Zahir Ensemble & Juan Garcia Rodriguez - Anima (2021)
BAND/ARTIST: Zahir Ensemble, Juan Garcia Rodriguez
- Title: Anima
- Year Of Release: 2021
- Label: IBS Classical
- Genre: Classical
- Quality: flac lossless +Booklet
- Total Time: 01:19:16
- Total Size: 295 mb
- WebSite: Album Preview
Tracklist
01. Renascencias: No. 1, Proemio (Renaceré)
02. Renascencias: No. 2, Renaceré yo piedra
03. Renascencias: No. 3, Renaceré yo viento
04. Renascencias: No. 4, Renaceré yo agua
05. Renascencias: No. 5, Renaceré yo fuego
06. Antibes
07. Selene
08. Sabah
09. Transparences: No. 1, Vitrial
10. Transparences: No. 2, Celosias
11. Transparences: No. 3, Vidrial
12. Arrayán: I. Sereno e profondo
13. Arrayán: II. Intensamente calmo
14. Arrayán: III. Comodo
15. Arrayán: IV. Corrente
16. Anima
We could say that Eneko Vadillo (Malaga, 1973), would embody a third very peculiar wave called neo-spectralist and eclectic. This is due to biographical and professional reasons, including his time at the Royal College of Music in London where he worked with Magnus Lindberg, Julian Anderson, George Benjamin and Jonathan Harvey between 2001 and 2004 and at the IRCAM during the 2008-2009 academic year. Beyond their possible uselessness when trying to name and delimit a compositional position which is always dynamic and in progress, these terms can help us to describe Vadillo’s attitude to sound and composition, as shown by the pieces making up this record.
01. Renascencias: No. 1, Proemio (Renaceré)
02. Renascencias: No. 2, Renaceré yo piedra
03. Renascencias: No. 3, Renaceré yo viento
04. Renascencias: No. 4, Renaceré yo agua
05. Renascencias: No. 5, Renaceré yo fuego
06. Antibes
07. Selene
08. Sabah
09. Transparences: No. 1, Vitrial
10. Transparences: No. 2, Celosias
11. Transparences: No. 3, Vidrial
12. Arrayán: I. Sereno e profondo
13. Arrayán: II. Intensamente calmo
14. Arrayán: III. Comodo
15. Arrayán: IV. Corrente
16. Anima
We could say that Eneko Vadillo (Malaga, 1973), would embody a third very peculiar wave called neo-spectralist and eclectic. This is due to biographical and professional reasons, including his time at the Royal College of Music in London where he worked with Magnus Lindberg, Julian Anderson, George Benjamin and Jonathan Harvey between 2001 and 2004 and at the IRCAM during the 2008-2009 academic year. Beyond their possible uselessness when trying to name and delimit a compositional position which is always dynamic and in progress, these terms can help us to describe Vadillo’s attitude to sound and composition, as shown by the pieces making up this record.
Year 2021 | Classical | FLAC / APE
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