Polish National Radio Symphony Orchestra, Michael Halasz, New Zealand Symphony Orchestra, Michael Halász - Liszt: Symphonic Poems Vol. 1-4 (1992-2007)
BAND/ARTIST: Polish National Radio Symphony Orchestra, Michael Halasz, New Zealand Symphony Orchestra, Michael Halász
- Title: Liszt: Symphonic Poems Vol. 1-4
- Year Of Release: 1992-2007
- Label: Naxos
- Genre: Classical
- Quality: flac lossless +Booklet
- Total Time: 04:15:41
- Total Size: 1.04 gb
- WebSite: Album Preview
Tracklist
Liszt: Symphonic Poems Vol. 1
01. Tasso lamento e trionfo, S96-R413
02. Les Preludes
03. Mazeppa, S100-R417
04. Prometheus, S99-R416
Liszt: Symphonic Poems Vol. 2
01. Die Wiege
02. Der Kampf ums Dasein
03. Zum Grabe
04. Orpheus, S98-R415
05. Die Ideale, S106-R423
06. Hamlet, S104-R421
Liszt: Symphonic Poems Vol. 3
01. Festklange, S. 101-R. 418
02. Ce qu'on entend sur la montagne (What Is Heard on the Mountain), S. 95-R. 412
03. Hunnenschlacht, S. 105-R. 422
Liszt: Symphonic Poems Vol. 4
01. Hungaria, S. 103-R. 420
02. Heroide Funebre, S. 102-R. 419
03. 3 odes funebres, S. 112-R. 429- No. 3, Le triomphe funebre du Tasse
In his 13 symphonic poems, inspired by the visual or literary arts, Liszt broke away from the standard four-movement-symphony, to create a one-movement composition of frequently contrasting moods unified through thematic transformations of a single, recurring musical idea. This recording includes Hungaria, a patriotic reflection on the Hungarian uprising of 1848, and the sombre Héroïde funèbre, described by Liszt as casting a ‘transfiguring veil over the tomb of the brave … in the wars and slaughter that follow one another.’ Le Triomphe funèbre du Tasse was intended as an epilogue to Liszt’s earlier symphonic poem on the tragic fate of the sixteenth-century Italian poet Torquato Tasso. Volumes 1-3 of the symphonic poems conducted by Michael Ha
Liszt: Symphonic Poems Vol. 1
01. Tasso lamento e trionfo, S96-R413
02. Les Preludes
03. Mazeppa, S100-R417
04. Prometheus, S99-R416
Liszt: Symphonic Poems Vol. 2
01. Die Wiege
02. Der Kampf ums Dasein
03. Zum Grabe
04. Orpheus, S98-R415
05. Die Ideale, S106-R423
06. Hamlet, S104-R421
Liszt: Symphonic Poems Vol. 3
01. Festklange, S. 101-R. 418
02. Ce qu'on entend sur la montagne (What Is Heard on the Mountain), S. 95-R. 412
03. Hunnenschlacht, S. 105-R. 422
Liszt: Symphonic Poems Vol. 4
01. Hungaria, S. 103-R. 420
02. Heroide Funebre, S. 102-R. 419
03. 3 odes funebres, S. 112-R. 429- No. 3, Le triomphe funebre du Tasse
In his 13 symphonic poems, inspired by the visual or literary arts, Liszt broke away from the standard four-movement-symphony, to create a one-movement composition of frequently contrasting moods unified through thematic transformations of a single, recurring musical idea. This recording includes Hungaria, a patriotic reflection on the Hungarian uprising of 1848, and the sombre Héroïde funèbre, described by Liszt as casting a ‘transfiguring veil over the tomb of the brave … in the wars and slaughter that follow one another.’ Le Triomphe funèbre du Tasse was intended as an epilogue to Liszt’s earlier symphonic poem on the tragic fate of the sixteenth-century Italian poet Torquato Tasso. Volumes 1-3 of the symphonic poems conducted by Michael Ha
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