Julian Steckel & Paul Rivinius - French Cello Sonatas II: Franck, Saint-Saens and Fauré (2014)
BAND/ARTIST: Julian Steckel, Paul Rivinius
- Title: French Cello Sonatas II: Franck, Saint-Saens and Fauré
- Year Of Release: 2014
- Label: CAvi-music
- Genre: Classical
- Quality: flac lossless
- Total Time: 01:20:40
- Total Size: 300 mb
- WebSite: Album Preview
Tracklist
01. Sonata for Cello and Piano in A Major, FWV 8: I. Allegro ben moderato
02. Sonata for Cello and Piano in A Major, FWV 8: II. Allegro
03. Sonata for Cello and Piano in A Major, FWV 8: III. Recitativo. Fantasia. Ben moderato. Largamente con fantasia
04. Sonata for Cello and Piano in A Major, FWV 8: IV. Allegro poco mosso
05. Romance for Cello and Piano, Op. 69
06. Berceuse for Cello and Piano, Op. 16
07. Élégie for Cello and Piano, Op. 24
08. Sonata for Cello and Piano in F Major No. 2, Op. 123: I. Maestoso. Largamente
09. Sonata for Cello and Piano in F Major No. 2, Op. 123: II. Scherzo con variazioni
10. Sonata for Cello and Piano in F Major No. 2, Op. 123: III. Romanza
11. Sonata for Cello and Piano in F Major No. 2, Op. 123: IV. Allegro non troppo, grazioso
12. Three Romances Without Words, Op. 17: No. 1, Andante quasi allegretto
13. Three Romances Without Words, Op. 17: No. 2, Allegro molto
14. Three Romances Without Words, Op. 17: No. 3, Andante moderato
15. Pavane for Cello and Piano, Op. 50
César Franck, Gabriel Fauré and Camille Saint-Saëns not only have their Frenchness in common, but they were almost of the same generation. Born in 1835, Saint-Saens was admittedly the teacher and mentor of Fauré, who was ten years younger. Franck, the eldest of the three, was born in 1822. As children of their time, all three were strongly influenced by the (French) music of the 19th century. With careers lasting well on into early Modernism; they came to be regarded as forerunners – and also antipodes – of Debussy and Ravel, without being reduced to that role. In reality, each one of them was a truly independent creator.
01. Sonata for Cello and Piano in A Major, FWV 8: I. Allegro ben moderato
02. Sonata for Cello and Piano in A Major, FWV 8: II. Allegro
03. Sonata for Cello and Piano in A Major, FWV 8: III. Recitativo. Fantasia. Ben moderato. Largamente con fantasia
04. Sonata for Cello and Piano in A Major, FWV 8: IV. Allegro poco mosso
05. Romance for Cello and Piano, Op. 69
06. Berceuse for Cello and Piano, Op. 16
07. Élégie for Cello and Piano, Op. 24
08. Sonata for Cello and Piano in F Major No. 2, Op. 123: I. Maestoso. Largamente
09. Sonata for Cello and Piano in F Major No. 2, Op. 123: II. Scherzo con variazioni
10. Sonata for Cello and Piano in F Major No. 2, Op. 123: III. Romanza
11. Sonata for Cello and Piano in F Major No. 2, Op. 123: IV. Allegro non troppo, grazioso
12. Three Romances Without Words, Op. 17: No. 1, Andante quasi allegretto
13. Three Romances Without Words, Op. 17: No. 2, Allegro molto
14. Three Romances Without Words, Op. 17: No. 3, Andante moderato
15. Pavane for Cello and Piano, Op. 50
César Franck, Gabriel Fauré and Camille Saint-Saëns not only have their Frenchness in common, but they were almost of the same generation. Born in 1835, Saint-Saens was admittedly the teacher and mentor of Fauré, who was ten years younger. Franck, the eldest of the three, was born in 1822. As children of their time, all three were strongly influenced by the (French) music of the 19th century. With careers lasting well on into early Modernism; they came to be regarded as forerunners – and also antipodes – of Debussy and Ravel, without being reduced to that role. In reality, each one of them was a truly independent creator.
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