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Phyllis Sellick - A Tribute to Phyllis Sellick (2014)

Phyllis Sellick - A Tribute to Phyllis Sellick (2014)

BAND/ARTIST: Phyllis Sellick

  • Title: A Tribute to Phyllis Sellick
  • Year Of Release: 2014
  • Label: SOMM Recordings
  • Genre: Classical
  • Quality: FLAC (tracks+booklet)
  • Total Time: 73:46 min
  • Total Size: 269 MB
  • WebSite:
Tracklist:

01. Pieces de clavecin, Book 2: 9th Ordre in A Major-minor: Le bavolet-flotant
02. Pieces de clavecin, Book 3: 14th Ordre in D Major-minor: Le carillon de Cithere
03. Premier livre de pieces de clavecin: V. Les Tendres Plaintes (Tender Reproaches)
04. Premier livre de pieces de clavecin, Suite No. 3: No. 15. Le Coucou
05. 3 Pieces, FP 48: No. 1. Pastorale
06. Histoires: II. Le petit ane blanc
07. Les Biches, FP 36: Adagietto (version for piano)
08. Images, Book 1: No. 1. Reflets dans l'eau
09. Preludes, Book 2: No. 12. Feux d'artifice
10. No. 1. Prelude
11. No. 4. Rigaudon
12. No. 6. Toccata
13. 24 Preludes, Op. 28: No. 10 in C-Sharp Minor
14. Etude No. 5 in G-Flat Major, Op. 10, No. 5, "Black Keys"
15. Waltz in A-Flat Major
16. Gavotte and Musette
17. Variations in G Minor
18. Toccatina
19. I. Allegro - Allegro vigoroso - Molto allegro scherzando - Allegro molto - Tempo del principio
20. II. Andante tranquillo
21. III. Presto
22. IV. Rondo giocoso con moto


With her death, a strong and important link with the British musical life from the mid-20th century has been broken. However, her legacy lives on in her recordings, the musical compositions that she inspired and pioneered, and in the work of her students dotted around the world.

Phyllis Sellick’s main characteristic as a performer was her great clarity and impeccable technique. She was not only a profoundly gifted musician but she also learnt and absorbed new scores quickly. Her remarkable technique made her a firm favourite of several British composers. She performed Vaughan Williams’s incidental music for the film 49th Parallel (1941) and premiered Michael Tippett’s First Piano Sonata and subsequent recording for Rymington Van Wyck, in the presence of the composer.


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