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Leonard Bernstein - The 1953 American Decca Recordings [5CD Box Set] (2004)

Leonard Bernstein - The 1953 American Decca Recordings [5CD Box Set] (2004)
  • Title: The 1953 American Decca Recordings
  • Year Of Release: 2004
  • Label: Deutsche Grammophon [00289 477 0002]
  • Genre: Classical, Romantic
  • Quality: 320 kbps / FLAC (tracks+cue, log, scans)
  • Total Time: 6:19:08
  • Total Size: 878 mb / 1.29 gb
  • WebSite:
Deutsche Grammophon’s Original Masters Series collections each present a logical grouping of historical repertoire from a single great DG artist - this time, the great American musician Leonard Bernstein. This is a reissue of DG’s Original Masters box set with new presentation in capboxes along with stylish illustrations, booklets and card sleeves with tracklistings. The booklet contains liner notes commissioned for the series, photos, details of the original recordings, and reproduce the distinctive cover artwork. “He brings a composer’s insight to the labyrinthine structure of Beethoven’s ‘Eroica’ and unpicks it with mind-boggling momentum. He injects authentic Yankee mettle into Dvořák ‘New World’ Symphony; his Tchaikovsky ‘Pathétique’ is riven with ambiguities. His ‘at the piano’ analyses of the music complete this indispensable portrait of the then 34-year-old firebrand.” CLASSIC FM

:: TRACKLIST ::

CD1 - Ludwig van Beethoven - Symphony No. 3:
01 - Ludwig van Beethoven - Symphony No. 3 in E-flat major, Op. 55 "Eroica": I. Allegro con brio - Leonard Bernstein, NY

Stadium Orchestra
02 - Ludwig van Beethoven - Symphony No. 3 in E-flat major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai - Leonard Bernstein, NY

Stadium Orchestra
03 - Ludwig van Beethoven - Symphony No. 3 in E-flat major, Op. 55 "Eroica": III. Scherzo. Allegro vivace - Leonard Bernstein, NY Stadium

Orchestra
04 - Ludwig van Beethoven - Symphony No. 3 in E-flat major, Op. 55 "Eroica": IV. Finale. Allegro molto - Leonard Bernstein, NY Stadium

Orchestra
05 - [dialogue] - Musical Analysis (Bernstein on the 1st movement): "Simplicity itself..." - Leonard Bernstein
06 - [dialogue] - Musical Analysis (Bernstein on the 2nd movement): "I always feel this gigantism..." - Leonard Bernstein
07 - [dialogue] - Musical Analysis (Bernstein on the 3rd movement): "We have just been examining..." - Leonard Bernstein

CD2 - Antonín Dvorák - Symphony No. 9:
01 - [dialogue] - Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "All that we have said..." (4th ) - Leonard

Bernstein
02 - [dialogue] - Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "The study of Eroica ..." - Leonard Bernstein
03 - Antonín Dvorák - Symphony No. 9 in E minor, Op. 95 "From the New World": I. Adagio – Allegro molto - Leonard Bernstein, NY Stadium

Orchestra
04 - Antonín Dvorák - Symphony No. 9 in E minor, Op. 95 "From the New World": II. Largo - Leonard Bernstein, NY Stadium Orchestra
05 - Antonín Dvorák - Symphony No. 9 in E minor, Op. 95 "From the New World": III. Scherzo. Molto vivace - Leonard Bernstein, NY Stadium

Orchestra
06 - Antonín Dvorák - Symphony No. 9 in E minor, Op. 95 "From the New World": IV. Allegro con fuoco - Leonard Bernstein, NY Stadium

Orchestra
07 - [dialogue] - Musical Analysis (Bernstein on Dvorák's Symphony No.9): "Does this music ... ?" - Leonard Bernstein
08 - [dialogue] - Musical Analysis (Bernstein on Dvorák's Symphony No.9): "We come now to the second movement... " - Leonard Bernstein
09 - [dialogue] - Musical Analysis (Bernstein on Dvorák's Symphony No.9): "The third movement ... " - Leonard Bernstein
10 - [dialogue] - Musical Analysis (Bernstein on Dvorák's Symphony No.9): "And now the last movement. ... " - Leonard Bernstein
11 - [dialogue] - Musical Analysis (Bernstein on Dvorák's Symphony No.9): "The final claim of those who argue ... " - Leonard Bernstein

CD3 - Robert Schumann - Symphony No. 2:
01 - Robert Schumann - Symphony No. 2 in C major, Op. 61: I. Sostenuto assai - Un poco più vivace - Leonard Bernstein, NY

