The King's Consort - Purcell - Royal Odes (2021)
BAND/ARTIST: The King's Consort
- Title: Purcell - Royal Odes
- Year Of Release: 2021
- Label: Vivat
- Genre: Classical
- Quality: FLAC (tracks)
- Total Time: 80:56 min
- Total Size: 419 MB
- WebSite: Album Preview
Tracklist:
01. Why are all the Muses mute : Opening solo and chorus
02. Why are all the Muses mute : Symphony
03. Why are all the Muses mute : When should each soul exalted be
04. Why are all the Muses mute : Britain, thou now art great
05. Why are all the Muses mute : Look up, and to our Isle returning see
06. Why are all the Muses mute : Accurs'd rebellion reared his head
07. Why are all the Muses mute : So Jove, scarce settled in his sky
08. Why are all the Muses mute : Minuet - Caesar, for milder virtues
09. Why are all the Muses mute : The many headed beast is quelled
10. Why are all the Muses mute : In the equal balance laid
11. Why are all the Muses mute : O, how blest is the isle
12. Now does the glorious day appear : Symphony
13. Now does the glorious day appear : Opening chorus
14. Now does the glorious day appear : Not any one such joy could bring
15. Now does the glorious day appear : This does our fertile isle
16. Now does the glorious day appear : Opening chorus (reprise)
17. Now does the glorious day appear : It was a work of full as great a weight
18. Now does the glorious day appear : By beauteous softness mix'd with majesty
19. Now does the glorious day appear : Her hero to whose conduct
20. Now does the glorious day appear : Our dear religion
21. Now does the glorious day appear : No more shall we the great Eliza boast
22. Now does the glorious day appear : Now, now with one united voice
23. Welcome, glorious morn : Symphony
24. Welcome, glorious morn : Opening solo and chorus
25. Welcome, glorious morn : At thy return the joyful earth
26. Welcome, glorious morn : Welcome as when three happy kingdoms strove
27. Welcome, glorious morn : The mighty goddess of this wealthy isle
28. Welcome, glorious morn : Full of wonder and delight
29. Welcome, glorious morn : And lo, a sacred fury - To lofty strains
30. Welcome, glorious morn : My prayers are heard - I see the round years
31. Welcome, glorious morn : He to the field by Honour call'd shall go
32. Welcome, glorious morn : Whilst undisturb'd his happy Consort reigns
33. Welcome, glorious morn : Sound all ye spheres
01. Why are all the Muses mute : Opening solo and chorus
02. Why are all the Muses mute : Symphony
03. Why are all the Muses mute : When should each soul exalted be
04. Why are all the Muses mute : Britain, thou now art great
05. Why are all the Muses mute : Look up, and to our Isle returning see
06. Why are all the Muses mute : Accurs'd rebellion reared his head
07. Why are all the Muses mute : So Jove, scarce settled in his sky
08. Why are all the Muses mute : Minuet - Caesar, for milder virtues
09. Why are all the Muses mute : The many headed beast is quelled
10. Why are all the Muses mute : In the equal balance laid
11. Why are all the Muses mute : O, how blest is the isle
12. Now does the glorious day appear : Symphony
13. Now does the glorious day appear : Opening chorus
14. Now does the glorious day appear : Not any one such joy could bring
15. Now does the glorious day appear : This does our fertile isle
16. Now does the glorious day appear : Opening chorus (reprise)
17. Now does the glorious day appear : It was a work of full as great a weight
18. Now does the glorious day appear : By beauteous softness mix'd with majesty
19. Now does the glorious day appear : Her hero to whose conduct
20. Now does the glorious day appear : Our dear religion
21. Now does the glorious day appear : No more shall we the great Eliza boast
22. Now does the glorious day appear : Now, now with one united voice
23. Welcome, glorious morn : Symphony
24. Welcome, glorious morn : Opening solo and chorus
25. Welcome, glorious morn : At thy return the joyful earth
26. Welcome, glorious morn : Welcome as when three happy kingdoms strove
27. Welcome, glorious morn : The mighty goddess of this wealthy isle
28. Welcome, glorious morn : Full of wonder and delight
29. Welcome, glorious morn : And lo, a sacred fury - To lofty strains
30. Welcome, glorious morn : My prayers are heard - I see the round years
31. Welcome, glorious morn : He to the field by Honour call'd shall go
32. Welcome, glorious morn : Whilst undisturb'd his happy Consort reigns
33. Welcome, glorious morn : Sound all ye spheres
An outstanding new recording from The King’s Consort brings together a world-class vocal and instrumental ensemble in a glorious programme of three of Purcell’s finest Royal Odes.
• For more than three decades TKC has been renowned across the globe for its performances of the music of Henry Purcell. In 1988, TKC recorded its first disc of Purcell’s odes: that ground-breaking series of the complete odes (most of them at that time largely unknown) was followed by similar series of the sacred music and the secular songs, and changed the musical world’s perception of Purcell. Since then there has been hardly a year in which the odes haven’t appeared in TKC’s concert programmes: this is music which runs through the ensemble’s veins.
• Spanning almost the whole of his period as an established composer, Purcell’s odes show him at his finest. A glorious succession of overtures, choruses, arias and delicious ritornelli display astonishing imagination and ingenuity: yet never far beneath the surface lies the sense of melancholy, of fading glory, that is the hallmark of Purcell’s greatest music.
• During the pandemic lockdown of Autumn 2020, thirty-two years after their first Purcell recording, TKC returned to the studio to record three substantial odes: two written for Queen Mary, and one for King James II. An outstanding team of soloists (led by Carolyn Sampson, Iestyn Davies, Charles Daniels and Matthew Brook) included one member of the ensemble who took part in that first recording, alongside others who have been performing these works with TKC for twenty years. On the other hand, three of 2020’s singers were not even born when TKC recorded that first disc. A superlative instrumental ensemble provides equally outstanding contributions.
• The recording was made in the spacious surroundings of recently restored Fairfield Halls, whose warm, clear acoustic is perfect for this music. Extensive presentation includes a 48 page full colour booklet with substantial liner notes in three languages, together with sung texts and session photos.
• For more than three decades TKC has been renowned across the globe for its performances of the music of Henry Purcell. In 1988, TKC recorded its first disc of Purcell’s odes: that ground-breaking series of the complete odes (most of them at that time largely unknown) was followed by similar series of the sacred music and the secular songs, and changed the musical world’s perception of Purcell. Since then there has been hardly a year in which the odes haven’t appeared in TKC’s concert programmes: this is music which runs through the ensemble’s veins.
• Spanning almost the whole of his period as an established composer, Purcell’s odes show him at his finest. A glorious succession of overtures, choruses, arias and delicious ritornelli display astonishing imagination and ingenuity: yet never far beneath the surface lies the sense of melancholy, of fading glory, that is the hallmark of Purcell’s greatest music.
• During the pandemic lockdown of Autumn 2020, thirty-two years after their first Purcell recording, TKC returned to the studio to record three substantial odes: two written for Queen Mary, and one for King James II. An outstanding team of soloists (led by Carolyn Sampson, Iestyn Davies, Charles Daniels and Matthew Brook) included one member of the ensemble who took part in that first recording, alongside others who have been performing these works with TKC for twenty years. On the other hand, three of 2020’s singers were not even born when TKC recorded that first disc. A superlative instrumental ensemble provides equally outstanding contributions.
• The recording was made in the spacious surroundings of recently restored Fairfield Halls, whose warm, clear acoustic is perfect for this music. Extensive presentation includes a 48 page full colour booklet with substantial liner notes in three languages, together with sung texts and session photos.
Year 2021 | Classical | FLAC / APE
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