Ed Motta - AOR (24 Bit Remaster, 2021) (2013) [Hi-Res]
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BAND/ARTIST: Ed Motta
- Title: AOR (24 Bit Remaster, 2021)
- Year Of Release: 2013; 2021
- Label: DWITZA MUSIC EDIÇÕES MUSICAIS LTDA - LAB 344
- Genre: Soul, Soul-Jazz
- Quality: 24-bit/192kHz FLAC
- Total Time: 00:38:56
- Total Size: 1.2 GB
- WebSite: Album Preview
Maybe it’s because ever since my adolescence, I’ve always been a keen record collector. So recording is the apex of my career, the moment I most look forward to, the great reason for making music.
What is AOR? A north-American expression invented by radio stations in the 70’s -“Album Oriented Rock” and also “Adult Oriented Rock”. The term AOR has several meanings and aesthetic representations: records of different kinds of music like funk, soul, Brazilian, Argentine, French, Italian, reggae music, etc, can be described as AOR. Earth Wind & Fire is one of the best examples. A legendary soul/funk band that has been called AOR because of its extremely precise production standard.
One of the AOR offshoots is the Westcoast sound, California music, from the Beach Boys (actually, sunshine pop) to the great production Midas, David Foster. Pop music at its best as far as technical quality is concerned, both musically and sonically speaking. Doobie Brothers, Steely Dan, Pages, Chicago, Toto, Christopher Cross, Player, Hall & Oates, Boz Scaggs, etc, etc. Thousands of artists escorted by a whole cult following of sites, parties, new bands and artists dedicated to this universe. Naturally, all the AOR hits and rarities are available on YouTube.
This has been one of the most intricate records I’ve ever made. The mixing rate, for instance, was of one week per song. On most records, especially in Brazil, one day is set aside for each song. I used to work with two, three days. One of the greatest talents that I’ve ever encountered in sound engineering, MarioLeo, was the technician in charge. A shining sound is what you want in AOR culture, just like an extremely low bass is in a reggae recording. In the world of pop music, politeness is wrongly taken for coldness, mannerism. In AOR, technical perfection is a virtue, as in jazz and classical music.
I am very lucky to have had great musicians by my side, each one’s signature and accent is indispensable so that my arrangements can take on the life and shape I imagine for them. All of them are outstanding musicians, with personality and their own sound and style. And I got lucky: Chico Pinheiro, Bluey, leader of Incognito, as well as legendary guitarist David T.Walker, who has recorded just about everything and a little more of North-American music from the 70’s to the present day.
Before listening to this record, the modus vivendi and the AOR imaginary would put on a Hawaiian shirt à la Magnum PI, slip on a pair of loafers with no socks like in Miami Vice, get inside a convertible car and drive by coconut trees at sunset. Drive through Rio de Janeiro, Los Angeles, Miami, Hawaii. Aloha!
"Brazilian producer, multi-instrumentalist, composer, arranger, translator, and fanatical record collector, Ed Motta has long been a musical renaissance man; a forward-thinking standard bearer to music fans in his own country, as well as a club, radio and festival presence in Europe and Japan; he's less well known on the American side of the Atlantic. While previous offerings -- notably Poptical, Dwitza, and Aystelum -- have brought his love for the crossover jazz, rock, and R&B of the late 1970s into MPB, and he has never assembled them so completely as he does here. As a genre/radio format, "AOR" refers to "album-oriented rock." For Motta it has always been more complex, deeper, and wider; it was American music, regardless of popular genre, that displayed a specific standard in writing, playing, and production. Though this adheres closely to Steely Dan's Becker and Fagen, one can also hear Maurice White, Rene & Angela, Gino Vannelli, and Jay Graydon in both charts and mix. He enlisted a cast of Brazil's finest studio players to assist him in this project's realization. Guitars, horns, crisp drums, organic hand percussion, elegant basslines, Rhodes piano, clavinet, Moog, etc., all capture the vibe perfectly. But the writing and singing are pure Motta: tender, sensual, soulful, and airy, his voice carries a remarkable range that adorns gorgeous melodies