Sven Grünberg - Hukkunud Alpinisti Hotell (2001) CD-Rip
BAND/ARTIST: Sven Grünberg
- Title: Hukkunud Alpinisti Hotell
- Year Of Release: 2001
- Label: Hyper Records
- Genre: Electronic, Ambient, New Age
- Quality: Mp3 320 kbps / FLAC (tracks+.cue, log)
- Total Time: 211:16 min
- Total Size: 520 / 919 MB
- WebSite: Album Preview
Tracklist:
CD1 - Hukkunud alpinisti hotel 1979:
1-01 Nimetu (4:17)
1-02 Hästi (1:34)
1-03 Ball (3:50)
1-04 Laviin (2:23)
1-05 Alguse Mäed (3:00)
1-06 Tulid?! (4:21)
1-07 Meri (1:28)
1-08 Valus (2:23)
1-09 Kala Lugu (3:16)
1-10 Teema (1:34)
1-11 Tulen Kord Jälle (3:51)
1-12 Õhtu Tuleb (3:08)
1-13 Kes (4:16)
1-14 Metsa Maagia (5:19)
1-15 Kodulugu (2:11)
1-16 Lahkumine Kodust (4:39)
1-17 Udu Hääl (1:53)
1-18 Emast (2:09)
1-19 Muusikaõhtu (2:54)
1-20 Kodust Lahkumine (0:41)
1-21 Armastame (3:34)
1-22 Taeva All (2:06)
1-23 Lained (1:31)
1-24 Meeles (2:10)
1-25 Walborg (1:25)
1-26 Kujutluste Aed (3:16)
CD2 - Wikmani poised 1994-95:
2-01 Avateema (0:50)
2-02 Tunnen (1:33)
2-03 Meresõit (1:56)
2-04 Vaade (0:27)
2-05 Kohtumine (2:55)
2-06 Arm (2:16)
2-07 Lahkub (2:33)
2-08 Rootsi Tüdruk (1:06)
2-09 Finaal (3:09)
2-10 Liisi (2:02)
2-11 Vaakum (2:54)
2-12 Ka Siber (3:06)
2-13 Lahkumine Siit (2:48)
2-14 Pildid (3:21)
2-15 Mets (2:42)
2-16 Oli (2:47)
2-17 Head Üüd (1:17)
2-18 Vaalad (4:55)
2-19 Tuleviku Linn (4:27)
2-20 Tiivul (2:29)
2-21 Harfiga (1:47)
2-22 Laskumine (2:25)
2-23 Flüüdiga (1:43)
2-24 Hing (1:55)
2-25 Lapsele (1:17)
2-26 Kandlele (1:59)
2-27 Meenutus (1:27)
2-28 Bibol (1:54)
2-29 Oo-Um (1:21)
2-30 Lunastus (1:19)
2-31 Lootos (2:26)
2-32 Esindamata Rahvaste Organisatsiooni Hümn (2:37)
CD3 - Kolmas plaat 1987:
3-01 Maod (1:58)
3-02 Gagaku (1:44)
3-03 Maffia (2:20)
3-04 Rituaal (3:36)
3-05 Parun Ja Astroloog (2:08)
3-06 Uni (2:11)
3-07 Kriminaalne Algus (3:11)
3-08 Vägi (1:56)
3-09 Midagi Juhtub (3:12)
3-10 Tema (0:57)
3-11 Keldis Juhtub (0:48)
3-12 Temaga (1:24)
3-13 Euro (2:27)
3-14 Tants (3:52)
3-15 Liigub Ja Mõtleb (4:07)
3-16 Jaht (3:17)
3-17 Vaade (2:17)
3-18 Barokk (2:29)
3-19 Koketeerib (1:24)
3-20 Tahaks Teada (2:01)
3-21 Naiste Kool (2:06)
3-22 Lible (1:01)
3-23 Oli (2:21)
3-24 Tootsi Lugu (1:28)
3-25 Tolmub (4:00)
3-26 Veel Kord Liisi (1:01)
3-27 Laps (1:19)
3-28 Kuulake Kõik (4:12)
CD1 - Hukkunud alpinisti hotel 1979:
1-01 Nimetu (4:17)
1-02 Hästi (1:34)
1-03 Ball (3:50)
1-04 Laviin (2:23)
1-05 Alguse Mäed (3:00)
1-06 Tulid?! (4:21)
1-07 Meri (1:28)
1-08 Valus (2:23)
1-09 Kala Lugu (3:16)
1-10 Teema (1:34)
1-11 Tulen Kord Jälle (3:51)
1-12 Õhtu Tuleb (3:08)
1-13 Kes (4:16)
1-14 Metsa Maagia (5:19)
1-15 Kodulugu (2:11)
1-16 Lahkumine Kodust (4:39)
1-17 Udu Hääl (1:53)
1-18 Emast (2:09)
1-19 Muusikaõhtu (2:54)
1-20 Kodust Lahkumine (0:41)
1-21 Armastame (3:34)
1-22 Taeva All (2:06)
1-23 Lained (1:31)
1-24 Meeles (2:10)
1-25 Walborg (1:25)
1-26 Kujutluste Aed (3:16)
CD2 - Wikmani poised 1994-95:
2-01 Avateema (0:50)
2-02 Tunnen (1:33)
2-03 Meresõit (1:56)
2-04 Vaade (0:27)
2-05 Kohtumine (2:55)
2-06 Arm (2:16)
2-07 Lahkub (2:33)
2-08 Rootsi Tüdruk (1:06)
2-09 Finaal (3:09)
2-10 Liisi (2:02)
2-11 Vaakum (2:54)
2-12 Ka Siber (3:06)
2-13 Lahkumine Siit (2:48)
2-14 Pildid (3:21)
2-15 Mets (2:42)
2-16 Oli (2:47)
2-17 Head Üüd (1:17)
2-18 Vaalad (4:55)
2-19 Tuleviku Linn (4:27)
2-20 Tiivul (2:29)
2-21 Harfiga (1:47)
2-22 Laskumine (2:25)
2-23 Flüüdiga (1:43)
2-24 Hing (1:55)
2-25 Lapsele (1:17)
