Dwight Yoakam - The Reprise Albums Collection - 1986-2000 (2015) [Hi-Res]
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BAND/ARTIST: Dwight Yoakam
- Title: The Reprise Albums Collection - 1986-2000
- Year Of Release: 2015
- Label: Rhino/Warner Records
- Genre: Country, Singer/Songwriter
- Quality: mp3 320 kbps / flac lossless / flac 24bits - 96.0kHz / flac 24bits - 192.0kHz
- Total Time: 05:54:44
- Total Size: 843 mb / 2.2 / 7.6 / 13.6 gb
- WebSite: Album Preview
Tracklist
CD1
01. Honky Tonk Man
02. It Won't Hurt
03. I'll Be Gone
04. South of Cinncinnati
05. Bury Me (feat. Maria McKee)
06. Guitars, Cadillacs
07. Twenty Years
08. Ring of Fire
09. Miner's Prayer
10. Heartaches by the Number
CD2
01. Little Ways
02. Smoke Along the Track
03. Johnson's Love
04. Please, Please Baby
05. Readin', Rightin', Rt. 23
06. Always Late with Your Kisses
07. 1,000 Miles (2015 Remaster)
08. Throughout All Time
09. Little Sister
10. This Drinkin' Will Kill Me
CD3
01. I Got You
02. One More Name
03. What I Don't Know
04. Home of the Blues
05. Buenos Noches from a Lonely Room (She Wore Red Dresses)
06. I Hear You Knockin'
07. I Sang Dixie
08. Streets of Bakersfield (with Buck Owens)
09. Floyd County
10. Send Me the Pillow
11. Hold on to God
CD4
01. The Distance Between You and Me (2015 Remaster)
02. The Heart That You Own (2015 Remaster)
03. Takes a Lot to Rock You (2015 Remaster)
04. Nothing's Changed Here (2015 Remaster)
05. Sad, Sad Music (2015 Remaster)
06. Since I Started Drinkin' Again (2015 Remaster)
07. If There Was a Way (2015 Remaster)
08. Turn It On, Turn It Up, Turn Me Loose (2015 Remaster)
09. It Only Hurts When I Cry (2015 Remaster)
10. Send a Message to My Heart (with Patty Loveless) [2015 Remaster]
11. I Don't Need It Done (2015 Remaster)
12. You're the One (2015 Remaster)
13. Dangerous Man (2015 Remaster)
14. Let's Work Together (2015 Remaster)
CD5
01. Pocket of a Clown
02. A Thousand Miles from Nowhere
03. Home for Sale
04. This Time
05. Two Doors Down
06. Ain't That Lonely Yet
07. King of Fools
08. Fast as You
09. Try Not to Look so Pretty
10. Wild Ride
11. Lonesome Roads
CD6
01. Sorry You Asked? (2015 Remaster)
02. Near You (2015 Remaster)
03. Don't Be Sad (2015 Remaster)
04. Gone (That'll Be Me) [2015 Remaster]
05. Nothing (2015 Remaster)
06. Never Hold You (2015 Remaster)
07. This Much I Know (2015 Remaster)
08. Baby Why Not (2015 Remaster)
09. One More Night (2015 Remaster)
10. Heart of Stone (2015 Remaster)
CD7
01. Claudette
02. Train in Vain
03. Tired of Waiting for You
04. Good Time Charlie's Got the Blues
05. Baby Don't Go (with Sheryl Crow)
06. Playboy
07. Wichita Lineman
08. Here Comes the Night
09. The Last Time
10. Things We Said Today
11. North to Alaska
CD8
01. Same Fool
02. The Curse
03. Things Change
04. Yet to Suceed
05. I Wouldn't Put It Past Me
06. These Arms
07. That's Okay
08. Only Want You More
09. I'll Just Take These
10. A Long Way Home (2015 Remaster)
11. Listen
12. Traveler's Lantern
13. Maybe You Like It, Maybe You Don't
CD9
01. Love Caught up to Me
02. What Do You Know About Love
03. Time Spent Missing You
04. Free to Go
05. A Promise You Can't Keep
06. A Place to Cry
07. The Sad Side of Town
08. Dreams of Clay
09. For Love's Sake
10. The Heartaches Are Free
11. A World of Blue
12. I Want You to Want Me
13. Alright, I'm Wrong (with Buck Owens)
14. I Was There
With his stripped-down approach to traditional honky tonk and Bakersfield country, Dwight Yoakam helped return country music to its roots in the late '80s. Like his idols Buck Owens, Merle Haggard, and Hank Williams, Yoakam never played by Nashville's rules; consequently, he never dominated the charts like his contemporary Randy Travis. Then again, Travis never played around with the sound and style of country music like Yoakam. On each of his records, he twists around the form enough to make it seem like he doesn't respect all of country's traditions. Appropriately, his core audience was composed mainly of roots rock and rock & roll fans, not the mainstream country audience. Nevertheless, he was frequently able to chart in the country Top Ten, and he remained one of the most respected and adventurous recording country artists well into the '90s.
