Ensemble Emigré - Robert Kahn: Leaves from the tree of life (2021) [Hi-Res]
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BAND/ARTIST: Ensemble Emigré
- Title: Robert Kahn: Leaves from the tree of life
- Year Of Release: 2021
- Label: Rubicon
- Genre: Classical
- Quality: flac lossless / flac 24bits - 96.0kHz +Booklet
- Total Time: 01:01:43
- Total Size: 272 mb / 1.05 gb
- WebSite: Album Preview
Tracklist
01. 3 Stucke for cello and piano, Op. 25 I. Romanze in F Minor
02. 7 Gesange, Op. 27 II. 's ist ein so stiller heil'ger Tag
03. 6 Lieder und Gesange, Op. 20 II. Novemberfeier
04. 6 Lieder, Op. 52 I. Idyll
05. 10 Lieder, Op. 42 X. Liebestrost
06. Tagebuch in Tonen (Leaves from the Tree of Life) No. 500 (Variations on No. 1) in A-Flat. Andante
07. Tagebuch in Tonen (Leaves from the Tree of Life) No. 3 in C-Sharp Minor. Allegretto non troppo
08. Tagebuch in Tonen (Leaves from the Tree of Life) No. 4 in C-Sharp Minor. Andantino con moto, quasi improvisato
09. Tagebuch in Tonen (Leaves from the Tree of Life) No. 5 in F Minor. Assai sostenuto ed espressivo
10. Tagebuch in Tonen (Leaves from the Tree of Life) No. 53 in E. Allegretto con moto
11. Tagebuch in Tonen (Leaves from the Tree of Life), Jeanne Suite No. 473a in G. Moderato
12. Tagebuch in Tonen (Leaves from the Tree of Life), Jeanne Suite No. 473b in G. Poco allegretto
13. Tagebuch in Tonen (Leaves from the Tree of Life), Jeanne Suite No. 473c in G. Allegretto vivace
14. Tagebuch in Tonen (Leaves from the Tree of Life), Jeanne Suite No. 474 in E Minor. Andante sostenuto
15. Tagebuch in Tonen (Leaves from the Tree of Life), Jeanne Suite No. 475 in G. Vivace
16. 9 Lieder nach Gedichten von Christian Morgenstern, Op. 31 No. 2. Liebesbrief
17. 9 Lieder nach Gedichten von Christian Morgenstern, Op. 31 No. 8. Die Unke
18. 5 Lieder, Op. 38 No. 5. Feuerbestattung
19. 9 Lieder im Volkston, Op. 47 No. 9. Gebet
20. Quintet in C Minor for piano, violin, cello, clarinet and horn, Op. 54 I. Allegro non troppo
21. Quintet in C Minor for piano, violin, cello, clarinet and horn, Op. 54 II. Presto assai
22. Quintet in C Minor for piano, violin, cello, clarinet and horn, Op. 54 III. Andante sostenuto
23. Quintet in C Minor for piano, violin, cello, clarinet and horn, Op. 54 IV. Allegro agitato
Robert Kahn was born in Mannheim in 1865 and died in Biddenden, Kent in 1951. How did a composer who impressed Brahms, and who the older composer offered to give lessons to end up in the UK in a small village? Kahn became an influential professor of music at the Berlin Hochschule, and before that had his works performed by the Joachim Quartet, and the Berlin Philharmonic under Hans von Bülow. Kahn was a friend of Joachim, von Bülow, Adolf Busch and Richard Mühlfeld. His compositional style was along the lines of Mendelssohn, Schuman and Brahms, he was an admirer of Reger, whose contrapuntalism no doubt had an influence upon Kahn. He avoided large scale romantic forms, and became famed for his songs, choral works, chamber music and the huge Tagebuch in Tönen, (Music from the Tree of Life) a collection of solo piano works, suites for piano and lieder that run to over 1100 pieces.
