Martin Roscoe - Szymanowski: Piano Works, Vol. 1-4 (1995-2005)
BAND/ARTIST: Martin Roscoe
- Title: Szymanowski: Piano Works, Vol. 1-4
- Year Of Release: 1995-2005
- Label: Naxos
- Genre: Classical Piano
- Quality: flac lossless +Booklet
- Total Time: 04:35:47
- Total Size: 795 mb
- WebSite: Album Preview
Tracklist
Szymanowski: Piano Works, Vol. 1
01. Mazurka, Op. 50, No.1
02. Mazurka, Op. 50, No. 2
03. Mazurka, Op. 50, No. 3
04. Mazurka, Op. 50, No. 4
05. Metopes, Op. 29: L'ile des Sirènes
06. Metopes, Op. 29: Calypso
07. Metopes, Op. 29: Nausicaa
08. Four Studies, Op. 4, No. 1
09. Four Studies, Op. 4, No. 2
10. Four Studies, Op. 4, No. 3
11. Four Studies, Op. 4, No. 4
12. Piano Sonata No. 2 in A Major, Op. 21: Allegro assai
13. Piano Sonata No. 2 in A Major, Op. 21: Allegretto tranquillo
Szymanowski: Piano Works, Vol. 2
01. Mazurkas, Op. 50, Nos. 5-12: No. 5 Moderato
02. Mazurkas, Op. 50, Nos. 5-12: No. 6 Vivace (Junacko)
03. Mazurkas, Op. 50, Nos. 5-12: No. 7 Poco Vivace (Tempo Oberka)
04. Mazurkas, Op. 50, Nos. 5-12: No. 8 Moderato (non Troppo)
05. Mazurkas, Op. 50, Nos. 5-12: No. 9 Tempo Moderato
06. Mazurkas, Op. 50, Nos. 5-12: No. 10 Allegramente - Vivace - Con Brio
07. Mazurkas, Op. 50, Nos. 5-12: No. 11 Allegretto
08. Mazurkas, Op. 50, Nos. 5-12: No. 12 Allegro Moderato
09. Variations on a Polish Theme, Op. 10: Introduction: Andante Doloroso Rubato
10. Variations on a Polish Theme, Op. 10: Andantino Semplice
11. Variations on a Polish Theme, Op. 10: No. 1. Meno Mosso
12. Variations on a Polish Theme, Op. 10: No. 2. Agitato
13. Variations on a Polish Theme, Op. 10: No. 3. Lento Mesto Ma Poco Agitato
14. Variations on a Polish Theme, Op. 10: No. 4. Allegro Molto Agitato
15. Variations on a Polish Theme, Op. 10: No. 5. Andantino
16. Variations on a Polish Theme, Op. 10: No. 6. Andante Dolcissimo
17. Variations on a Polish Theme, Op. 10: No. 7. Più Mosso
18. Variations on a Polish Theme, Op. 10: No. 8. Marcia Funébre
19. Variations on a Polish Theme, Op. 10: No. 9. Più Mosso (Allegro)
20. Variations on a Polish Theme, Op. 10: No. 10 Finale: Allegro Vivo - Maestoso
21. Masques, Op. 34: No. 1. Shéhérazade
22. Masques, Op. 34: No. 2. Tantris le Bouffon
23. Masques, Op. 34: No. 3. Sérénade de Don Juan
24. Fantasia in C Major, Op. 14: No. 1. Grave
25. Fantasia in C Major, Op. 14: No. 2. Non Troppo Allegro
26. Fantasia in C Major, Op. 14: No. 3. Allegro Molto
Szymanowski: Piano Works, Vol. 3
01. 20 Mazurkas, Op. 50: XIII. Moderato
02. 20 Mazurkas, Op. 50: XIV. Animato
03. 20 Mazurkas, Op. 50: XV. Allegretto dolce
04. 20 Mazurkas, Op. 50: XVI. Allegramente: Vigoroso
05. 12 Studies, Op. 33: I. Presto
06. 12 Studies, Op. 33: II. Andantino soave
07. 12 Studies, Op. 33: III. Vivace assai
08. 12 Studies, Op. 33: IV. Presto
09. 12 Studies, Op. 33: V. Andante espressivo
10. 12 Studies, Op. 33: VI. Vivace
11. 12 Studies, Op. 33: VII. Allegro molto
12. 12 Studies, Op. 33: VIII. Lento assai mesto
13. 12 Studies, Op. 33: IX. Animato
14. 12 Studies, Op. 33: X. Presto
15. 12 Studies, Op. 33: XI. Andante soave
16. 12 Studies, Op. 33: XII. Presto energico
17. 4 Polish Dances: I. Poland IV: Mazurka
18. 4 Polish Dances: II. Poland V: Krakowiak
19. 4 Polish Dances: III. Poland VI: Oberek
20. 4 Polish Dances: IV. Poland VII: Polonaise
21. Prelude and Fugue in C sharp minor: I. Prelude
22. Prelude and Fugue in C sharp minor: II. Fugue
