David Breitman & Jaap Ter Linden - Beethoven: The Music for Piano and Cello (2018)

• Title: Beethoven: The Music for Piano and Cello
  
• Year Of Release: 2018
  
• Label: Nimbus Alliance
  
• Genre: Classical
  
• Quality: flac lossless +booklet
  
• Total Time: 02:26:49
  
• Total Size: 692 mb
  
• WebSite: Album Preview
  

Tracklist

CD1
01. Sonata No. 1 in F Major, Op. 5: I. Adagio sostenuto
02. Sonata No. 1 in F Major, Op. 5: II. Allegro
03. Sonata No. 1 in F Major, Op. 5: III. Rondo-Allegro vivace
04. Twelve Variations on 'Ein Mädchen oder Weibchen', Op. 66: I. Theme
05. Twelve Variations on 'Ein Mädchen oder Weibchen', Op. 66: II. Variation 1
06. Twelve Variations on 'Ein Mädchen oder Weibchen', Op. 66: III. Variation 2
07. Twelve Variations on 'Ein Mädchen oder Weibchen', Op. 66: IV. Variation 3
08. Twelve Variations on 'Ein Mädchen oder Weibchen', Op. 66: V. Variation 4
09. Twelve Variations on 'Ein Mädchen oder Weibchen', Op. 66: VI. Variation 5
10. Twelve Variations on 'Ein Mädchen oder Weibchen', Op. 66: VII. Variation 6
11. Twelve Variations On 'Ein Mädchen Oder Weibchen', Op. 66: VIII. Variation 7
12. Twelve Variations on 'Ein Mädchen oder Weibchen', Op. 66: IX. Variation 8
13. Twelve Variations on 'Ein Mädchen oder Weibchen', Op. 66: X. Variation 9
14. Twelve Variations on 'Ein Mädchen oder Weibchen', Op. 66: XI. Variation 10
15. Twelve Variations on 'Ein Mädchen oder Weibchen', Op. 66: XII. Variation 11
16. Twelve Variations On 'Ein Mädchen Oder Weibchen', Op. 66: XIII. Variation 12
17. Sonata No. 2 in G Minor, Op. 5: I. Adagio sostenuto e espressivo
18. Sonata No. 2 in G Minor, Op. 5: II. Allegro molto più tosto presto
19. Sonata No. 2 in G Minor, Op. 5: III. Rondo-Allegro
20. Twelve Variations on 'See the conqu'ring hero comes' WoO 45: I. Theme
21. Twelve Variations on 'See the conqu'ring hero comes' WoO 45: II. Variation 1
22. Twelve Variations on 'See the conqu'ring hero comes' WoO 45: III. Variation 2
23. Twelve Variations on 'See the conqu'ring hero comes' WoO 45: IV. Variation 3
24. Twelve Variations on 'See the conqu'ring hero comes' WoO 45: V. Variation 4
25. Twelve Variations on 'See the conqu'ring hero comes' WoO 45: VI. Variation 5
26. Twelve Variations on 'See the conqu'ring hero comes' WoO 45: VII. Variation 6
27. Twelve Variations On 'See The Conqu'Ring Hero Comes' Woo 45: VIII. Variation 7
28. Twelve Variations on 'See the conqu'ring hero comes' WoO 45: IX. Variation 8
29. Twelve Variations on 'See the conqu'ring hero comes' WoO 45: X. Variation 9
30. Twelve Variations on 'See the conqu'ring hero comes' WoO 45: XI. Variation 10
31. Twelve Variations on 'See the conqu'ring hero comes' WoO 45: XII. Variation 11
32. Twelve Variations On 'See The Conqu'Ring Hero Comes' Woo 45: XIII. Variation 12

CD2
01. Sonata in A Major, Op. 69: I. Allegro ma non tanto
02. Sonata in A Major, Op. 69: II. Scherzo: Allegro molto
03. Sonata in A Major, Op. 69: III. Adagio cantabile
04. Sonata in A Major, Op. 69: IV. Allegro vivace
05. Seven Variations on 'Bei Männern welche Liebe fühlen' WoO 46: I. Theme
06. Seven Variations on 'Bei Männern welche Liebe fühlen' WoO 46: II. Variation 1
07. Seven Variations on 'Bei Männern welche Liebe fühlen' WoO 46: III. Variation 2
08. Seven Variations on 'Bei Männern welche Liebe fühlen' WoO 46: IV. Variation 3
09. Seven Variations on 'Bei Männern welche Liebe fühlen' WoO 46: V. Variation 4
10. Seven Variations on 'Bei Männern welche Liebe fühlen' WoO 46: VI. Variation 5
11. Seven Variations on 'Bei Männern welche Liebe fühlen' WoO 46: VII. Variation 6
12. Seven Variations On 'Bei Männern Welche Liebe Fühlen' Woo 46: VIII. Variation 7
13. Sonata No. 1 in C Major, Op. 102: I. Andante
14. Sonata No. 1 in C Major, Op. 102: II. Allegro vivace
15. Sonata No. 1 in C Major, Op. 102: III. Adagio-Temo d'Andante
16. Sonata No. 1 in C Major, Op. 102: IV. Allegro vivace
17. Sonata No. 2 in D Major, Op. 102: I. Allegro con brio
18. Sonata No. 2 in D Major, Op. 102: II. Adagio con molto sentimento d'affetto
19. Sonata No. 2 in D Major, Op. 102: III. Allegro fugato

Composers
Beethoven, Ludwig van (1770-1827)

I first became interested in historical keyboards as a piano student in Boston in the 1970’s. Boston was then, and is still, an early music centre, and I had frequent opportunities to hear renaissance and baroque ensembles in concert. I eventually decided to take some harpsichord lessons with Robert Hill, freshly returned from Amsterdam where he had been studying with Gustav Leonhardt. The first early piano I encountered was one that Robert’s brother Keith built and brought to Boston. My first reaction after playing a few passages was 'Ah! Beethoven’s cello sonatas!' I had been struggling with the G minor sonata, and it became obvious to me that the brilliant passagework for the piano—which drowns out the cello unless played mp instead of ff as Beethoven indicates—would work perfectly if only I had a piano like this… That finally happened in 1987, when I began doctoral studies with Malcolm Bilson at Cornell University. Since then I have had the rare privilege—with excellent instruments and fabulous colleagues—of rediscovering the monuments of Classical chamber music (sonatas and trios of Haydn, Mozart and Beethoven) in historical style. I first met Jaap ter Linden at the Royal Conservatory in The Hague in 2002. I was visiting European Early Music departments on my sabbatical leave from Oberlin, looking for places for our students to continue their studies after graduation. At the same time, Jaap and his violinist colleague Elizabeth Wallfisch were looking for a fortepianist with whom to play trios. And so the Oberlin Fortepiano Trio was born. Some of the most rewarding hours of my life were spent with those two, working on the great trios by Beethoven, Schubert, and Mendelssohn. Finally, it has been both an honour and a delight for me that both of these players approached me with the idea of recording the Beethoven sonatas for their respective instruments. It’s been a great journey.

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Year 2018 | Classical | FLAC / APE

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