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Martha Argerich, Alexandre Rabinovitch - Brahms: Works for Two Pianos (1994)

Martha Argerich, Alexandre Rabinovitch - Brahms: Works for Two Pianos (1994)
  • Title: Brahms: Works for Two Pianos
  • Year Of Release: 1994
  • Label: Teldec
  • Genre: Classical
  • Quality: FLAC (image+.cue,log,scans)
  • Total Time: 64:09
  • Total Size: 238 Mb
  • WebSite:
Tracklist:

Johannes Brahms (1833-1897)

01. Variations on a Theme by Haydn, op.56b: Theme [0:01:46.05]
02. Variations on a Theme by Haydn, op.56b: Var. I: Andante con moto [0:01:01.43]
03. Variations on a Theme by Haydn, op.56b: Var. II: Vivace [0:00:57.05]
04. Variations on a Theme by Haydn, op.56b: Var. III: Con moto [0:01:46.50]
05. Variations on a Theme by Haydn, op.56b: Var. IV: Andante [0:01:52.70]
06. Variations on a Theme by Haydn, op.56b: Var. V: Poco presto [0:00:49.22]
07. Variations on a Theme by Haydn, op.56b: Var. VI: Vivace [0:01:12.55]
08. Variations on a Theme by Haydn, op.56b: Var. VII: Graziosos [0:02:32.70]
09. Variations on a Theme by Haydn, op.56b: Var. VIII: Poco presto [0:00:46.40]
10. Variations on a Theme by Haydn, op.56b: Finale: Andante [0:03:33.20]
11. Sonata for Two Pianos, Op. 34b: I. Allegro non troppo [0:14:48.23]
12. Sonata for Two Pianos, Op. 34b: II. Andante, un poco adagio [0:08:18.35]
13. Sonata for Two Pianos, Op. 34b: III. Scherzo: Allegro/ Trio [0:07:03.22]
14. Sonata for Two Pianos, Op. 34b: IV: Finale: Poco sustenuto - Allegro non troppo [0:10:35.58]
15. Waltzes, Op.39: No. 1 in B [0:00:52.15]
16. Waltzes, Op.39: No. 2 in E [0:01:39.70]
17. Waltzes, Op.39: No. 3 in B [0:01:21.32]
18. Waltzes, Op.39: No. 4 in G sharp [0:01:15.65]
19. Waltzes, Op.39: No. 5 in A flat [0:01:55.08]

Performers:
Martha Argerich - piano
Alexandre Rabinovitch - piano

Agerich and Rabinovitch make Brahms far larger than life in this incredible recording. The Haydn variations are big, spectacular and coloful, yet pure and unromantic. In addition, the two pianos add a lovely harmonic dimension to the selections from Brahms' waltzes. The variations sound reverent and pastoral at the biggining, and their tone is austere yet evocative. In the later tracks, however, they explode into brilliant and powerful color, and their mood is unmistakably Brahms' own. The piece throughout shows distinctly concrete rythme and compositional articulation, yet Agerich and Rabinovitch weave in heatedly passionate emotion and miteculous nuance. I highly recommend this CD.




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