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Yolanda Kondonassis, Gil Shaham, Orli Shaham, Jason Vieaux, Oberlin Orchestra, Raphael Jiménez - Ginastera: One Hundred (2016) [Hi-Res]

Yolanda Kondonassis, Gil Shaham, Orli Shaham, Jason Vieaux, Oberlin Orchestra, Raphael Jiménez - Ginastera: One Hundred (2016) [Hi-Res]
  • Title: Ginastera: One Hundred
  • Year Of Release: 2016
  • Label: Oberlin Music
  • Genre: Classical
  • Quality: flac lossless / flac 24bits - 96.0kHz +Booklet
  • Total Time: 00:55:05
  • Total Size: 232 / 1011 mb
  • WebSite:
Tracklist

01. Harp Concerto, Op. 25: I. Allegro giusto
02. Harp Concerto, Op. 25: II. Molto moderato
03. Harp Concerto, Op. 25: III. Liberamente capriccioso - Vivace
04. Pampeana No. 1, Op. 16
05. Guitar Sonata, Op. 47: I. Esordio
06. Guitar Sonata, Op. 47: II. Scherzo
07. Guitar Sonata, Op. 47: III. Canto
08. Guitar Sonata, Op. 47: IV. Finale
09. 3 Danzas argentinas, Op. 2: No. 1, Danza del viejo boyero
10. 3 Danzas argentinas, Op. 2: No. 2, Danza de la moza donosa
11. 3 Danzas argentinas, Op. 2: No. 3, Danza del gaucho matrero

Yolanda Kondonassis, Gil Shaham, Orli Shaham, Jason Vieaux, Oberlin Orchestra, Raphael Jiménez - Ginastera: One Hundred (2016) [Hi-Res]


Throughout his musical career, Argentinean composer Alberto Ginastera artfully incorporated the folk music and dance forms of his native land into increasingly modernist creations. From the populist to the avant-garde, his work was created using an architectural approach that effectively set his music apart. Ginastera: One Hundred is released in celebration of the centennial anniversary of Ginastera’s birth. The work serves as a musical ‘thank you’ from world-renowned harpist Yolanda Kondonassis, whose career has been heavily influenced by Ginastera. She has performed his Harp Concerto nearly 200 times. Alongside the Harp Concerto is Danzas Argentinas, with its themes that evoke Argentinean history and culture juxtaposed with modernist structures. This is the work which catapulted Ginastera into fame in his home country. Finally, Pampeana No. 1 shows influences from Aaron Copland, with whom Ginastera studied, and Sonata for Guitar, which is the composer’s only work for Argentina’s national instrument.


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