23. Piano Sonata No. 1 in C minor, Op. 8: I. Allegro moderato
24. Piano Sonata No. 1 in C minor, Op. 8: II. Adagio
25. Piano Sonata No. 1 in C minor, Op. 8: III. Tempo di minuetto
26. Piano Sonata No. 1 in C minor, Op. 8: IV. Finale
Szymanowski: Piano Works, Vol. 4
01. 9 Preludes, Op. 1: I. Andante ma non troppo
02. 9 Preludes, Op. 1: II. Andante con moto
03. 9 Preludes, Op. 1: III. Andantino
04. 9 Preludes, Op. 1: IV. Andantino con moto
05. 9 Preludes, Op. 1: V. Allegro molto impetuoso
06. 9 Preludes, Op. 1: VI. Lento mesto
07. 9 Preludes, Op. 1: VII. Moderato
08. 9 Preludes, Op. 1: VIII. Andante ma non troppo
09. 9 Preludes, Op. 1: IX. Lento mesto
10. Variations in B flat minor: Tema Andantino tranquillo e semplice
11. Variations in B flat minor: Variation 1: L'istesso tempo
12. Variations in B flat minor: Variation 2: Agitato
13. Variations in B flat minor: Variation 3: Andante quasi tempo di mazurka
14. Variations in B flat minor: Variation 4: Con moto
15. Variations in B flat minor: Variation 5: Lento dolce
16. Variations in B flat minor: Variation 6: Scherzando: Vivace molto
17. Variations in B flat minor: Variation 7: Allegro agitato ed energico
18. Variations in B flat minor: Variation 8: Meno mosso: Mesto
19. Variations in B flat minor: Variation 9: Tempo di Valse: Grazioso
20. Variations in B flat minor: Variation 10: Andantino
21. Variations in B flat minor: Variation 11: Andanino dolce affettuoso
22. Variations in B flat minor: Variation 12: Allegro con fuoco
23. 20 Mazurkas, Op. 50 (Excerpts): Mazurka No. 17: Moderato
24. 20 Mazurkas, Op. 50 (Excerpts): Mazurka No. 18: Vivace: Agitato
25. 20 Mazurkas, Op. 50 (Excerpts): Mazurka No. 19: Poco vivace
26. 20 Mazurkas, Op. 50 (Excerpts): Mazurka No. 20: Allegramente: con brio
27. Mazurkas, Op. 62: Mazurka No. 1: Allegretto grazioso
28. Mazurkas, Op. 62: Mazurka No. 2: Moderato
29. Valse Romantique
30. Piano Sonata, No. 3, Op. 36: I. Presto
31. Piano Sonata, No. 3, Op. 36: II. Adagio: Mesto
32. Piano Sonata, No. 3, Op. 36: II. Assai vivace: Scherzando
33. Piano Sonata, No. 3, Op. 36: IV. Fuga
Martin Rummel is a virtuoso cellist who has infused almost every facet of his career to reflect an uncanny versatility: with a broad repertory of 40 or so concertos and countless other works, from Baroque to contemporary (lots of contemporary!), he regularly appears as soloist with the major orchestras and as a chamber music player, and he has taught at several distinguished music schools and regularly gives master classes. In addition, he has served as director of the Klassik Musikfest Mühlviertel in Oberneukirchen, Austria, and has been artistic director/advisor for several other major musical events. But his talent and activities don't end there: Rummel co-wrote two crime novels, with Reinhard Cebulla, the first of which, Suite Opus 1 (2002), became quite popular. Rummel has premiered 20 or so concertos, including those by Helmut Rogl (1994) and Graham Whettam (2000), and he has given the first Austrian performance of numerous works, including by Gubaidulina, Howard Blake, and Morton Feldman. Yet Rummel, the "champion of the contemporary," also plays J.S. Bach, Beethoven, Schubert, and Reger with utter conviction and masterly insight. Rummel has made numerous recordings, most appearing on Musicaphon and Redcliffe Recordings.
