Ensemble A Musicall Banquet & Baltazar Zuniga - Dowland: A Musicall Banquet (2021)
BAND/ARTIST: Ensemble A Musicall Banquet, Baltazar Zuniga
- Title: Dowland: A Musicall Banquet
- Year Of Release: 2021
- Label: Brilliant Classics
- Genre: Classical
- Quality: flac lossless
- Total Time: 00:48:19
- Total Size: 220 mb
- WebSite: Album Preview
Tracklist
01. My heavy Sprite
02. Go, my Flock, Go Get You Hence
03. Ce penser qui sans fi n tirannise ma vie
04. Recercada Octava
05. Pasaba amor, su arco desarmado
06. An Italian Ground
07. Lady, If You So Spite Me
08. Se di farmi morire
09. Johnny Cock Thy Beaver
10. Lachrimae Pavan
11. In Darkness Let me Dwell
12. o bella più che la stella Diana
13. Paul's Steeple
14. Amarilli mia bella
15. Dovrò dunque morire
16. Recercada segunda
17. Vuestros ojos tienen d'amor no sé qué
In 1610, the lutenist Robert Dowland, who had just turned 19, published two anthologies in quick succession that are today considered vital for our understanding of both the lute and Elizabethan vocal music. The first, A Varietie of Lute Lessons, which as the title suggests features lessons but also a long essay on European lute production, contains important information on lute performance, in part originating from his esteemed father, John Dowland. It is not far-fetched to imagine that Roberts father also had a part to play in the second book, A Musicall Banquet John had returned from the Danish court some time previously and is represented by several pieces in the anthology. Adhering to the culinary metaphor of the collections title, this Banquet comprises recipes from different countries with different levels of technical difficulty, and is made up of dishes already taste-tested so as not to poison diners, in other words, established pieces that were nonetheless as yet unknown to the English public. Robert opens his anthology with a large selection of English songs, taken from what was by that point a well-established repertoire: at the time Banquet was published, an impressive 24 books of songs had already been printed, beginning with John Dowlands First Booke of Songes or Ayres, published in 1797. The next group of pieces in the collection belong to a genre that could be considered the most similar to the English song, the French air de cour, in the sense that the latter, at least in its most ancient form, influenced the development of the former. The air de cour for voice and lute was enjoying enormous success thanks to the scores Robert Ballard began publishing in 1608. The selection of Italian pieces is the most significant part of the collection.
01. My heavy Sprite
02. Go, my Flock, Go Get You Hence
03. Ce penser qui sans fi n tirannise ma vie
04. Recercada Octava
05. Pasaba amor, su arco desarmado
06. An Italian Ground
07. Lady, If You So Spite Me
08. Se di farmi morire
09. Johnny Cock Thy Beaver
10. Lachrimae Pavan
11. In Darkness Let me Dwell
12. o bella più che la stella Diana
13. Paul's Steeple
14. Amarilli mia bella
15. Dovrò dunque morire
16. Recercada segunda
17. Vuestros ojos tienen d'amor no sé qué
In 1610, the lutenist Robert Dowland, who had just turned 19, published two anthologies in quick succession that are today considered vital for our understanding of both the lute and Elizabethan vocal music. The first, A Varietie of Lute Lessons, which as the title suggests features lessons but also a long essay on European lute production, contains important information on lute performance, in part originating from his esteemed father, John Dowland. It is not far-fetched to imagine that Roberts father also had a part to play in the second book, A Musicall Banquet John had returned from the Danish court some time previously and is represented by several pieces in the anthology. Adhering to the culinary metaphor of the collections title, this Banquet comprises recipes from different countries with different levels of technical difficulty, and is made up of dishes already taste-tested so as not to poison diners, in other words, established pieces that were nonetheless as yet unknown to the English public. Robert opens his anthology with a large selection of English songs, taken from what was by that point a well-established repertoire: at the time Banquet was published, an impressive 24 books of songs had already been printed, beginning with John Dowlands First Booke of Songes or Ayres, published in 1797. The next group of pieces in the collection belong to a genre that could be considered the most similar to the English song, the French air de cour, in the sense that the latter, at least in its most ancient form, influenced the development of the former. The air de cour for voice and lute was enjoying enormous success thanks to the scores Robert Ballard began publishing in 1608. The selection of Italian pieces is the most significant part of the collection.
Year 2021 | Classical | FLAC / APE
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