• logo

Shorty Rogers - The Remasters (All Tracks Remastered) (2021)

Shorty Rogers - The Remasters (All Tracks Remastered) (2021)

BAND/ARTIST: Shorty Rogers

  • Title: The Remasters (All Tracks Remastered)
  • Year Of Release: 2021
  • Label: Millennium Digital Remaster
  • Genre: Jazz
  • Quality: FLAC (tracks) / MP3
  • Total Time: 1:51:32
  • Total Size: 663 / 258 MB
  • WebSite:
Tracklist:

01. Jump for Me (Remastered 2016)
02. The Chinook That Melted My Heart (Remastered 2018)
03. Topsy (Remastered 2016)
04. Breezin' Along in the Trades (Remastered 2018)
05. Over and Out (Remastered 2016)
06. Hurricane Carol (Remastered 2018)
07. Tickletoe (Remastered 2016)
08. A Very Special Love (Remastered 2018)
09. Walk, Don't Run (Remastered 2016)
10. My Very Good Friend in the Looking Glass (Remastered 2018)
11. We're Off To See The Wizard (Remastered 2019)
12. Everybody Loves a Lover (Remastered 2018)
13. Over The Rainbow (Remastered 2019)
14. I Just Don't Know (Remastered 2018)
15. The Merry Land Of Oz (Remastered 2019)
16. It's Not for Me to Say (Remastered 2018)
17. Blues In The Night (Remastered 2019)
18. The Wild One (Remastered 2018)
19. That Old Black Magic (Remastered 2019)
20. Blues For Brando (Remastered 2018)
21. Blues Way Up There (Remastered 2019)
22. March Of The Martians (Remastered 2019)
23. Blues Way Down There (Remastered 2019)
24. Baklava Bridge (Remastered 2019)
25. Pixieland (Remastered 2019)

A fine middle-register trumpeter whose style seemed to practically define "cool jazz," Shorty Rogers was actually more significant for his arranging, both in jazz and in the movie studios. After gaining early experience with Will Bradley and Red Norvo and serving in the military, Rogers rose to fame as a member of Woody Herman's First and Second Herds (1945-1946 and 1947-1949), and somehow he managed to bring some swing to the Stan Kenton Innovations Orchestra (1950-1951), clearly enjoying writing for the stratospheric flights of Maynard Ferguson. After that association ran its course, Rogers settled in Los Angeles where he led his Giants (which ranged from a quintet to a nonet and a big band) on a series of rewarding West Coast jazz-styled recordings and wrote for the studios, helping greatly to bring jazz into the movies; his scores for The Wild One and The Man With the Golden Arm are particularly memorable. After 1962, Rogers stuck almost exclusively to writing for television and films, but in 1982 he began a comeback in jazz. Rogers reorganized and headed the Lighthouse All-Stars and, although his own playing was not quite as strong as previously, he remained a welcome presence both in clubs and recordings. ~ Scott Yanow


As a ISRA.CLOUD's PREMIUM member you will have the following benefits:
  • Unlimited high speed downloads
  • Download directly without waiting time
  • Unlimited parallel downloads
  • Support for download accelerators
  • No advertising
  • Resume broken downloads