Dax Pierson - Nerve Bumps (A Queer Divine Dissatisfaction) (2021)

Dax Pierson’s first full-length studio solo album is coming to LP/ CD / CS / and digital via SanFrancisco’s Electronic powerhouse imprint Dark Entries Records and Oakland’s Ratskin Records collective. Dax Pierson, an Oakland, CA based electronic music underground legend has pushed the
boundaries of experimental electronic music once again with his two-plus years in the making soul-moving, full-length experimental electronic opus “Nerve Bumps; A Queer Divine Dissatisfaction’’.

On “Nerve Bumps” Pierson blends hip hop, funk, and jazz sensibilities, with complex, dark, harrowing percussion, John Carpenter-esque arpeggios, 808 trap/anti trap-influenced drum programming, musique
concrete conceptual experiments, nodding to later Talk Talk and fellow queer producers Matmos, who’s new album, Pierson contributed to
Futuristic synthesizers cut through layers of fog, as Pierson’s heavy, bombastic drum programming bridges new worlds within themselves, pulling rhythmic influences from sources as diverse as Prince
and The Revolution to Moor Mother, and Ras G.

For an album that’s mostly instrumental, Pierson tells a complicated, nuanced and inspiring story, which is both a privilege and a gift to experience, but only on Piersons’ terms. Tracks such as “I Slay The
Pain” reiterate once again that although Pierson has to live his life as a quadriplegic, often in a motorized chair, this, nor any other singular experience defines him as an artist nor a person, and this is
the story, one of the stories told within the near forty minutes of “Nerve Bumps”. Throughout the record, Pierson mainly utilizes the voice as additional instruments, and yet even with very few discernible lyrics,
the story’s narrative and timing is never lost. Honesty, empathy, and humanity bleed through the speakers like a dark liquid just underneath the skin’s surface. For Pierson, music is his lifeblood, both as
a creator and a listener. The epic, cinematic synth heavy “For The Angels”, plays as a masterclass in heart and body moving rhythms and undulating synthesizers, the only track from “Neve Bumps” to be
previously released (albeit in live form), takes on an even bigger life in this studio version. Pierson methodically moves us through unknown landscapes and we discover a path into his world, and we now have the privilege to peer inside. Pierson’s breathtakingly complex and endlessly rewarding sonic worlds created on “Nerve Bumps”
utilize self-constructed systems, custom designed and integrated to tell his story with as few creative limitations as possible. “Nerve Bumps” realizes this to his fullest in a spectacular show of force of contemporary electronic prose, a magnum opus within Pierson’s musical lexicon.

The album’s title, “Nerve Bumps: A Queer Divine Dissatisfaction” which references a quote from American dancer and choreographer Mathra Graham, who once stated, “No artist is pleased... There
is only a queer divine dissatisfaction, a blessed unrest that keeps us marching and makes us more alive than the others.” This quote, which addresses a universal conundrum amongst artists of all
disciplines, also served as Pierson’s personal manta throughout the two year writing and recording process of “Nerve Bumps”.
Pierson used this mantra as a mental and psychological weapon against the pain, and physical limitations of living as a music producer who also happens to be quadriplegic, as well as the abnormal
and often violent peaks and troughs of producing as a Queer, Black Disabled artist in America, as a member of the human race in a crumbling world being torn apart at the seems by capitalism, ableism white supremacy. The album’s cover displays a painting of the same name, titled simply “A Queer Divine Dissatisfaction” by Pierson’s partner, renowned multidisciplinary visual artist Chuck Nanney. The title
serves as a conceptual throughway through Pierson’s idiosyncratic processes in the creation of both “Nerve Bumps” as well as validation of his own experience as both a musical inspiration to many as well
as a survivor.

“It’s the thing that I can’t not do, it’s the thing that keeps me going. Without this I don’t really know what I would have”