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The Sixteen & Eamonn Dougan - Grzegorz Gerwazy Gorczycki (2015) [Hi-Res]

The Sixteen & Eamonn Dougan - Grzegorz Gerwazy Gorczycki (2015) [Hi-Res]
  • Title: Grzegorz Gerwazy Gorczycki
  • Year Of Release: 2015
  • Label: Coro
  • Genre: Classical
  • Quality: flac lossless / flac 24bits - 96.0kHz +Booklet
  • Total Time: 01:07:30
  • Total Size: 313 mb / 1.21 gb
  • WebSite:
Tracklist

01. Hejnał Mariacki
02. In Virtute Tua Domine
03. O Rex Gloriae, Domine
04. Illuxit Sol
05. Missa Rorate: I. Introit (II)
06. Missa Rorate: II. Kyrie
07. Missa Rorate: III. Gloria
08. Missa Rorate: IV. Gradual
09. Missa Rorate: V. Alleluia
10. Missa Rorate: VI. Offertory
11. Missa Rorate: VII. Sanctus
12. Missa Rorate: VIII. Benedictus
13. Missa Rorate: IX. Agnus Dei
14. Missa Rorate: X. Communio
15. Conductus Funebris: I. Subvenite Sancti Dei
16. Conductus Funebris: II. Libera Me, Domine
17. Conductus Funebris: III. In Paradisum
18. Conductus Funebris: IV. Salve Regina
19. Sepulto Domino
20. Litania de Providentia Divina

The Sixteen & Eamonn Dougan - Grzegorz Gerwazy Gorczycki (2015) [Hi-Res]


The third disc in The Sixteen’s acclaimed series of Polish music, conducted by Associate Conductor, Eamonn Dougan, explores the work of Grzegorz Gerwazy Gorczycki (1665–1734). Regarded as the outstanding Polish composer of the high baroque, Gorczycki studied in Prague and Vienna in his early years and returned to Kraków in 1690 where he took holy orders. He was appointed Magister capellae at Wawel Cathedral in 1698, a position he held until his death. Like his predecessor Bartłomiej Pękiel (COR16110), Gorczycki wrote in both stile antico and stile moderno; the works featured in this recording display his skill in both genres. The Missa Rorate shows his mastery of counterpoint and sensitivity to word-setting, as does Illuxit Sol in which Gorczycki revels in the rhetoric of the text, painting it with lush five-part string writing; Conductus Funebris, a four-movement work setting text from the Burial Service, marries his contrapuntal skills with a more emphatic, declamatory style, while in the Litania de Providentia Divinae, Gorczycki unleashes the full power of his invention as he paints the virtues of "Divine Providence" with a glowing palate of colours.


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