Born in Kentucky but raised in Ohio, Yoakam learned how to play guitar at the age of six. As a child, he listened to his mother's record collection, honing in on the traditional country of Hank Williams and Johnny Cash, as well as the Bakersfield honky tonk of Buck Owens. When he was in high school, Yoakam played with a variety of bands, playing everything from country to rock & roll. After completing high school, Yoakam briefly attended Ohio State University, but he dropped out and moved to Nashville in the late '70s with the intent of becoming a recording artist.
At the time he moved to Nashville, the town was in the throes of the pop-oriented urban cowboy movement and had no interest in his updated honky tonk. While in Nashville, he met guitarist Pete Anderson, who shared a similar taste in music. The pair moved out to Los Angeles, where they found a more appreciative audience than they did in Nashville. In L.A., Yoakam and Anderson didn't just play country clubs, they played the same nightclubs that punk and post-punk rock bands like X, the Dead Kennedys, Los Lobos, the Blasters, and the Butthole Surfers did. What Yoakam had in common with rock bands like X and the Blasters was similar musical influences; they all drew from '50s rock & roll and country. In comparison to the polished music coming out of Nashville, Yoakam's stripped-down, direct revivalism seemed radical. The cowpunks, as they were called, that attended Yoakam's shows provided an invaluable support for his fledgling career.
Yoakam released an independent EP, A Town South of Bakersfield, in 1984, which received substantial airplay on Los Angeles college and alternative radio stations. The EP also helped him land a record contract with Reprise Records. Dwight's full-length debut album, Guitars, Cadillacs, Etc., Etc., was released in 1986 and was an instant sensation. Rock and country critics praised it and it earned airplay on college stations across America. More importantly, it was a hit on the country charts, as its first single, a cover of Johnny Horton's "Honky Tonk Man," climbed to number three in the spring, followed by the number four "Guitars, Cadillacs" in the summer. The album would eventually go platinum.
Hillbilly Deluxe, Dwight's 1987 follow-up, was equally successful, spawning four Top Ten hits: "Little Sister," "Little Ways," "Please, Please Baby," and "Always Late with Your Kisses." In 1988, Yoakam had his first number one hit with "Streets of Bakersfield," a cover of a Buck Owens song recorded with Owens himself. It was the first single off his third album, Buenos Noches from a Lonely Room, which continued his streak of Top Ten hits. "I Sang Dixie," the album's second single, went to number one, and "I Got You" reached number five. In 1989, Yoakam released a compilation album, Just Lookin' for a Hit, which went gold. "Long White Cadillac," taken from the collection, stalled at number 35 in the fall of 1989.
