Jordi Savall, La Capella Reial de Catalunya, Hespèrion XX - Maestros del Siglo de Oro (2018) [Hi-Res]
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BAND/ARTIST: Jordi Savall, La Capella Reial de Catalunya, Hespèrion XX
- Title: Maestros del Siglo de Oro
- Year Of Release: 2009/2018
- Label: Alia Vox
- Genre: Classical
- Quality: flac 24bits - 88.2kHz +Booklet
- Total Time: 03:15:48
- Total Size: 2.75 gb
- WebSite: Album Preview
Tracklist
CD1
01. Officium Defunctorum: I. Ad Matutinum
02. Officium Defunctorum: II. Invitatorium
03. Officium Defunctorum: III. In Primo Nocturno (Lecti I)
04. Officium Defunctorum: IV. In Primo Nocturno (Lecti II)
05. Officium Defunctorum: V. In Primo Nocturno (Lecti III)
06. Officium Defunctorum: VI. In Secundo Nocturno
07. Missa pro Defunctis: I. Introitus
08. Missa pro Defunctis: II. Kyrie
09. Missa pro Defunctis: III. Graduale
10. Missa pro Defunctis: IV. Sequentia
11. Missa pro Defunctis: V. Offetorium
12. Missa pro Defunctis: VI. Sanctus
13. Missa pro Defunctis: VII. Benedictus
14. Missa pro Defunctis: VIII. Agnus Dei
15. Missa pro Defunctis: IX. Communio
CD2
01. Sacrae Cantiones: I. Ave Maria (A 4)
02. Sacrae Cantiones: II. Alma Redemptoris Mater (A 4)
03. Sacrae Cantiones: III. Beata Dei Ginitrix, Maria (A 6)
04. Sacrae Cantiones: IV. Pater Noster (A 8)
05. Sacrae Cantiones: V. O Domine Jesu Christe I (Instrumental A 4)
06. Sacrae Cantiones: VI. O Domine Jesu Christe Ii (A 4)
07. Sacrae Cantiones: VII. O Sacrum Convivium (A 5)
08. Sacrae Cantiones: VIII. Laudate Dominum De Caelis (A 8)
09. Sacrae Cantiones: IX. Gabriel Archangelus (A 4)
10. Sacrae Cantiones: X. Ave, Vrgo Sanctissima (A 5)
11. Sacrae Cantiones: XI. Salve Regina (A 4)
12. Sacrae Cantiones: XII. Regina Caeli (A 8)
13. Sacrae Cantiones: XIII. ʻO Altitudo Divitiarum (Instrumental A 8)
14. Sacrae Cantiones: XIV. Trahe Me Post Te, Virgo Maria (A 5)
15. Sacrae Cantiones: XV. Duo Seraphim (A 12)
16. Sacrae Cantiones: XVI. Ave Maria (A 8)
CD3
01. Cantica Beatae Virginis: I. Hymn: Ave Maria, for 4 Voices (Attributed; c1575-1600)
02. Cantica Beatae Virginis: II. Motet: Gaude, Maria Virgo, for 5 Voices (1572)
03. Cantica Beatae Virginis: III. Motet: Trahe me, post te, for 6 Voices (1583)
04. Cantica Beatae Virginis: IV. Motet: Salve Regina, for 8 Voices (1572)
05. Cantica Beatae Virginis: V. Antiphon: Ave regina caelorum, for 5 Voices (1572)
06. Cantica Beatae Virginis: VI. Motet: Sancta Maria succurre miseris, for 4 Voices (1572)
07. Cantica Beatae Virginis: VII. Motet: Ne timeas, Maria, for 4 Voices (1572)
08. Cantica Beatae Virginis: VIII. Motet: Senex puerum portabat, a 4 (1572)
09. Cantica Beatae Virginis: IX. Motet: O magnum mysterium, for 4 Voices (1572)
10. Cantica Beatae Virginis: X. Motete Vidi, speciosam, 1572
11. Cantica Beatae Virginis: XI. Magnificat Primi toni, for 8 Voices (1600)
The liturgy of the Dead – including the Requiem Mass, the Burial Service and the Office of the dead, properly speaking – was granted considerable importance by the Spanish ecclesiastical authorities and by the local church composers from very early times. Throughout the Middle Ages, according to the extant documentary descriptions, the death of a great Lord, such as the Count of Barcelona or the sovereign of any of the Spanish kingdoms of León, Castile, Aragon or Navarre, was usually mourned with impressive ceremonies in which the solemnity of the liturgy was often enhanced by the addition of the planctus, a kind of lengthy optional lament that was sung monophonically and of which several examples have survived.
