Big Bones & Paul Pena - Giant Killers (1991) [CD Rip]

After checking out a bit more of Big Bones’ music in the form of his early 2003 CD So Low, we discovered that Bones was also offering a recording from a 1991 show he did at the Freight and Salvage Coffee House in Berkeley, California, with blind singer-guitarist Paul Pena, who some may recognize as the writer of the Steve Miller Band hit “Jet Airliner” (here‘s Pena singing the tune on the Conan O’Brien show in 2001) or perhaps as the subject of the Genghis Blues film documenting Pena’s participation in a Tuvan throat singing competition. Pena was also an accomplished blues musician, having played with T-Bone Walker‘s band for several years, as well as the likes of B.B. King and Bonnie Raitt, and recorded two quite impressive albums of his own in Paul Pena and New Train, with songs like “Something to Make You Happy” and “Gonna Move” later being covered by the likes of the Derek Trucks Band, Susan Tedeschi, and Taylor Hicks in addition to Miller’s success with “Jet Airliner.”

Needless to say, the combination of Big Bones and Pena on the Freight and Salvage-set Giant Killers CD makes for one hugely enjoyable recording – in fact, one of our favorites – as they (also joined by Alvin Youngblood Hart on mandolin) roll through such tunes as “Hangin’ Around Foolin’ Around” (the first of the songs we heard from Bones on that San Francisco compilation) and the harmonica-driven, mostly instrumental “Folk Music,” Robert Johnson‘s “Terraplane Blues” and “Hellhound on My Trail,” Lightnin’ Hopkins‘ “Bring Me My Shotgun,” Jimmy Reed‘s “Bright Lights,” Charley Patton‘s “Tom Rushen Blues,” and the Mississippi Sheiks‘ “Sitting on Top of the World.” So we were of course delighted when Bones emailed us recently to let us know that more music from Pena, Big Bones, and Hart is now available on a new CD entitled Paul Pena with Delta by the Bay, from a performance at the Freight and Salvage recorded a year and a half after the show captured on Giant Killers.

Although there is a bit of overlap between the songs you’ll hear on the two sets (with “Folk Music,” “Tom Rushen Blues,” “Sitting on Top of the World,” “Swing Low Sweet Cadillac” and Sonny Terry and Brownie McGhee‘s “Hole in the Wall” all found on both CDs), we’re not complaining – all are fine songs and work just as well with the five new tracks on Delta by the Bay as they did on Giant Killers.

The new album has Pena starting the night solo on the folksy “Taking Your Love Down,” and already, it’s a pleasure to hear Pena’s deep, nasaly voice again. From there, he moves to a song from “one of my very good friends and, in my opinion, probably the greatest lyricist of our time” Jackson Browne with “Our Lady of the Well,” allowing Pena to show the more sensitive side of his vocals, before digging into the first of the bluesier numbers in Big Joe Williams‘ “Brother James.”

Things only get better from there, as Pena welcomes Big Bones and Hart to the stage, introducing the set-up as “an instrumentation that used to be used a long time ago, back when the blues were just developing back in the deltas of Mississippi…We’re gonna’ try to present you with the kind of sound they used to get back then without all the scud and everything that you get from an old 78 record,” and then proceeding to do just that with a downright beautiful rendition of Patton’s “Tom Rushen Blues” that features some terrific playing from all.

The upbeat, harmonica-driven instrumental “Folk Music” follows, with Bones taking over on lead vocals for several songs, and Pena and Hart providing some nice call-and-response, backing and harmony vocals on tracks like “Hole in the Wall” and one of the most soulful versions of “Sitting on Top of the World” you’ll likely ever hear. Bones’ deep vocals also work quite well on the slow blues of “This Road” before Pena takes back the mic for a non-boozy adaptation of Peetie Wheatstraw‘s “More Good Whiskey” in a heartfelt “Good Love Will Come Back to Me” and a closing “Swing Low Sweet Cadillac” that allows you to hear the deepest registers in Pena’s voice.

If you haven’t already gathered, there’s lots to like about this project: in addition to offering up some tight and highly entertaining playing, the respect and admiration these three phenomenal blues talents display for one another is impressive, with Pena at one point acknowledging Bones as “the number one harp player in the Bay area” and Bones returning the compliment by describing Pena as “one of the veterans of the blues…a man that’s synonymous (with the blues) everywhere, and right here especially at the Freight and Salvage.” On behalf of blues fans everywhere, thanks to Bones for helping to keep the music and legacy of Paul Pena alive. ~Mike