Things started to go wrong for Kahn with the rise of the Nazis. Branded ‘degenerate’ by the National Socialists, he was thrown out of his teaching positions, and in 1937 left for the UK, settling in Kent and composing right up to his death. This album is a fascinating introduction to a composer that political extremism and hatred tried and failed to erase.
01. 3 Stucke for cello and piano, Op. 25 I. Romanze in F Minor
02. 7 Gesange, Op. 27 II. 's ist ein so stiller heil'ger Tag
03. 6 Lieder und Gesange, Op. 20 II. Novemberfeier
04. 6 Lieder, Op. 52 I. Idyll
05. 10 Lieder, Op. 42 X. Liebestrost
06. Tagebuch in Tonen (Leaves from the Tree of Life) No. 500 (Variations on No. 1) in A-Flat. Andante
07. Tagebuch in Tonen (Leaves from the Tree of Life) No. 3 in C-Sharp Minor. Allegretto non troppo
08. Tagebuch in Tonen (Leaves from the Tree of Life) No. 4 in C-Sharp Minor. Andantino con moto, quasi improvisato
09. Tagebuch in Tonen (Leaves from the Tree of Life) No. 5 in F Minor. Assai sostenuto ed espressivo
10. Tagebuch in Tonen (Leaves from the Tree of Life) No. 53 in E. Allegretto con moto
11. Tagebuch in Tonen (Leaves from the Tree of Life), Jeanne Suite No. 473a in G. Moderato
12. Tagebuch in Tonen (Leaves from the Tree of Life), Jeanne Suite No. 473b in G. Poco allegretto
13. Tagebuch in Tonen (Leaves from the Tree of Life), Jeanne Suite No. 473c in G. Allegretto vivace
14. Tagebuch in Tonen (Leaves from the Tree of Life), Jeanne Suite No. 474 in E Minor. Andante sostenuto
15. Tagebuch in Tonen (Leaves from the Tree of Life), Jeanne Suite No. 475 in G. Vivace
16. 9 Lieder nach Gedichten von Christian Morgenstern, Op. 31 No. 2. Liebesbrief
17. 9 Lieder nach Gedichten von Christian Morgenstern, Op. 31 No. 8. Die Unke
18. 5 Lieder, Op. 38 No. 5. Feuerbestattung
19. 9 Lieder im Volkston, Op. 47 No. 9. Gebet
20. Quintet in C Minor for piano, violin, cello, clarinet and horn, Op. 54 I. Allegro non troppo
21. Quintet in C Minor for piano, violin, cello, clarinet and horn, Op. 54 II. Presto assai
22. Quintet in C Minor for piano, violin, cello, clarinet and horn, Op. 54 III. Andante sostenuto
23. Quintet in C Minor for piano, violin, cello, clarinet and horn, Op. 54 IV. Allegro agitato
Robert Kahn was born in Mannheim in 1865 and died in Biddenden, Kent in 1951. How did a composer who impressed Brahms, and who the older composer offered to give lessons to end up in the UK in a small village? Kahn became an influential professor of music at the Berlin Hochschule, and before that had his works performed by the Joachim Quartet, and the Berlin Philharmonic under Hans von Bülow. Kahn was a friend of Joachim, von Bülow, Adolf Busch and Richard Mühlfeld. His compositional style was along the lines of Mendelssohn, Schuman and Brahms, he was an admirer of Reger, whose contrapuntalism no doubt had an influence upon Kahn. He avoided large scale romantic forms, and became famed for his songs, choral works, chamber music and the huge Tagebuch in Tönen, (Music from the Tree of Life) a collection of solo piano works, suites for piano and lieder that run to over 1100 pieces.
Things started to go wrong for Kahn with the rise of the Nazis. Branded ‘degenerate’ by the National Socialists, he was thrown out of his teaching positions, and in 1937 left for the UK, settling in Kent and composing right up to his death. This album is a fascinating introduction to a composer that political extremism and hatred tried and failed to erase.
Year 2021 | Classical | FLAC / APE | HD & Vinyl
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