Pieter Wispelwey - J.S. Bach: Gamba Sonatas (1999)
BAND/ARTIST: Pieter Wispelwey
- Title: J.S. Bach: Gamba Sonatas
- Year Of Release: 1999
- Label: Channel Classics
- Genre: Classical
- Quality: FLAC (tracks)
- Total Time: 59:03
- Total Size: 335 Mb
- WebSite: Album Preview
Tracklist:
1. Prelude In G (After Prelude In C, BWV 846, From 'Das Wohltemperierte Clavier 1') 1:58
Sonate 1 In G, BWV 1027 (Violoncello Piccolo, Organ, Cello)
2. Adagio 3:46
3. Allegro Ma Non Tanto 3:32
4. Andante 2:13
5. Allegro Moderato 3:01
6. Siciliano (From Harpsichord Concerto In E, BWV 1053) 4:41
7. Prelude In D (After Prelude From Cello Suite No 1 In G, BWV 1007) 2:12
Sonate 2 In D, BWV 1028 (Violoncello Piccolo, Fortepiano)
8. Adagio 1:51
9. Allegro 3:51
10. Andante 4:31
11. Allegro 3:59
12. Andante (From Italian Concerto, BWV 971) 4:33
13. Prelude In g (After Prelude In c, BWV 999, From Kleine Präludien Und Fughetten) 1:45
Sonate 3 In g, BWV 1029 (Violoncello Piccolo, Harpsichord, Cello)
14. Vivace 5:08
15. Adagio 5:33
16. Allegro 3:41
17. Largo (From Harpsichord Concerto In f, BWV 1056) 2:39
Performers:
Cello [Violoncello Piccolo] – Pieter Wispelwey
1. Prelude In G (After Prelude In C, BWV 846, From 'Das Wohltemperierte Clavier 1') 1:58
Sonate 1 In G, BWV 1027 (Violoncello Piccolo, Organ, Cello)
2. Adagio 3:46
3. Allegro Ma Non Tanto 3:32
4. Andante 2:13
5. Allegro Moderato 3:01
6. Siciliano (From Harpsichord Concerto In E, BWV 1053) 4:41
7. Prelude In D (After Prelude From Cello Suite No 1 In G, BWV 1007) 2:12
Sonate 2 In D, BWV 1028 (Violoncello Piccolo, Fortepiano)
8. Adagio 1:51
9. Allegro 3:51
10. Andante 4:31
11. Allegro 3:59
12. Andante (From Italian Concerto, BWV 971) 4:33
13. Prelude In g (After Prelude In c, BWV 999, From Kleine Präludien Und Fughetten) 1:45
Sonate 3 In g, BWV 1029 (Violoncello Piccolo, Harpsichord, Cello)
14. Vivace 5:08
15. Adagio 5:33
16. Allegro 3:41
17. Largo (From Harpsichord Concerto In f, BWV 1056) 2:39
Performers:
Cello [Violoncello Piccolo] – Pieter Wispelwey
On this disc we celebrate three main aspects of Bach’s art. The G major and the G minor preludes represent his powerful harmonic language, which is as far-reaching in small scale pieces as it is in bigger. In the process of transcribing them for piccolo cello I thought I’d include a little riddle, more or less in the spirit of his riddle canons. (The secrets behind this riddle shouldn’t of course be revealed, but lets just say that they have to do with creative scordatura tuning). In the G major one, apart from the adventure of endless modulating, particularly appealing to me was the compelling descent from the silvery high register, through the umbrageous middle range, down to the mystical pond of the lowest register. Seemingly simple means, highly suggestive outcome and just one example out of thousands of Bach’s mastery of musical alchemy….
As a ISRA.CLOUD's PREMIUM member you will have the following benefits:
- Unlimited high speed downloads
- Download directly without waiting time
- Unlimited parallel downloads
- Support for download accelerators
- No advertising
- Resume broken downloads