2-26 Kandlele (1:59)
2-27 Meenutus (1:27)
2-28 Bibol (1:54)
2-29 Oo-Um (1:21)
2-30 Lunastus (1:19)
2-31 Lootos (2:26)
2-32 Esindamata Rahvaste Organisatsiooni Hümn (2:37)
CD3 - Kolmas plaat 1987:
3-01 Maod (1:58)
3-02 Gagaku (1:44)
3-03 Maffia (2:20)
3-04 Rituaal (3:36)
3-05 Parun Ja Astroloog (2:08)
3-06 Uni (2:11)
3-07 Kriminaalne Algus (3:11)
3-08 Vägi (1:56)
3-09 Midagi Juhtub (3:12)
3-10 Tema (0:57)
3-11 Keldis Juhtub (0:48)
3-12 Temaga (1:24)
3-13 Euro (2:27)
3-14 Tants (3:52)
3-15 Liigub Ja Mõtleb (4:07)
3-16 Jaht (3:17)
3-17 Vaade (2:17)
3-18 Barokk (2:29)
3-19 Koketeerib (1:24)
3-20 Tahaks Teada (2:01)
3-21 Naiste Kool (2:06)
3-22 Lible (1:01)
3-23 Oli (2:21)
3-24 Tootsi Lugu (1:28)
3-25 Tolmub (4:00)
3-26 Veel Kord Liisi (1:01)
3-27 Laps (1:19)
3-28 Kuulake Kõik (4:12)
These three discs, or need big words. Sven Grünberg, alas, do not tell yourself such planning. His words can not betray their fimimuusika karpkogumikule the manner in which it is difficult composer. He speaks as if the report were to write a job application - for example, says that film music is an important, and that he is trying to do it with quality. Well, in our 86's, is a composition in three and half hour. Not some "quality" is not following anyone would ever hear it all. However, imagine the desire of their fantasies on their own under the weight mõranemas see. Or just to feel how the day sounds of their darkened. Or to guess how time flows, but not to know what time it is.
I am absolutely sure - that the impact of electronic sounds are the same as those ebaloomulikumad, colder and südametumad they are. Such music could be restless and tense, even convulsions as she searches for communication in a foreign territory - where the language has not yet been created for this purpose. And the result is the inability to disguise its artificiality, unable to stand the natural and organic. It is often so that electronic music is consumed with our wide range of empathy, human sympathy at all. He measures himself on the other scale, is born as a scientific discovery, and is responsible for its ideal future, and not the mortal pleasures to come.
Sven Grünberg theater music collection speaks most clearly something else. This music is not looking for myself in my dreams, or cosmic psychedelia, away from the normal communication with the outside. Perhaps it all seemed too Grünberg for infinite event, excessively ambitious and outwards. Too much process and too little performance. So we see instead that a higher truth seeker Grünberg seemingly small and trivial, humanitarian matters. This box contains a positive world, Therapy and inexhaustible. It includes their intensity at the amazingly low conflict, and dramatic confrontations. It's all been said to be the "state of the music," if I remember correctly. Sounds like a monitor themselves, how they are born and fade away, do not collide with each other, to enjoy yourself. Grünberg and did not interfere. He seems to believe that silence and that matters a higher internal breathing and that is the only thing that is really worth listening. This is how the music he is born, from which physical contact of the instrument is out of reach. Here you do not have to sweat, here is the only fragrance. Do Grünberg wants to be higher than we are? Slightly vagam and didactic than us? Pretty sure that's ...