Martin Rummel was born in Linz, Austria, on May 2, 1974. He studied cello from eight years of age with Wilfred Tachezi. He had later studies with Maria Kliegel at the Musikhochschule in Cologne, from where he graduated in 1997. He also worked with William Pleeth in London.
Rummel's interest in contemporary music was fueled when, at 16, he met composer Alfred Schnittke. From about 1993, when he premiered the Cello Sonata of Graham Whettam, Rummel has been devoted to introducing new works. In 1996 Rummel's first recording appeared on Musicaphon, the Concertino for cello by Martinu. Rummel soon found time for teaching, working at the International Summer Academy Kurt Pahlen Lenk in Switzerland (1999-2003), and, from 2000, at the Music Academy in Kassel, Germany.
By the early years of the new century Rummel's concert career was in full bloom throughout Europe. His American debut was in 2000, the year he began serving as artistic director of the Kammermusik Festival in Wilhering, Austria. Rummel's second collaboration with Reinhard Cebulla resulted in the 2005 novel Suite Opus 3. In 2009 Rummel was appointed senior lecturer in cello performance at the University of Auckland. Among Rummel's later recordings is the 2008 Musicaphon CD of sonatas by J.S. Bach and Reger.
Szymanowski: Piano Works, Vol. 1
01. Mazurka, Op. 50, No.1
02. Mazurka, Op. 50, No. 2
03. Mazurka, Op. 50, No. 3
04. Mazurka, Op. 50, No. 4
05. Metopes, Op. 29: L'ile des Sirènes
06. Metopes, Op. 29: Calypso
07. Metopes, Op. 29: Nausicaa
08. Four Studies, Op. 4, No. 1
09. Four Studies, Op. 4, No. 2
10. Four Studies, Op. 4, No. 3
11. Four Studies, Op. 4, No. 4
12. Piano Sonata No. 2 in A Major, Op. 21: Allegro assai
13. Piano Sonata No. 2 in A Major, Op. 21: Allegretto tranquillo
Szymanowski: Piano Works, Vol. 2
01. Mazurkas, Op. 50, Nos. 5-12: No. 5 Moderato
02. Mazurkas, Op. 50, Nos. 5-12: No. 6 Vivace (Junacko)
03. Mazurkas, Op. 50, Nos. 5-12: No. 7 Poco Vivace (Tempo Oberka)
04. Mazurkas, Op. 50, Nos. 5-12: No. 8 Moderato (non Troppo)
05. Mazurkas, Op. 50, Nos. 5-12: No. 9 Tempo Moderato
06. Mazurkas, Op. 50, Nos. 5-12: No. 10 Allegramente - Vivace - Con Brio
07. Mazurkas, Op. 50, Nos. 5-12: No. 11 Allegretto
08. Mazurkas, Op. 50, Nos. 5-12: No. 12 Allegro Moderato
09. Variations on a Polish Theme, Op. 10: Introduction: Andante Doloroso Rubato
10. Variations on a Polish Theme, Op. 10: Andantino Semplice
11. Variations on a Polish Theme, Op. 10: No. 1. Meno Mosso
12. Variations on a Polish Theme, Op. 10: No. 2. Agitato
13. Variations on a Polish Theme, Op. 10: No. 3. Lento Mesto Ma Poco Agitato
14. Variations on a Polish Theme, Op. 10: No. 4. Allegro Molto Agitato
15. Variations on a Polish Theme, Op. 10: No. 5. Andantino
16. Variations on a Polish Theme, Op. 10: No. 6. Andante Dolcissimo
17. Variations on a Polish Theme, Op. 10: No. 7. Più Mosso
18. Variations on a Polish Theme, Op. 10: No. 8. Marcia Funébre
19. Variations on a Polish Theme, Op. 10: No. 9. Più Mosso (Allegro)
