Luigi Palombi - Fake Bach - A Journey into Bach Arrangements (2021) [Hi-Res]
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BAND/ARTIST: Luigi Palombi
- Title: Fake Bach - A Journey into Bach Arrangements
- Year Of Release: 2021
- Label: Dynamic
- Genre: Classical
- Quality: flac lossless / flac 24bits - 96.0kHz +Booklet
- Total Time: 00:58:44
- Total Size: 225 mb / 1.0 gb
- WebSite: Album Preview
Tracklist
01. Gounod Meditation sur le 1er prelude de piano de J. S. Bach from the Prelude Bwv 846 of “das wohltemperierte Klavier I”
02. Rummel Cembalo obbligato “chi in amore ha nemica la sorte” from the Cantata “amore traditore” Bwv 203
03. Saint-saens Largo from the Violin Sonata No. 3 Bwv 1005
04. Godowsky Presto from the Violin Sonata No. 1 Bwv 1001
05. Bach Concerto in D Minor Bwv 974 from Alessandro Marcello’s Oboe Concerto (allegro)
06. Bach Concerto in D Minor Bwv 974 from Alessandro Marcello’s Oboe Concerto Adagio
07. Bach Concerto in D Minor Bwv 974 from Alessandro Marcello’s Oboe Concerto Presto
08. Brahms Presto - Studio No. 3 from the Violin Sonata No. 1 Bwv 1001
09. Siloti Prelude from the Prelude No. 5 Bwv 855a of the “klavierbuchlein fur Wilhelm Friedemann Bach“
10. Godowsky Sarabande from the Partita No. 1 for solo violin Bwv 1002
11. Saint-saens Bourree from the Partita No. 1 for solo violin Bwv 1002
12. Stradal Concerto in A Minor from Bach’s organ transcription (Bwv 593) of a. Vivaldi’s Concerto Op. 3 No. 8 of L’estro Armonico Allegro moderato e maestoso
13. Stradal Concerto in A Minor from Bach’s organ transcription (Bwv 593) of a. Vivaldi’s Concerto Op. 3 No. 8 of L’estro Armonico Adagio
14. Stradal Concerto in A Minor from Bach’s organ transcription (Bwv 593) of a. Vivaldi’s Concerto Op. 3 No. 8 of L’estro Armonico Allegro [nicht zu schnell]
15. Martucci Air from the Orchestral Suite No. 3 Bwv 1068
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The concept behind Fake Bach is to record a recital dedicated to Johann Sebastian Bach that focuses on piano transcriptions that are ‘daring’ and ‘scandalous’, providing a unique perspective on Bach’s music. Encouraged by Franz Liszt and reflecting the progressive Bach Renaissance of the 1800s, these transcriptions date from 1850 to the First World War. The pianist-composer-virtuosos on this album researched the essence of Bach’s genius and ended up expressing mostly themselves and their own personalities, dissolving the space between interpreter and their ‘object of love’ composer.
01. Gounod Meditation sur le 1er prelude de piano de J. S. Bach from the Prelude Bwv 846 of “das wohltemperierte Klavier I”
02. Rummel Cembalo obbligato “chi in amore ha nemica la sorte” from the Cantata “amore traditore” Bwv 203
03. Saint-saens Largo from the Violin Sonata No. 3 Bwv 1005
04. Godowsky Presto from the Violin Sonata No. 1 Bwv 1001
05. Bach Concerto in D Minor Bwv 974 from Alessandro Marcello’s Oboe Concerto (allegro)
06. Bach Concerto in D Minor Bwv 974 from Alessandro Marcello’s Oboe Concerto Adagio
07. Bach Concerto in D Minor Bwv 974 from Alessandro Marcello’s Oboe Concerto Presto
08. Brahms Presto - Studio No. 3 from the Violin Sonata No. 1 Bwv 1001
09. Siloti Prelude from the Prelude No. 5 Bwv 855a of the “klavierbuchlein fur Wilhelm Friedemann Bach“
10. Godowsky Sarabande from the Partita No. 1 for solo violin Bwv 1002
11. Saint-saens Bourree from the Partita No. 1 for solo violin Bwv 1002
12. Stradal Concerto in A Minor from Bach’s organ transcription (Bwv 593) of a. Vivaldi’s Concerto Op. 3 No. 8 of L’estro Armonico Allegro moderato e maestoso
13. Stradal Concerto in A Minor from Bach’s organ transcription (Bwv 593) of a. Vivaldi’s Concerto Op. 3 No. 8 of L’estro Armonico Adagio
14. Stradal Concerto in A Minor from Bach’s organ transcription (Bwv 593) of a. Vivaldi’s Concerto Op. 3 No. 8 of L’estro Armonico Allegro [nicht zu schnell]
15. Martucci Air from the Orchestral Suite No. 3 Bwv 1068
The concept behind Fake Bach is to record a recital dedicated to Johann Sebastian Bach that focuses on piano transcriptions that are ‘daring’ and ‘scandalous’, providing a unique perspective on Bach’s music. Encouraged by Franz Liszt and reflecting the progressive Bach Renaissance of the 1800s, these transcriptions date from 1850 to the First World War. The pianist-composer-virtuosos on this album researched the essence of Bach’s genius and ended up expressing mostly themselves and their own personalities, dissolving the space between interpreter and their ‘object of love’ composer.
Year 2021 | Classical | FLAC / APE | HD & Vinyl
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