Although his 1990 album If There Was a Way didn't have as many Top Ten hits, it was a major success; it was his first album since his debut to go platinum. This Time, released in the spring of 1993, was an even bigger hit, spawning three number two singles -- "Ain't That Lonely Yet," "A Thousand Miles from Nowhere," and "Fast as You" -- and going platinum. After its release, Yoakam was silent for two years, returning in the summer of 1995 with Dwight Live, which didn't set the charts on fire. In the fall of that year, he released his sixth album, Gone, which went gold by the spring of 1996, although it didn't produce any major country hits. After 1997's Under the Covers, a collection of cover songs, Yoakam returned with the all-new A Long Way Home in 1998. Another compilation, Last Chance for a Thousand Years: Greatest Hits from the '90s, was released in 1999; its newly recorded version of Queen's "Crazy Little Thing Called Love" became Yoakam's biggest hit in six years, even hitting the lower reaches of the pop charts thanks to its exposure in a khakis commercial. Two albums followed in 2000: dwightyoakamacoustic.net, a bare-bones, all-acoustic revisitation of Yoakam's back catalog; and the more standard studio project Tomorrow's Sounds Today, which featured further collaborations with Buck Owens and a cover of Cheap Trick's "I Want You to Want Me."
In 2001, Yoakam debuted as a writer and director, also issuing the soundtrack South of Heaven, West of Hell to accompany it. Two years later, he debuted on a new label (Audium) with Population Me, while Reprise issued the compilation In Others' Words to compete with it. In 2004 he released Dwight's Used Records, a 14-track anthology of duets that appeared on other artists' albums, unreleased covers, and cuts Yoakam contributed to various tribute compilations. An album of all new material, the self-produced Blame the Vain, followed in 2005 along with the live album Live from Austin, TX. An album of Buck Owens covers, Dwight Sings Buck, appeared in 2007. Released in 2012, 3 Pears -- Yoakam's first album since returning to Warner Bros. Records after a trio of releases for New West Records, and his first album of original material since 2005's Blame the Vain -- featured a pair of Beck productions, "A Heart Like Mine" and "Missing Heart," recorded at Beck's home studio in California. 3 Pears debuted at 18 on the Billboard Top 200, his highest chart position ever. Three years later, Yoakam returned with Second Hand Heart. In 2016, Yoakam took a step back even deeper into country music traditions with Swimmin' Pools, Movie Stars..., his first bluegrass album, featuring high lonesome reworkings of some of his best-known tunes.
CD1
01. Honky Tonk Man
02. It Won't Hurt
03. I'll Be Gone
04. South of Cinncinnati
05. Bury Me (feat. Maria McKee)
06. Guitars, Cadillacs
07. Twenty Years
08. Ring of Fire
09. Miner's Prayer
10. Heartaches by the Number
CD2
01. Little Ways
02. Smoke Along the Track
03. Johnson's Love
04. Please, Please Baby
05. Readin', Rightin', Rt. 23
06. Always Late with Your Kisses
07. 1,000 Miles (2015 Remaster)
08. Throughout All Time
09. Little Sister
10. This Drinkin' Will Kill Me
CD3
01. I Got You
02. One More Name
03. What I Don't Know
04. Home of the Blues
05. Buenos Noches from a Lonely Room (She Wore Red Dresses)
06. I Hear You Knockin'
07. I Sang Dixie
08. Streets of Bakersfield (with Buck Owens)
09. Floyd County
10. Send Me the Pillow
11. Hold on to God
CD4
01. The Distance Between You and Me (2015 Remaster)
02. The Heart That You Own (2015 Remaster)
03. Takes a Lot to Rock You (2015 Remaster)
04. Nothing's Changed Here (2015 Remaster)
05. Sad, Sad Music (2015 Remaster)
06. Since I Started Drinkin' Again (2015 Remaster)
07. If There Was a Way (2015 Remaster)
08. Turn It On, Turn It Up, Turn Me Loose (2015 Remaster)
09. It Only Hurts When I Cry (2015 Remaster)
10. Send a Message to My Heart (with Patty Loveless) [2015 Remaster]
