
Will Stenberg - Little River Sessions (2020)
BAND/ARTIST: Will Stenberg
- Title: Little River Sessions
- Year Of Release: 2020
- Label: Will Stenberg
- Genre: Country, Folk
- Quality: FLAC (tracks)
- Total Time: 00:38:53
- Total Size: 216 mb
- WebSite: Album Preview
Tracklist:
01 - Love in My Heart
02 - Troubled Man
03 - I Wouldn't Put It Past Me
04 - I Made My Peace with Death
05 - The Later Rounds
06 - The Summer of Whiskey Sours
07 - You're the End of the World
08 - See About Me
09 - The Devil May Care (But I Don't Give a Fuck)
10 - Buddy's Guitar
11 - See About Me (Reprise)
01 - Love in My Heart
02 - Troubled Man
03 - I Wouldn't Put It Past Me
04 - I Made My Peace with Death
05 - The Later Rounds
06 - The Summer of Whiskey Sours
07 - You're the End of the World
08 - See About Me
09 - The Devil May Care (But I Don't Give a Fuck)
10 - Buddy's Guitar
11 - See About Me (Reprise)
Things run along really smoothly for a while, but the free love that’s going on starts to backfire. Jealousies and tensions rear up. The music gets darker, develops a cruel edge. Bikers arrive and some harder drugs move in. After one late-night swim under a full moon, one band member doesn’t return. Presumed drowned. Or was it black magick? That keyboardist had a witchy vibe, and a grudge.
No one ever finds out. The record comes to an abrupt halt. It is shelved indefinitely, then rediscovered decades later, a cult classic: to some, a masterpiece, to others, a shamble.
(In fact the missing band member is found alive years later, living on the streets of Santa Cruz, unable or unwilling to talk about what happened, just babbling about a song we had never gotten around to recording, something called The Chant of the Rhubarb Man).
Anyway, I wasn’t able to find a way to pull off this dream, time travel being only one of the obstacles. But a few years ago I did get together with some musician friends in a cabin in the woods. We hung out, and ate and drank, and drank, and made a record live in a room, the way they used to.
We were all interconnected, but had no previous history as a band. I showed them the songs, we ran through them, then recorded. The results are raw and real: authentic performances with all the dynamics and beautiful flaws and moments of inspiration that come from people actually playing music together.
One day we took a break to visit the widow of a great musician friend and borrow some of his guitars to record a tribute I had written to him. The first line of the song is about a crow, and if you listen, you can hear that a crow cawed just as we started rolling. That was pretty amazing, and apropos for Buddy Stubbs.
So, this is that record: not the imaginary one from 1973, but the real one from a couple years back. Being real, it can only be better.
I love it, loved the process, and in a perfect world I would never record music any other way than this: a bunch of friends in a house in the woods with nothing to do but hang out and play. May it happen again.
No one ever finds out. The record comes to an abrupt halt. It is shelved indefinitely, then rediscovered decades later, a cult classic: to some, a masterpiece, to others, a shamble.
(In fact the missing band member is found alive years later, living on the streets of Santa Cruz, unable or unwilling to talk about what happened, just babbling about a song we had never gotten around to recording, something called The Chant of the Rhubarb Man).
Anyway, I wasn’t able to find a way to pull off this dream, time travel being only one of the obstacles. But a few years ago I did get together with some musician friends in a cabin in the woods. We hung out, and ate and drank, and drank, and made a record live in a room, the way they used to.
We were all interconnected, but had no previous history as a band. I showed them the songs, we ran through them, then recorded. The results are raw and real: authentic performances with all the dynamics and beautiful flaws and moments of inspiration that come from people actually playing music together.
One day we took a break to visit the widow of a great musician friend and borrow some of his guitars to record a tribute I had written to him. The first line of the song is about a crow, and if you listen, you can hear that a crow cawed just as we started rolling. That was pretty amazing, and apropos for Buddy Stubbs.
So, this is that record: not the imaginary one from 1973, but the real one from a couple years back. Being real, it can only be better.
I love it, loved the process, and in a perfect world I would never record music any other way than this: a bunch of friends in a house in the woods with nothing to do but hang out and play. May it happen again.
Year 2020 | Country | Folk | FLAC / APE
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