and poetic lyrics. Virtually any song here could have been a single. The breezy opener "Playthings of Love," with graceful interplay between his Rhodes, electric guitar, bass, and a ticking snare, create a space for the horns to enter subtly on the second verse. By then the listener is completely enveloped in the grooving hook. "Simple Guy" is a summery love song with a brilliant horn chart that dialogues -- line for line -- with his vocal. "Dondi" features a guest appearance by legendary American session guitarist David T. Walker (of Innervisions, Let's Get It On, and dozens of others). His colorful chord voicings and lead fills enhance layers of flutes, horn, and crystalline Rhodes, while his lyrical solo shines through. "Smile," with Incognito's "Bluey" Maunick on guitar, contains a funky bassline as irresistible as the tune's melody. The jazz cadence in "Dried Flowers," illustrated by Wurlitzer, ARP strings, vibes, fat brass, and reeds, is underscored by Sergio Melo's breakbeats binding the tune forever to R&B. The set's most musically ambitious moment is "Farmer's Wife," which artfully melds sophisticated pop, progressive rock, and jazz. The only track in Portuguese (on the American English version) is "Mais Do Que Ei Sei," co-written with Dudu Falçao. It is a sinuous rock tune that adds considerable contrast and dimension to what's already here. For Motta, AOR is not mere nostalgia for an era, but a musical standard he aspired to. He not only accomplished it but left his own mark as well." (Thom Jurek, AMG)
Ed Motta, vocals and keyboard
Paulinho Guitarra, guitar
Miguel Casais, drums
Matti Klein, piano
Hannes Hüfken, bass
Sebastian Borkowski, saxophone
Stefan Ulrich, trumpet
Tracklist:
01. Ed Motta - Playthings of Luv (24 Bit Remaster, 2021) (05:56)
02. Ed Motta - Simple Guy (24 Bit Remaster, 2021) (03:34)
03. Ed Motta - Lost in the Night (24 Bit Remaster, 2021) (03:55)
04. Ed Motta - Dondi (24 Bit Remaster, 2021) (05:28)
05. Ed Motta - Smile (24 Bit Remaster, 2021) (04:20)
06. Ed Motta - 1978 (Leave the Radio on) (24 Bit Remaster, 2021) (04:38)
07. Ed Motta - Dried Flowers (24 Bit Remaster, 2021) (04:40)
08. Ed Motta - AOR (24 Bit Remaster, 2021) (00:22)
09. Ed Motta - Farmer´s Wife (24 Bit Remaster, 2021) (05:59)
What is AOR? A north-American expression invented by radio stations in the 70’s -“Album Oriented Rock” and also “Adult Oriented Rock”. The term AOR has several meanings and aesthetic representations: records of different kinds of music like funk, soul, Brazilian, Argentine, French, Italian, reggae music, etc, can be described as AOR. Earth Wind & Fire is one of the best examples. A legendary soul/funk band that has been called AOR because of its extremely precise production standard.
One of the AOR offshoots is the Westcoast sound, California music, from the Beach Boys (actually, sunshine pop) to the great production Midas, David Foster. Pop music at its best as far as technical quality is concerned, both musically and sonically speaking. Doobie Brothers, Steely Dan, Pages, Chicago, Toto, Christopher Cross, Player, Hall & Oates, Boz Scaggs, etc, etc. Thousands of artists escorted by a whole cult following of sites, parties, new bands and artists dedicated to this universe. Naturally, all the AOR hits and rarities are available on YouTube.
This has been one of the most intricate records I’ve ever made. The mixing rate, for instance, was of one week per song. On most records, especially in Brazil, one day is set aside for each song. I used to work with two, three days. One of the greatest talents that I’ve ever encountered in sound engineering, MarioLeo, was the technician in charge. A shining sound is what you want in AOR culture, just like an extremely low bass is in a reggae recording. In the world of pop music, politeness is wrongly taken for coldness, mannerism. In AOR, technical perfection is a virtue, as in jazz and classical music.
I am very lucky to have had great musicians by my side, each one’s signature and accent is indispensable so that my arrangements can take on the life and shape I imagine for them. All of them are outstanding musicians, with personality and their own sound and style. And I got lucky: Chico Pinheiro, Bluey, leader of Incognito, as well as legendary guitarist David T.Walker, who has recorded just about everything and a little more of North-American music from the 70’s to the present day.