20. Variations on a Polish Theme, Op. 10: No. 10 Finale: Allegro Vivo - Maestoso
21. Masques, Op. 34: No. 1. Shéhérazade
22. Masques, Op. 34: No. 2. Tantris le Bouffon
23. Masques, Op. 34: No. 3. Sérénade de Don Juan
24. Fantasia in C Major, Op. 14: No. 1. Grave
25. Fantasia in C Major, Op. 14: No. 2. Non Troppo Allegro
26. Fantasia in C Major, Op. 14: No. 3. Allegro Molto
Szymanowski: Piano Works, Vol. 3
01. 20 Mazurkas, Op. 50: XIII. Moderato
02. 20 Mazurkas, Op. 50: XIV. Animato
03. 20 Mazurkas, Op. 50: XV. Allegretto dolce
04. 20 Mazurkas, Op. 50: XVI. Allegramente: Vigoroso
05. 12 Studies, Op. 33: I. Presto
06. 12 Studies, Op. 33: II. Andantino soave
07. 12 Studies, Op. 33: III. Vivace assai
08. 12 Studies, Op. 33: IV. Presto
09. 12 Studies, Op. 33: V. Andante espressivo
10. 12 Studies, Op. 33: VI. Vivace
11. 12 Studies, Op. 33: VII. Allegro molto
12. 12 Studies, Op. 33: VIII. Lento assai mesto
13. 12 Studies, Op. 33: IX. Animato
14. 12 Studies, Op. 33: X. Presto
15. 12 Studies, Op. 33: XI. Andante soave
16. 12 Studies, Op. 33: XII. Presto energico
17. 4 Polish Dances: I. Poland IV: Mazurka
18. 4 Polish Dances: II. Poland V: Krakowiak
19. 4 Polish Dances: III. Poland VI: Oberek
20. 4 Polish Dances: IV. Poland VII: Polonaise
21. Prelude and Fugue in C sharp minor: I. Prelude
22. Prelude and Fugue in C sharp minor: II. Fugue
23. Piano Sonata No. 1 in C minor, Op. 8: I. Allegro moderato
24. Piano Sonata No. 1 in C minor, Op. 8: II. Adagio
25. Piano Sonata No. 1 in C minor, Op. 8: III. Tempo di minuetto
26. Piano Sonata No. 1 in C minor, Op. 8: IV. Finale
Szymanowski: Piano Works, Vol. 4
01. 9 Preludes, Op. 1: I. Andante ma non troppo
02. 9 Preludes, Op. 1: II. Andante con moto
03. 9 Preludes, Op. 1: III. Andantino
04. 9 Preludes, Op. 1: IV. Andantino con moto
05. 9 Preludes, Op. 1: V. Allegro molto impetuoso
06. 9 Preludes, Op. 1: VI. Lento mesto
07. 9 Preludes, Op. 1: VII. Moderato
08. 9 Preludes, Op. 1: VIII. Andante ma non troppo
09. 9 Preludes, Op. 1: IX. Lento mesto
10. Variations in B flat minor: Tema Andantino tranquillo e semplice
11. Variations in B flat minor: Variation 1: L'istesso tempo
12. Variations in B flat minor: Variation 2: Agitato
13. Variations in B flat minor: Variation 3: Andante quasi tempo di mazurka
14. Variations in B flat minor: Variation 4: Con moto
15. Variations in B flat minor: Variation 5: Lento dolce
16. Variations in B flat minor: Variation 6: Scherzando: Vivace molto
17. Variations in B flat minor: Variation 7: Allegro agitato ed energico
18. Variations in B flat minor: Variation 8: Meno mosso: Mesto
19. Variations in B flat minor: Variation 9: Tempo di Valse: Grazioso
20. Variations in B flat minor: Variation 10: Andantino
21. Variations in B flat minor: Variation 11: Andanino dolce affettuoso
22. Variations in B flat minor: Variation 12: Allegro con fuoco
23. 20 Mazurkas, Op. 50 (Excerpts): Mazurka No. 17: Moderato
24. 20 Mazurkas, Op. 50 (Excerpts): Mazurka No. 18: Vivace: Agitato
25. 20 Mazurkas, Op. 50 (Excerpts): Mazurka No. 19: Poco vivace