11. I Don't Need It Done (2015 Remaster)
12. You're the One (2015 Remaster)
13. Dangerous Man (2015 Remaster)
14. Let's Work Together (2015 Remaster)
CD5
01. Pocket of a Clown
02. A Thousand Miles from Nowhere
03. Home for Sale
04. This Time
05. Two Doors Down
06. Ain't That Lonely Yet
07. King of Fools
08. Fast as You
09. Try Not to Look so Pretty
10. Wild Ride
11. Lonesome Roads
CD6
01. Sorry You Asked? (2015 Remaster)
02. Near You (2015 Remaster)
03. Don't Be Sad (2015 Remaster)
04. Gone (That'll Be Me) [2015 Remaster]
05. Nothing (2015 Remaster)
06. Never Hold You (2015 Remaster)
07. This Much I Know (2015 Remaster)
08. Baby Why Not (2015 Remaster)
09. One More Night (2015 Remaster)
10. Heart of Stone (2015 Remaster)
CD7
01. Claudette
02. Train in Vain
03. Tired of Waiting for You
04. Good Time Charlie's Got the Blues
05. Baby Don't Go (with Sheryl Crow)
06. Playboy
07. Wichita Lineman
08. Here Comes the Night
09. The Last Time
10. Things We Said Today
11. North to Alaska
CD8
01. Same Fool
02. The Curse
03. Things Change
04. Yet to Suceed
05. I Wouldn't Put It Past Me
06. These Arms
07. That's Okay
08. Only Want You More
09. I'll Just Take These
10. A Long Way Home (2015 Remaster)
11. Listen
12. Traveler's Lantern
13. Maybe You Like It, Maybe You Don't
CD9
01. Love Caught up to Me
02. What Do You Know About Love
03. Time Spent Missing You
04. Free to Go
05. A Promise You Can't Keep
06. A Place to Cry
07. The Sad Side of Town
08. Dreams of Clay
09. For Love's Sake
10. The Heartaches Are Free
11. A World of Blue
12. I Want You to Want Me
13. Alright, I'm Wrong (with Buck Owens)
14. I Was There
With his stripped-down approach to traditional honky tonk and Bakersfield country, Dwight Yoakam helped return country music to its roots in the late '80s. Like his idols Buck Owens, Merle Haggard, and Hank Williams, Yoakam never played by Nashville's rules; consequently, he never dominated the charts like his contemporary Randy Travis. Then again, Travis never played around with the sound and style of country music like Yoakam. On each of his records, he twists around the form enough to make it seem like he doesn't respect all of country's traditions. Appropriately, his core audience was composed mainly of roots rock and rock & roll fans, not the mainstream country audience. Nevertheless, he was frequently able to chart in the country Top Ten, and he remained one of the most respected and adventurous recording country artists well into the '90s.
Born in Kentucky but raised in Ohio, Yoakam learned how to play guitar at the age of six. As a child, he listened to his mother's record collection, honing in on the traditional country of Hank Williams and Johnny Cash, as well as the Bakersfield honky tonk of Buck Owens. When he was in high school, Yoakam played with a variety of bands, playing everything from country to rock & roll. After completing high school, Yoakam briefly attended Ohio State University, but he dropped out and moved to Nashville in the late '70s with the intent of becoming a recording artist.
At the time he moved to Nashville, the town was in the throes of the pop-oriented urban cowboy movement and had no interest in his updated honky tonk. While in Nashville, he met guitarist Pete Anderson, who shared a similar taste in music. The pair moved out to Los Angeles, where they found a more appreciative audience than they did in Nashville. In L.A., Yoakam and Anderson didn't just play country clubs, they played the same nightclubs that punk and post-punk rock bands like X, the Dead Kennedys, Los Lobos, the Blasters, and the Butthole Surfers did. What Yoakam had in common with rock bands like X and the Blasters was similar musical influences; they all drew from '50s rock & roll and country. In comparison to the polished music coming out of Nashville, Yoakam's stripped-down, direct revivalism seemed radical. The cowpunks, as they were called, that attended Yoakam's shows provided an invaluable support for his fledgling career.
