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Masaaki Suzuki - J.S. Bach: Das Wohltemperierte Klavier (1996)

Masaaki Suzuki - J.S. Bach: Das Wohltemperierte Klavier (1996)

BAND/ARTIST: Masaaki Suzuki

  • Title: J.S. Bach: Das Wohltemperierte Klavier
  • Year Of Release: 1996
  • Label: BIS
  • Genre: Classical
  • Quality: FLAC (image+.cue,log,scans)
  • Total Time: 119:00
  • Total Size: 840 Mb
  • WebSite:
Tracklist:

CD 1:
01-02. Praeludium und Fuge C-Dur, BWV 846
03-04. Praeludium und Fuge e-Moll, BWV 847
05-06. Praeludium und Fuge Cis-Dur, BWV 848
07-08. Praeludium und Fuge cis-Moll, BWV 849
09-10. Praeludium und Fuge D-Dur, BWV 850
11-12. Praeludium und Fuge d-Moll, BWV 851
13-14. Praeludium und Fuge Es-Dur, BWV 852
15-16. Praeludium und Fuge es-dis-Moll, BWV 853
17-18. Praeludium und Fuge E-Dur, BWV 854
19-20. Praeludium und Fuge e-Moll, BWV 855
21-22. Praeludium und Fuge F-Dur, BWV 856
23-24. Praeludium und Fuge f-Moll, BWV 857

CD 2:
01-02. Praeludium und Fuge Fis-Dur, BWV 858
03-04. Praeludium und Fuge fis-Moll, BWV 859
05-06. Praeludium und Fuge G-Dur, BWV 860
07-08. Praeludium und Fuge g-Moll, BWV 861
09-10. Praeludium und Fuge As-Dur, BWV 862
11-12. Praeludium und Fuge gis-Moll, BWV 863
13-14. Praeludium und Fuge A-Dur, BWV 864
15-16. Praeludium und Fuge a-Moll, BWV 865
17-18. Praeludium und Fuge B-Dur, BWV 866
19-20. Praeludium und Fuge b-Moll, BWV 867
21-22. Praeludium und Fuge H-Dur, BWV 868
23-24. Praeludium und Fuge h-Moll, BWV 869

Performers:
Masaaki Suzuki, harpsichord

Listeners familiar with any of Masaaki Suzuki's many Bach recordings for BIS are likely to know what to expect from his recording of the Well-Tempered Klavier Book II: immaculate playing, impeccable taste, and immediate sound. Perhaps best-known internationally for his series of recordings of Bach's cantatas and other sacred works, Suzuki started his career as a superlative keyboard player, and as his performance here on the harpsichord demonstrates, he has kept his skills well-honed. Suzuki the keyboard player shares many of the same qualities as Suzuki the conductor: clarity, precision, vivacity, and a real feel for the music. From the quick to the slow and the simple to the complex, Suzuki articulates every line, harmony, and relationship lucidly but with a lively sense of rhythm and tempo. For some listeners, there may be too much calculation in these performances, and not enough freedom and inspiration. But whether or not the performances were mapped out ahead of time, no one could gainsay Suzuki's expressive intensity. Recorded in BIS' supernaturally clear yet almost tangibly present sound, these performances will surely find an appreciative audience.




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