Before listening to this record, the modus vivendi and the AOR imaginary would put on a Hawaiian shirt à la Magnum PI, slip on a pair of loafers with no socks like in Miami Vice, get inside a convertible car and drive by coconut trees at sunset. Drive through Rio de Janeiro, Los Angeles, Miami, Hawaii. Aloha!
"Brazilian producer, multi-instrumentalist, composer, arranger, translator, and fanatical record collector, Ed Motta has long been a musical renaissance man; a forward-thinking standard bearer to music fans in his own country, as well as a club, radio and festival presence in Europe and Japan; he's less well known on the American side of the Atlantic. While previous offerings -- notably Poptical, Dwitza, and Aystelum -- have brought his love for the crossover jazz, rock, and R&B of the late 1970s into MPB, and he has never assembled them so completely as he does here. As a genre/radio format, "AOR" refers to "album-oriented rock." For Motta it has always been more complex, deeper, and wider; it was American music, regardless of popular genre, that displayed a specific standard in writing, playing, and production. Though this adheres closely to Steely Dan's Becker and Fagen, one can also hear Maurice White, Rene & Angela, Gino Vannelli, and Jay Graydon in both charts and mix. He enlisted a cast of Brazil's finest studio players to assist him in this project's realization. Guitars, horns, crisp drums, organic hand percussion, elegant basslines, Rhodes piano, clavinet, Moog, etc., all capture the vibe perfectly. But the writing and singing are pure Motta: tender, sensual, soulful, and airy, his voice carries a remarkable range that adorns gorgeous melodies and poetic lyrics. Virtually any song here could have been a single. The breezy opener "Playthings of Love," with graceful interplay between his Rhodes, electric guitar, bass, and a ticking snare, create a space for the horns to enter subtly on the second verse. By then the listener is completely enveloped in the grooving hook. "Simple Guy" is a summery love song with a brilliant horn chart that dialogues -- line for line -- with his vocal. "Dondi" features a guest appearance by legendary American session guitarist David T. Walker (of Innervisions, Let's Get It On, and dozens of others). His colorful chord voicings and lead fills enhance layers of flutes, horn, and crystalline Rhodes, while his lyrical solo shines through. "Smile," with Incognito's "Bluey" Maunick on guitar, contains a funky bassline as irresistible as the tune's melody. The jazz cadence in "Dried Flowers," illustrated by Wurlitzer, ARP strings, vibes, fat brass, and reeds, is underscored by Sergio Melo's breakbeats binding the tune forever to R&B. The set's most musically ambitious moment is "Farmer's Wife," which artfully melds sophisticated pop, progressive rock, and jazz. The only track in Portuguese (on the American English version) is "Mais Do Que Ei Sei," co-written with Dudu Falçao. It is a sinuous rock tune that adds considerable contrast and dimension to what's already here. For Motta, AOR is not mere nostalgia for an era, but a musical standard he aspired to. He not only accomplished it but left his own mark as well." (Thom Jurek, AMG)
Ed Motta, vocals and keyboard
Paulinho Guitarra, guitar
Miguel Casais, drums
Matti Klein, piano
Hannes Hüfken, bass
Sebastian Borkowski, saxophone
Stefan Ulrich, trumpet
Tracklist:
01. Ed Motta - Playthings of Luv (24 Bit Remaster, 2021) (05:56)
02. Ed Motta - Simple Guy (24 Bit Remaster, 2021) (03:34)
03. Ed Motta - Lost in the Night (24 Bit Remaster, 2021) (03:55)
04. Ed Motta - Dondi (24 Bit Remaster, 2021) (05:28)
05. Ed Motta - Smile (24 Bit Remaster, 2021) (04:20)
06. Ed Motta - 1978 (Leave the Radio on) (24 Bit Remaster, 2021) (04:38)
07. Ed Motta - Dried Flowers (24 Bit Remaster, 2021) (04:40)
08. Ed Motta - AOR (24 Bit Remaster, 2021) (00:22)
09. Ed Motta - Farmer´s Wife (24 Bit Remaster, 2021) (05:59)
Year 2021 | Jazz | Soul | HD & Vinyl
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