Stadium Orchestra
02 - Robert Schumann - Symphony No. 2 in C major, Op. 61: II. Scherzo: Allegro vivace - Leonard Bernstein, NY Stadium Orchestra
03 - Robert Schumann - Symphony No. 2 in C major, Op. 61: III. Adagio espressivo - Leonard Bernstein, NY Stadium Orchestra
04 - Robert Schumann - Symphony No. 2 in C major, Op. 61: IV. Allegro molto vivace - Leonard Bernstein, NY Stadium Orchestra
05 - [dialogue] - Musical Analysis : "Robert Schumann has been dead..." (3rd movement,) - Leonard Bernstein
06 - [dialogue] - Musical Analysis : "To my mind, Schumann follows in this tradition..." - Leonard Bernstein
07 - [dialogue] - Musical Analysis : "Now let's look at the Symphony itself..." (1st movement) - Leonard Bernstein
08 - [dialogue] - Musical Analysis : "And so we have arrived at the allegro section..." (1st movement, continued) - Leonard Bernstein
09 - [dialogue] - Musical Analysis : "In the marvelous Scherzo that follows..." (2nd movement) - Leonard Bernstein
10 - [dialogue] - Musical Analysis : "But perhaps the greatest beauty...." (3rd movement) - Leonard Bernstein
11 - [dialogue] - Musical Analysis : "Even in the final movement...." (4th movement) - Leonard Bernstein

CD4 -Johannes Brahms - Symphony No. 4:
01 - Johannes Brahms - Symphony No. 4 in E minor, Op. 98: I. Allegro non troppo - Leonard Bernstein, NY Stadium Orchestra
02 - Johannes Brahms - Symphony No. 4 in E minor, Op. 98: II. Andante moderato - Leonard Bernstein, NY Stadium Orchestra
03 - Johannes Brahms - Symphony No. 4 in E minor, Op. 98: III. Allegro giocoso - Poco meno presto - Tempo I - Leonard Bernstein, NY

Stadium Orchestra
04 - Johannes Brahms - Symphony No. 4 in E minor, Op. 98: IV. Allegro energico e passionato - Più allegro - Leonard Bernstein, NY Stadium

Orchestra
05 - [dialogue] - Musical Analysis: "Brahms' Fourth Symphony in E minor is today ..." (4th movt) - Leonard Bernstein
06 - [dialogue] - Musical Analysis: "Our journey begins without introduction..." (1st movt) - Leonard Bernstein
07 - [dialogue] - Musical Analysis: "Do you see now what a symphonic theme is?" (1st movt) - Leonard Bernstein
08 - [dialogue] - Musical Analysis: "Now, think of it - we have so far only had 44 bars of music" (1st movt) - Leonard Bernstein
09 - [dialogue] - Musical Analysis: "Here is that second theme" (1st movt) - Leonard Bernstein
10 - [dialogue] - Musical Analysis: "This brings us to the development section proper" (1st movt) - Leonard Bernstein
11 - [dialogue] - Musical Analysis: And here we are back home, ready for the rehearing of the exposition,..." (1st movt) - Leonard Bernstein
12 - [dialogue] - Musical Analysis: "So we arrive at the coda" (1st movement) - Leonard Bernstein
13 - [dialogue] - Musical Analysis: "Well, we have had a microscopic look at symphonic method" (1st movt) - Leonard Bernstein

CD5 - Tchaïkovski - Symphony No. 6:
01 - Tchaïkovski - Symphony No. 6 in B minor, Op. 74 "Pathétique": I. Adagio – Allegro non troppo - Leonard Bernstein, NY

Stadium Orchestra
02 - Tchaïkovski - Symphony No. 6 in B minor, Op. 74 "Pathétique": II. Allegro con grazia - Leonard Bernstein, NY Stadium Orchestra
03 - Tchaïkovski - Symphony No. 6 in B minor, Op. 74 "Pathétique": III. Allegro molto vivace - Leonard Bernstein, NY Stadium Orchestra
04 - Tchaïkovski - Symphony No. 6 in B minor, Op. 74 "Pathétique": IV. Finale. Adagio lamentoso – Andante - Leonard Bernstein, NY Stadium

Orchestra
05 - Tchaïkovski - Musical Analysis: "Now there is a melody, a pure orchestral song..." (1st movt) - [dialogue]
06 - Tchaïkovski - Musical Analysis: "Now the development section erupts..." (1st movt continued) - [dialogue]
07 - Tchaïkovski - Musical Analysis: "Now one would think that Tchaikovsky had really exploited ... " (2nd movt) - [dialogue]
08 - Tchaïkovski - Musical Analysis: "Jumping now to the famous third movement, the great March..." (3rd movt) - [dialogue]
09 - Tchaïkovski - Musical Analysis: "Perhaps the most admirable example of this is to be found ..." (4th movt) - [dialogue]
10 - Tchaïkovski - Musical Analysis: "Now I don't want to give you the impression that scales ... " - [dialogue]

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