26. 20 Mazurkas, Op. 50 (Excerpts): Mazurka No. 20: Allegramente: con brio
27. Mazurkas, Op. 62: Mazurka No. 1: Allegretto grazioso
28. Mazurkas, Op. 62: Mazurka No. 2: Moderato
29. Valse Romantique
30. Piano Sonata, No. 3, Op. 36: I. Presto
31. Piano Sonata, No. 3, Op. 36: II. Adagio: Mesto
32. Piano Sonata, No. 3, Op. 36: II. Assai vivace: Scherzando
33. Piano Sonata, No. 3, Op. 36: IV. Fuga
Martin Rummel is a virtuoso cellist who has infused almost every facet of his career to reflect an uncanny versatility: with a broad repertory of 40 or so concertos and countless other works, from Baroque to contemporary (lots of contemporary!), he regularly appears as soloist with the major orchestras and as a chamber music player, and he has taught at several distinguished music schools and regularly gives master classes. In addition, he has served as director of the Klassik Musikfest Mühlviertel in Oberneukirchen, Austria, and has been artistic director/advisor for several other major musical events. But his talent and activities don't end there: Rummel co-wrote two crime novels, with Reinhard Cebulla, the first of which, Suite Opus 1 (2002), became quite popular. Rummel has premiered 20 or so concertos, including those by Helmut Rogl (1994) and Graham Whettam (2000), and he has given the first Austrian performance of numerous works, including by Gubaidulina, Howard Blake, and Morton Feldman. Yet Rummel, the "champion of the contemporary," also plays J.S. Bach, Beethoven, Schubert, and Reger with utter conviction and masterly insight. Rummel has made numerous recordings, most appearing on Musicaphon and Redcliffe Recordings.
Martin Rummel was born in Linz, Austria, on May 2, 1974. He studied cello from eight years of age with Wilfred Tachezi. He had later studies with Maria Kliegel at the Musikhochschule in Cologne, from where he graduated in 1997. He also worked with William Pleeth in London.
Rummel's interest in contemporary music was fueled when, at 16, he met composer Alfred Schnittke. From about 1993, when he premiered the Cello Sonata of Graham Whettam, Rummel has been devoted to introducing new works. In 1996 Rummel's first recording appeared on Musicaphon, the Concertino for cello by Martinu. Rummel soon found time for teaching, working at the International Summer Academy Kurt Pahlen Lenk in Switzerland (1999-2003), and, from 2000, at the Music Academy in Kassel, Germany.
By the early years of the new century Rummel's concert career was in full bloom throughout Europe. His American debut was in 2000, the year he began serving as artistic director of the Kammermusik Festival in Wilhering, Austria. Rummel's second collaboration with Reinhard Cebulla resulted in the 2005 novel Suite Opus 3. In 2009 Rummel was appointed senior lecturer in cello performance at the University of Auckland. Among Rummel's later recordings is the 2008 Musicaphon CD of sonatas by J.S. Bach and Reger.
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