Yoakam released an independent EP, A Town South of Bakersfield, in 1984, which received substantial airplay on Los Angeles college and alternative radio stations. The EP also helped him land a record contract with Reprise Records. Dwight's full-length debut album, Guitars, Cadillacs, Etc., Etc., was released in 1986 and was an instant sensation. Rock and country critics praised it and it earned airplay on college stations across America. More importantly, it was a hit on the country charts, as its first single, a cover of Johnny Horton's "Honky Tonk Man," climbed to number three in the spring, followed by the number four "Guitars, Cadillacs" in the summer. The album would eventually go platinum.
Hillbilly Deluxe, Dwight's 1987 follow-up, was equally successful, spawning four Top Ten hits: "Little Sister," "Little Ways," "Please, Please Baby," and "Always Late with Your Kisses." In 1988, Yoakam had his first number one hit with "Streets of Bakersfield," a cover of a Buck Owens song recorded with Owens himself. It was the first single off his third album, Buenos Noches from a Lonely Room, which continued his streak of Top Ten hits. "I Sang Dixie," the album's second single, went to number one, and "I Got You" reached number five. In 1989, Yoakam released a compilation album, Just Lookin' for a Hit, which went gold. "Long White Cadillac," taken from the collection, stalled at number 35 in the fall of 1989.
Although his 1990 album If There Was a Way didn't have as many Top Ten hits, it was a major success; it was his first album since his debut to go platinum. This Time, released in the spring of 1993, was an even bigger hit, spawning three number two singles -- "Ain't That Lonely Yet," "A Thousand Miles from Nowhere," and "Fast as You" -- and going platinum. After its release, Yoakam was silent for two years, returning in the summer of 1995 with Dwight Live, which didn't set the charts on fire. In the fall of that year, he released his sixth album, Gone, which went gold by the spring of 1996, although it didn't produce any major country hits. After 1997's Under the Covers, a collection of cover songs, Yoakam returned with the all-new A Long Way Home in 1998. Another compilation, Last Chance for a Thousand Years: Greatest Hits from the '90s, was released in 1999; its newly recorded version of Queen's "Crazy Little Thing Called Love" became Yoakam's biggest hit in six years, even hitting the lower reaches of the pop charts thanks to its exposure in a khakis commercial. Two albums followed in 2000: dwightyoakamacoustic.net, a bare-bones, all-acoustic revisitation of Yoakam's back catalog; and the more standard studio project Tomorrow's Sounds Today, which featured further collaborations with Buck Owens and a cover of Cheap Trick's "I Want You to Want Me."
In 2001, Yoakam debuted as a writer and director, also issuing the soundtrack South of Heaven, West of Hell to accompany it. Two years later, he debuted on a new label (Audium) with Population Me, while Reprise issued the compilation In Others' Words to compete with it. In 2004 he released Dwight's Used Records, a 14-track anthology of duets that appeared on other artists' albums, unreleased covers, and cuts Yoakam contributed to various tribute compilations. An album of all new material, the self-produced Blame the Vain, followed in 2005 along with the live album Live from Austin, TX. An album of Buck Owens covers, Dwight Sings Buck, appeared in 2007. Released in 2012, 3 Pears -- Yoakam's first album since returning to Warner Bros. Records after a trio of releases for New West Records, and his first album of original material since 2005's Blame the Vain -- featured a pair of Beck productions, "A Heart Like Mine" and "Missing Heart," recorded at Beck's home studio in California. 3 Pears debuted at 18 on the Billboard Top 200, his highest chart position ever. Three years later, Yoakam returned with Second Hand Heart. In 2016, Yoakam took a step back even deeper into country music traditions with Swimmin' Pools, Movie Stars..., his first bluegrass album, featuring high lonesome reworkings of some of his best-known tunes.
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