Responsorium V ad absolutionem post missam
83. Cançión (untitled) (à 6)
84. Cançión "Ecce sacerdos magnus" (à 5)
85. Cançión (untitled) (à 6) (Version 1)
86. Tiento del quinto tono (extract)
87. In medio ecclesiae aperuit os eius
88. Missa "Mille regretz": Kyrie
89. Missa "Mille regretz": Gloria
90. Dominus vobiscum ... Deus, qui populo tuo
91. Tiento del quarto tono (extract)
92. EPISTOLA: Lectio Epistolae beati Pauli Apostoli ad Timotheum
93. Cançión "Subiendo amor"
94. Cançión "Todos aman"
95. Dominus vobiscum ... Sequentia sancti Evangelii secundum Matthaeum
96. Missa "Mille regretz": Credo
97. Tiento del octavo tono
98. Motectum: O Doctor optime
99. Per omnia saecula saeculorum... Vere dignum et iustum est...
100. Missa "Mille regretz": Sanctus
101. Mille regretz
102. Per omnia saecula saeculorum... Pater noster...
103. Missa "Mille regretz": Agnus Dei
104. Fidelis servus et prudens
105. Dominus vobiscum... Ut nobis, Domine
106. Ite, missa est... Deo gratias
107. Cançión (untitled) (à 6) (Version 2)
108. Del modo de tañer a corcheas
109. Emendemus in melius
110. Toccata à 4 (C237)
111. In Ecclesiis à 14 (C78)
112. Sonata No.19 à 15 (C212)
113. Suscipe, clementissime Deus à 12 (C70)
114. Buccinate in neomenia tuba à 19 (C84)
115. Intonazione del nono tono (C247)
116. Domine Deus meus à 6 (C127)
117. Audi, dulcis amica mea
118. Sonata con tre violini (XXI from Canzoni et Sonate, 1615)
119. Ardens est cor meum
120. Timor et tremor (C142) Motette
121. Intonazione del duodecimo tono (C250)
122. Jubilate Deo
123. Sonata No.18 à 14 (C211)
124. Misericordia tua, Domine à 12 (C69)
125. Sonata No.20 à 22 (C213)
126. Magnificat à 33 (C151) - arr. Hugh Keyte
127. Messiah, HWV 56 / Pt. 1 : "Comfort ye, My people"
128. Messiah, HWV 56 / Pt. 1 : "Ev'ry Valley Shall Be Exalted"
129. Messiah, HWV 56 / Pt. 1 : "And The Glory Of The Lord"
130. Messiah, HWV 56 / Pt. 1 : "Thus saith the Lord"
131. Messiah, HWV 56 / Pt. 1 : "But who may abide the day of his coming"
132. Messiah, HWV 56 / Pt. 1 : "And He Shall Purify The Sons Of Levi"
133. Messiah, HWV 56 / Pt. 1 : "Behold, a virgin shall conceive"
134. Messiah, HWV 56 / Pt. 1 : "O thou that tellest good tidings to Zion"
135. Messiah, HWV 56 / Pt. 1 : "For behold, darkness shall cover"
136. Messiah, HWV 56 / Pt. 1 : "The people that walked in darkness"
137. Messiah, HWV 56 / Pt. 1 : "For Unto Us A Child Is Born"
138. Messiah, HWV 56 / Pt. 1 : Pifa (Pastoral Symphony)
139. Messiah, HWV 56 / Pt. 1 : "There were shepherds... And lo, the angel of the Lord...And the angel said unto them...And suddenly"
140. Messiah, HWV 56 / Pt. 1 : "Glory to God in the highest"
141. Messiah, HWV 56 / Pt. 1 : "Rejoice greatly, o daughter of Zion"
142. Messiah, HWV 56 / Pt. 1 : "Then shall the eyes of the blind"
143. Messiah, HWV 56 / Pt. 1 : "He Shall Feed His Flock"
144. Messiah, HWV 56 / Pt. 1 : "His yoke is easy"
145. Messiah, HWV 56 / Pt. 2 : "Behold the Lamb of God"
146. Messiah, HWV 56 / Pt. 2 : "He was despised"
147. Messiah, HWV 56 / Pt. 2 : "Surely He hath borne our griefs"
148. Messiah, HWV 56 / Pt. 2 : "And with His stripes we are healed"
149. Messiah, HWV 56 / Pt. 2 : "All we like sheep have gone astray"
150. Messiah, HWV 56 / Pt. 2 : "All they that see Him"
151. Messiah, HWV 56 / Pt. 2 : "He trusted in God"
152. Messiah, HWV 56 / Pt. 2 : "Thy rebuke hath broken His heart"
153. Messiah, HWV 56 / Pt. 2 : "Behold and see"
154. Messiah, HWV 56 / Pt. 2 : "He was cut off"
155. Messiah, HWV 56 / Pt. 2 : "But thou didst not leave his soul in Hell"
156. Messiah, HWV 56 / Pt. 2 : "Lift Up Your Heads"
157. Messiah, HWV 56 / Pt. 2 : "Unto which of the angels"
158. Messiah, HWV 56 / Pt. 2 : "Let all the angels of God"
159. Messiah, HWV 56 / Pt. 2 : "Thou art gone up on high"
160. Messiah, HWV 56 / Pt. 2 : "The Lord gave the word"
161. Messiah, HWV 56 / Pt. 2 : "How beautiful are the feet"
162. Messiah, HWV 56 / Pt. 2 : "Their sound is gone out"
163. Messiah, HWV 56 / Pt. 2 : "Why do the nations so furiously rage together?"
164. Messiah, HWV 56 / Pt. 2 : "Let us break their bonds asunder"
165. Messiah, HWV 56 / Pt. 2 : "He that dwelleth in heaven...Thou shalt break them"
166. Messiah, HWV 56 / Pt. 2 : "Hallelujah"
167. Messiah, HWV 56 / Pt. 3 : "I know that my Redeemer liveth"
168. Messiah, HWV 56 / Pt. 3 : "Since by man came death"
169. Messiah, HWV 56 / Pt. 3 : "Behold, I tell you a mystery"
170. Messiah, HWV 56 / Pt. 3 : "The trumpet shall sound"
171. Messiah, HWV 56 / Pt. 3 : "Then shall be brought to pass"
172. Messiah, HWV 56 / Pt. 3 : "O death where is thy sting?"
173. Messiah, HWV 56 / Pt. 3 : "But thanks be to God"
174. Messiah, HWV 56 / Pt. 3 : "If God be for us"
175. Messiah, HWV 56 / Pt. 3 : "Worthy Is The Lamb... Amen"

