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Karine Georgian - Bach: Cello Suites Nos. 1-6 & Viola da Gamba Sonatas (Arr. for Cello & Harpsichord) (2014)

Karine Georgian - Bach: Cello Suites Nos. 1-6 & Viola da Gamba Sonatas (Arr. for Cello & Harpsichord) (2014)

BAND/ARTIST: Karine Georgian

  • Title: Bach: Cello Suites Nos. 1-6 & Viola da Gamba Sonatas (Arr. for Cello & Harpsichord)
  • Year Of Release: 2014
  • Label: SOMM Recordings
  • Genre: Classical
  • Quality: FLAC (tracks+booklet)
  • Total Time: 196:11 min
  • Total Size: 961 MB
  • WebSite:
Tracklist:

CD1:

01. I. Prelude
02. II. Allemande
03. III. Courante
04. IV. Sarabande
05. V. Menuet I-II
06. VI. Gigue
07. I. Prelude
08. II. Allemande
09. III. Courante
10. IV. Sarabande
11. V. Menuet I-II
12. VI. Gigue
13. I. Prelude
14. II. Allemande
15. III. Courante
16. IV. Sarabande
17. V. Gavotte I-II
18. VI. Gigue

CD2:

01. I. Prelude
02. II. Allemande
03. III. Courante
04. IV. Sarabande
05. V. Bourree I-II
06. VI. Gigue
07. I. Prelude
08. II. Allemande
09. III. Courante
10. IV. Sarabande
11. V. Bourree I-II
12. VI. Gigue
13. I. Prelude
14. II. Allemande
15. III. Courante
16. IV. Sarabande
17. V. Gavotte I-II
18. VI. Gigue

CD3:

01. I. Adagio
02. II. Allegro
03. III. Andante
04. IV. Allegro moderato
05. I. Adagio
06. II. Allegro
07. III. Andante
08. IV. Allegro
09. I. Vivace
10. II. Adagio
11. III. Allegro

This release brings you a well-filled 3-CD set for the price of two. The first two discs of this set feature a brand new recording of Bach’s Cello Suites with the well-loved Russian cellist Karine Georgian. Karine considers this some of the most moving music ever written.

She confesses that she has lived with the Suites and has played them in concert for many years and has always been in awe of their sublime beauty. It becomes evident from the very beginning of Suite no. 1 that Georgian brings to her playing a very special insight and deep understanding of these cello masterpieces.

Christopher Morley’s comprehensive booklet notes also contain a special interview of Karine in which she expresses her views on the style of playing of Bach’s music and specifically that of the Cello Suites.


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