Ingolf Turban And His Students - Henri Marteau Vol. 5 - 24 Capricen, Op. 25 for Violin and piano (2021) [Hi-Res]
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BAND/ARTIST: Ingolf Turban, His Students
- Title: Henri Marteau Vol. 5 - 24 Capricen, Op. 25 for Violin and piano
- Year Of Release: 2021
- Label: Solo Musica
- Genre: Classical
- Quality: flac lossless / flac 24bits - 48.0kHz
- Total Time: 01:39:49
- Total Size: 432 / 952 mb
- WebSite: Album Preview
Tracklist
01. Improvisation, Terzenstudie
02. Praeludium, Sextenstudie
03. Cakewalk, Oktavenstudie
04. Im Anmarsch, Dezimenstudie
05. Walzer, Studie der 2. Lage
06. Appassionato, Studie der 2. Lage
07. Nocturno, Studie der 3. Lage
08. Impromtu, Studie der 4. Lage
09. Amerikanische Toccata, Studie der 4. Lage
10. Intermezzo, Studie der 5. Lage
11. Tarantella, Studie der 6. Lage
12. Herbststimmung, Saitenwechselstudie
13. An der Quelle, Triller- Und Tremolostudie
14. Am Spinnrad, Gelaufigkeitsstudie
15. Caprice Vienois, Staccatistudie
16. Melancholie, Tremolostudie
17. Vergebliches Standchen, Flageolettstudie
18. Harlekin, Pizzicatistudie
19. Bauerntanz, Studie der 7. Lage
20. Gigue, Rhytmische Studie
21. Perpetuum Mobile, Spiccatostudie
22. Lamento, Studie fur den Ausdruck und die Zuruckhaltung des Bogens
23. Phantastischer Walzer, Trillerstudie
24. Der Sturm, Chromatische Studie
![Ingolf Turban And His Students - Henri Marteau Vol. 5 - 24 Capricen, Op. 25 for Violin and piano (2021) [Hi-Res]](https://www.dibpic.com/uploads/posts/2021-03/1615363800_ingolf-turban-and-his-students-henri-marteau-vol_-5-24-capricen-op_-25-for-violin-and-piano-2021-back.jpg)
If a composer writes 24 caprices for the violin, and if he himself is also a uniquely virtuoso violinist, then a comparison with the 24 caprices by Paganini is inevitable: Henri Marteau was not only appreciated and revered as one of the greatest violinists of his time, but his compositional work was lost in the background. He shared this fate with Niccolò Paganini, who was also experienced during his lifetime more as a ""warlock"" of the violin than as a serious composer and musician. So, if this comparison is almost inevitable, it must be mentioned that Paganini himself, with his main work published in 1820, also took up the example of other composers, such as the Etudes and Caprices of Rodolphe Kreutzer. The subtitle of Henri Marteau's Caprices: "d'exécution transcendante" is also very revealing. Moreover, Marteau has his miniatures accompanied throughout by the piano, unlike Paganini, who uses the violin alone. The violin virtuoso Ingolf Turban considered his own violin class at the Hochschule München predestined for this first recording of all 24 of Marteau's caprices. So together they dared to do the almost unbelievable: all twelve students in his class were involved in this mammoth task, the absolute peak of which, of course, lies in the very elaborate piano accompaniment. Here he engaged the pianist Tomoko Nishikawa, who confidently took on this mammoth task!
01. Improvisation, Terzenstudie
02. Praeludium, Sextenstudie
03. Cakewalk, Oktavenstudie
04. Im Anmarsch, Dezimenstudie
05. Walzer, Studie der 2. Lage
06. Appassionato, Studie der 2. Lage
07. Nocturno, Studie der 3. Lage
08. Impromtu, Studie der 4. Lage
09. Amerikanische Toccata, Studie der 4. Lage
10. Intermezzo, Studie der 5. Lage
11. Tarantella, Studie der 6. Lage
12. Herbststimmung, Saitenwechselstudie
13. An der Quelle, Triller- Und Tremolostudie
14. Am Spinnrad, Gelaufigkeitsstudie
15. Caprice Vienois, Staccatistudie
16. Melancholie, Tremolostudie
17. Vergebliches Standchen, Flageolettstudie
18. Harlekin, Pizzicatistudie
19. Bauerntanz, Studie der 7. Lage
20. Gigue, Rhytmische Studie
21. Perpetuum Mobile, Spiccatostudie
22. Lamento, Studie fur den Ausdruck und die Zuruckhaltung des Bogens
23. Phantastischer Walzer, Trillerstudie
24. Der Sturm, Chromatische Studie
If a composer writes 24 caprices for the violin, and if he himself is also a uniquely virtuoso violinist, then a comparison with the 24 caprices by Paganini is inevitable: Henri Marteau was not only appreciated and revered as one of the greatest violinists of his time, but his compositional work was lost in the background. He shared this fate with Niccolò Paganini, who was also experienced during his lifetime more as a ""warlock"" of the violin than as a serious composer and musician. So, if this comparison is almost inevitable, it must be mentioned that Paganini himself, with his main work published in 1820, also took up the example of other composers, such as the Etudes and Caprices of Rodolphe Kreutzer. The subtitle of Henri Marteau's Caprices: "d'exécution transcendante" is also very revealing. Moreover, Marteau has his miniatures accompanied throughout by the piano, unlike Paganini, who uses the violin alone. The violin virtuoso Ingolf Turban considered his own violin class at the Hochschule München predestined for this first recording of all 24 of Marteau's caprices. So together they dared to do the almost unbelievable: all twelve students in his class were involved in this mammoth task, the absolute peak of which, of course, lies in the very elaborate piano accompaniment. Here he engaged the pianist Tomoko Nishikawa, who confidently took on this mammoth task!
Classical | FLAC / APE | HD & Vinyl
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