In the midst of it melodramatic, beautiful spiritual New Age panteismi that once masquerading as eksperimentaalmuusikaks and then again, in the middle of it a little too safe glass bead game shines pray a lot - contemplative monotony moving "moves and thinks," Erik Satie'lik "was" peculiarly distanced purity "Whales," a slightly darkened, intimidated by the "Future city", etc. But mostly, it is the music of weightlessness. Not that the art of weightlessness, but without physical difficulties reached. There simply is not enough electricity - and of course, the music of the film altogether which electricity?
However, in response to this question, please give the name of a collection of six sections from the movie "Dead Mountaineer's Hotel." "Avalanche" and "You came back ?!" and others are going to work perhaps precisely because of the film itself and its central conflict of the kind - a communication disorder unfamiliar world. And Grünberg is a character in this film. Perhaps the most positive figure in the Earth's inhabitants at all. Because his music has its own contacts already established. Perhaps it is the hotel's orchestra. For him to play the "Ball" - one of the most shocking poplaule Estonia through the ages. But when I listen to it now again and again - his soisevõitu Groove, trummitaldrikute enticing hissing, synthesizer, which will raise your feet from the ground, and the vocal passion, which does not inspire, but congealed - then I think that maybe this is a real story about a real hit today somewhere in the galaxy 6.
I am absolutely sure - that the impact of electronic sounds are the same as those ebaloomulikumad, colder and südametumad they are. Such music could be restless and tense, even convulsions as she searches for communication in a foreign territory - where the language has not yet been created for this purpose. And the result is the inability to disguise its artificiality, unable to stand the natural and organic. It is often so that electronic music is consumed with our wide range of empathy, human sympathy at all. He measures himself on the other scale, is born as a scientific discovery, and is responsible for its ideal future, and not the mortal pleasures to come.
Sven Grünberg theater music collection speaks most clearly something else. This music is not looking for myself in my dreams, or cosmic psychedelia, away from the normal communication with the outside. Perhaps it all seemed too Grünberg for infinite event, excessively ambitious and outwards. Too much process and too little performance. So we see instead that a higher truth seeker Grünberg seemingly small and trivial, humanitarian matters. This box contains a positive world, Therapy and inexhaustible. It includes their intensity at the amazingly low conflict, and dramatic confrontations. It's all been said to be the "state of the music," if I remember correctly. Sounds like a monitor themselves, how they are born and fade away, do not collide with each other, to enjoy yourself. Grünberg and did not interfere. He seems to believe that silence and that matters a higher internal breathing and that is the only thing that is really worth listening. This is how the music he is born, from which physical contact of the instrument is out of reach. Here you do not have to sweat, here is the only fragrance. Do Grünberg wants to be higher than we are? Slightly vagam and didactic than us? Pretty sure that's ...
In the midst of it melodramatic, beautiful spiritual New Age panteismi that once masquerading as eksperimentaalmuusikaks and then again, in the middle of it a little too safe glass bead game shines pray a lot - contemplative monotony moving "moves and thinks," Erik Satie'lik "was" peculiarly distanced purity "Whales," a slightly darkened, intimidated by the "Future city", etc. But mostly, it is the music of weightlessness. Not that the art of weightlessness, but without physical difficulties reached. There simply is not enough electricity - and of course, the music of the film altogether which electricity?
However, in response to this question, please give the name of a collection of six sections from the movie "Dead Mountaineer's Hotel." "Avalanche" and "You came back ?!" and others are going to work perhaps precisely because of the film itself and its central conflict of the kind - a communication disorder unfamiliar world. And Grünberg is a character in this film. Perhaps the most positive figure in the Earth's inhabitants at all. Because his music has its own contacts already established. Perhaps it is the hotel's orchestra. For him to play the "Ball" - one of the most shocking poplaule Estonia through the ages. But when I listen to it now again and again - his soisevõitu Groove, trummitaldrikute enticing hissing, synthesizer, which will raise your feet from the ground, and the vocal passion, which does not inspire, but congealed - then I think that maybe this is a real story about a real hit today somewhere in the galaxy 6.
Easy Listening | Electronic | Ambient | New Age | FLAC / APE | Mp3 | CD-Rip
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