CD1
01. Officium Defunctorum: I. Ad Matutinum
02. Officium Defunctorum: II. Invitatorium
03. Officium Defunctorum: III. In Primo Nocturno (Lecti I)
04. Officium Defunctorum: IV. In Primo Nocturno (Lecti II)
05. Officium Defunctorum: V. In Primo Nocturno (Lecti III)
06. Officium Defunctorum: VI. In Secundo Nocturno
07. Missa pro Defunctis: I. Introitus
08. Missa pro Defunctis: II. Kyrie
09. Missa pro Defunctis: III. Graduale
10. Missa pro Defunctis: IV. Sequentia
11. Missa pro Defunctis: V. Offetorium
12. Missa pro Defunctis: VI. Sanctus
13. Missa pro Defunctis: VII. Benedictus
14. Missa pro Defunctis: VIII. Agnus Dei
15. Missa pro Defunctis: IX. Communio
CD2
01. Sacrae Cantiones: I. Ave Maria (A 4)
02. Sacrae Cantiones: II. Alma Redemptoris Mater (A 4)
03. Sacrae Cantiones: III. Beata Dei Ginitrix, Maria (A 6)
04. Sacrae Cantiones: IV. Pater Noster (A 8)
05. Sacrae Cantiones: V. O Domine Jesu Christe I (Instrumental A 4)
06. Sacrae Cantiones: VI. O Domine Jesu Christe Ii (A 4)
07. Sacrae Cantiones: VII. O Sacrum Convivium (A 5)
08. Sacrae Cantiones: VIII. Laudate Dominum De Caelis (A 8)
09. Sacrae Cantiones: IX. Gabriel Archangelus (A 4)
10. Sacrae Cantiones: X. Ave, Vrgo Sanctissima (A 5)
11. Sacrae Cantiones: XI. Salve Regina (A 4)
12. Sacrae Cantiones: XII. Regina Caeli (A 8)
13. Sacrae Cantiones: XIII. ʻO Altitudo Divitiarum (Instrumental A 8)
14. Sacrae Cantiones: XIV. Trahe Me Post Te, Virgo Maria (A 5)
15. Sacrae Cantiones: XV. Duo Seraphim (A 12)
16. Sacrae Cantiones: XVI. Ave Maria (A 8)
CD3
01. Cantica Beatae Virginis: I. Hymn: Ave Maria, for 4 Voices (Attributed; c1575-1600)
02. Cantica Beatae Virginis: II. Motet: Gaude, Maria Virgo, for 5 Voices (1572)
03. Cantica Beatae Virginis: III. Motet: Trahe me, post te, for 6 Voices (1583)
04. Cantica Beatae Virginis: IV. Motet: Salve Regina, for 8 Voices (1572)
05. Cantica Beatae Virginis: V. Antiphon: Ave regina caelorum, for 5 Voices (1572)
06. Cantica Beatae Virginis: VI. Motet: Sancta Maria succurre miseris, for 4 Voices (1572)
07. Cantica Beatae Virginis: VII. Motet: Ne timeas, Maria, for 4 Voices (1572)
08. Cantica Beatae Virginis: VIII. Motet: Senex puerum portabat, a 4 (1572)
09. Cantica Beatae Virginis: IX. Motet: O magnum mysterium, for 4 Voices (1572)
10. Cantica Beatae Virginis: X. Motete Vidi, speciosam, 1572
11. Cantica Beatae Virginis: XI. Magnificat Primi toni, for 8 Voices (1600)
The liturgy of the Dead – including the Requiem Mass, the Burial Service and the Office of the dead, properly speaking – was granted considerable importance by the Spanish ecclesiastical authorities and by the local church composers from very early times. Throughout the Middle Ages, according to the extant documentary descriptions, the death of a great Lord, such as the Count of Barcelona or the sovereign of any of the Spanish kingdoms of León, Castile, Aragon or Navarre, was usually mourned with impressive ceremonies in which the solemnity of the liturgy was often enhanced by the addition of the planctus, a kind of lengthy optional lament that was sung monophonically and of which several examples have survived.
Year 2018 | Classical | FLAC / APE | HD & Vinyl
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