Richard Fields - Give Everybody Some! (1982) [Hi-Res]
BAND/ARTIST: Richard Fields, Richard "Dimples" Fields
- Title: Give Everybody Some!
- Year Of Release: 1982
- Label: Boardwalk Records
- Genre: Funk, Soul, R&B, Disco
- Quality: FLAC (tracks) [96kHz/24bit]
- Total Time: 42:40
- Total Size: 812 / 251 MB
- WebSite: Album Preview
Tracklist:
1. People Treat You Funky (When Ya Ain't Got No Money!)
2. Butter
3. Wish Somebody Loved Me (The Way I Love You)
4. Don't Ever Stop Chasing Your Dreams
5. You Shouldn't Have Made It So Good!
6. Let It All Hang Out!
7. You Send Me
8. Moody's Mood For Love (I'm In The Mood For Love)
9. Goodbye You...Hello Her
1. People Treat You Funky (When Ya Ain't Got No Money!)
2. Butter
3. Wish Somebody Loved Me (The Way I Love You)
4. Don't Ever Stop Chasing Your Dreams
5. You Shouldn't Have Made It So Good!
6. Let It All Hang Out!
7. You Send Me
8. Moody's Mood For Love (I'm In The Mood For Love)
9. Goodbye You...Hello Her
Truer words were never said then ones Richard "Dimple" Fields sing on "People Treat You Funky When Ya Ain't Got No Money"; sung to a reggae beat, Fields recites a laundry list of woes that occur when your funds are depleted. Fields wrote most of these selections with Belinda Wilson -- this is good creative stuff, but the album suffers because Fields' light, lazy tenor is not strong enough maintain interest. A prime example is "Butter," about a dancer that refers to a woman's derriere as "butter"; a better lead would have made it significant. Fields does it no justice at all -- he's much better on songs where he can talk or sing, or on ballads; however, the ballad "When Somebody Love Me (The Way I Love You)" is a dozer. "Don't Ever Stop Chasing Your Dreams," has a positive message and made some chart noise, but Fields' voice is unbelievably light, and the song only gets interesting when he stops singing and converses with a five-year-old boy about the lad's goals and dreams. "You Shouldn't Have Made It So Good" and "Goodbye You, Hello Her" are infectious and easy on the ears, but the disco-ish "Let It All Hang Out" is weak. Patrice Rushen joins Fields on "Moody's Mood for Love"; he should have let her sing on more tracks. Fields produced his tracks, but he needed a Motown-ish type producer to wring out the best from him, the musicians, and the vocalists. These tracks -- even the good ones -- are limp and lifeless. ~ Andrew Hamilton
Soul | Funk | R&B | Disco | FLAC / APE | HD & Vinyl
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