Enrico Viccardi - Storace: Complete Harpsichord and Organ Music (2021) [Hi-Res]
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BAND/ARTIST: Enrico Viccardi
- Title: Storace: Complete Harpsichord and Organ Music
- Year Of Release: 2021
- Label: Brilliant Classics
- Genre: Classical
- Quality: flac lossless / flac 24bits - 96.0kHz +Booklet
- Total Time: 02:18:23
- Total Size: 836 mb / 2.73 gb
- WebSite: Album Preview
Tracklist
01. Capriccio Sopra Il Passo E Mezzo in D Major
02. Passo E Mezzo
03. Altro Passo E Mezzo
04. Romanesca
05. Aria Sopra La Spagnoletta in A Minor
06. Monica
07. Capriccio Sopra Ruggiero
08. Partite Sopra Il Cinque Passi in D Major
09. Follia in G Minor
10. Passagagli Sopra a La Mi Re
11. Passagagli Sopra C Sol Fa Ut Per B
12. Passagagli Sopra D Sol Re Per #
13. Passagagli Fe Fa Ut Per B
14. Ciaccona in C Major
15. Balletto in G Minor
16. Ballo Della Battaglia in D Major
17. Corrente in Sol
18. Corrente in Mi
19. Toccata E Canzon in Sol
20. Toccata E Canzon in Fa
21. Recercar
22. Recercar di Ligature in E Minor
23. Pastorale
![Enrico Viccardi - Storace: Complete Harpsichord and Organ Music (2021) [Hi-Res]](https://www.dibpic.com/uploads/posts/2021-02/1614297194_enrico-viccardi-storace-complete-harpsichord-and-organ-music-2021-back.jpg)
All that is known of Bernardo Storaces life derives from the title-page of his sole collection of music: in 1664 he was vice-maestro di cappella to the senate of Messina, Sicily. It is not known whether he was an antecedent of the Storace family of singers and musicians active in England at the end of the 18th century. His surviving music is all contained in his Selva di varie compositioni dintavolatura per cimbalo ed organo, published in Venice in 1664. While the work of Frescobaldi was surely not unknown to Storace, the later composers voice is individual and original. Taken in the round, the collection presents a state of the art of keyboard music of the time. There are pieces such as passamezzi and ground-bass variations that adhere to a particular tradition and others that are more modern, with deliberate departures from established modes that embrace both a new tonal handling of harmony and echoes of a more antique and modal approach. Among the collections most novel features is its final piece, a long Pastorale with the flavour of a hornpipe, and the most ingeniously contrived repeated patterns and variations in texture and mood, all over a D pedal. To convey the varied colors and textures of Storaces music for this new recording, Enrico Viccardi has chosen to play four different instruments: a harpsichord built as a copy of a Grimaldi, a spinet modeled on the Venetian instruments of the second half of the 17th century, a Neapolitan positive organ by F. Cimino with all original pipes (first half of the 18th century) and the historically significant organ at the Collegiate Church of Santa Maria della Neve at Gualtieri (RE).
01. Capriccio Sopra Il Passo E Mezzo in D Major
02. Passo E Mezzo
03. Altro Passo E Mezzo
04. Romanesca
05. Aria Sopra La Spagnoletta in A Minor
06. Monica
07. Capriccio Sopra Ruggiero
08. Partite Sopra Il Cinque Passi in D Major
09. Follia in G Minor
10. Passagagli Sopra a La Mi Re
11. Passagagli Sopra C Sol Fa Ut Per B
12. Passagagli Sopra D Sol Re Per #
13. Passagagli Fe Fa Ut Per B
14. Ciaccona in C Major
15. Balletto in G Minor
16. Ballo Della Battaglia in D Major
17. Corrente in Sol
18. Corrente in Mi
19. Toccata E Canzon in Sol
20. Toccata E Canzon in Fa
21. Recercar
22. Recercar di Ligature in E Minor
23. Pastorale
All that is known of Bernardo Storaces life derives from the title-page of his sole collection of music: in 1664 he was vice-maestro di cappella to the senate of Messina, Sicily. It is not known whether he was an antecedent of the Storace family of singers and musicians active in England at the end of the 18th century. His surviving music is all contained in his Selva di varie compositioni dintavolatura per cimbalo ed organo, published in Venice in 1664. While the work of Frescobaldi was surely not unknown to Storace, the later composers voice is individual and original. Taken in the round, the collection presents a state of the art of keyboard music of the time. There are pieces such as passamezzi and ground-bass variations that adhere to a particular tradition and others that are more modern, with deliberate departures from established modes that embrace both a new tonal handling of harmony and echoes of a more antique and modal approach. Among the collections most novel features is its final piece, a long Pastorale with the flavour of a hornpipe, and the most ingeniously contrived repeated patterns and variations in texture and mood, all over a D pedal. To convey the varied colors and textures of Storaces music for this new recording, Enrico Viccardi has chosen to play four different instruments: a harpsichord built as a copy of a Grimaldi, a spinet modeled on the Venetian instruments of the second half of the 17th century, a Neapolitan positive organ by F. Cimino with all original pipes (first half of the 18th century) and the historically significant organ at the Collegiate Church of Santa Maria della Neve at Gualtieri (RE).
Year 2021 | Classical | FLAC / APE
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