Conductor Paul McCreesh is a major figure in London's early music scene, having founded the Gabrieli Consort and Players. He has been increasingly active as a conductor of modern-instrument ensembles as well.

Michael Praetorius: Christmas MassMcCreesh was born May 24, 1960, in London. He attended Manchester University, studying cello performance and musicology, but he wasted no time forming ensembles to realize his musical visions, including a chamber choir and a historical-instrument group. The latter evolved into the Gabrieli Consort and Players, which McCreesh established in 1982 at age 22. In its focus on late Renaissance ensemble music, at the time largely the focus of modern brass quintets only, the group was unusual. McCreesh also led performances of music forward to the High Baroque, including major works by Monteverdi, Schütz, Handel, and Bach. The Consort also backed several major operatic productions beginning in the 1990s. The group toured widely and was an increasingly frequent guest at European festivals including two -- the Brinkburn Summer Music Festival in Britain and Cantans Festival in Wroclaw, Poland -- that he established himself. He directed the latter event from 2006 to 2012, and the following year he assumed his first major position with a modern-instrument group, the Gulbenkian Orchestra of Lisbon. He has also maintained ongoing collaborations with the Basel Chamber Orchestra in Switzerland and the Saint Paul Chamber Orchestra in Minnesota, and his guest-conducting appearances include those with the Leipzig Gewandhaus Orchestra, the Bergen Philharmonic in Norway, the Hong Kong Philharmonic, and the Sydney Symphony. McCreesh's recording career began in the 1980s and accelerated after the group was signed to the major Deutsche Grammophon label and its Archiv early music imprint in 1993, releasing a recording of the Michael Praetorius Christmas Mass the following year. Since 2010 he has also recorded for Signum Classics in Britain, issuing a recording of the Berlioz Requiem with the Wroclaw Philharmonic that year. His performances and recordings of 19th century music have been influenced by historical-performance principles. In 2018 he and the Gabrieli Consort issued the album A Rose Magnificat on Signum. ~ James Manheim


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