Alexei Ogrintchouk, Swedish Chamber Orchestra, Bram van Sambeek - Mozart, Weber & Du Puy: Bassoon Concertos (2020) [CD-Rip]
BAND/ARTIST: Alexei Ogrintchouk, Swedish Chamber Orchestra, Bram van Sambeek
- Title: Mozart, Weber & Du Puy: Bassoon Concertos
- Year Of Release: 2020
- Label: BIS
- Genre: Classical
- Quality: flac lossless (image +.cue, log, artwork, booklet)
- Total Time: 01:06:11
- Total Size: 269 mb
- WebSite: Album Preview
Tracklist
01. Bassoon Concerto in B-Flat Major, K. 191: I. Allegro
02. Bassoon Concerto in B-Flat Major, K. 191: II. Andante ma Adagio
03. Bassoon Concerto in B-Flat Major, K. 191: III. Rondo
04. Bassoon Concerto in F Major, Op. 75, J. 127: I. Allegro ma non troppo
05. Bassoon Concerto in F Major, Op. 75, J. 127: II. Adagio
06. Bassoon Concerto in F Major, Op. 75, J. 127: III. Rondo
07. Bassoon Concerto in C Minor: I. Adagio non troppo - Allegro moderato
08. Bassoon Concerto in C Minor: II. Adagio
09. Bassoon Concerto in C Minor: III. Rondo
As Bram van Sambeek writes in the liner notes, bassoonists consider Mozarts Concerto in B-flat major the absolute pinnacle of their repertoire. A man of great contrasts himself, Mozart recognised the potential of the bassoon as a vehicle for expressing a wide range of moods and attitudes from the joking and playful to the dreamily tuneful.
Another composer who showed a special understanding for the instrument was Carl Maria von Weber, whose Concerto in F major doesn't come far behind Mozarts on the list of all-time bassoon hits. But as all bassoonists would agree, that list is on the short side compared to the piano or the violin, the bassoon has been sadly underused by composers. How much easier then to imagine van Sambeeks excitement when, by chance, he came across an unknown bassoon concerto. From a library in Stockholm he had requested a quintet for bassoon and strings by the Swiss-born, Swedish-based singer-conductor-composer and jack-of-most-trades Édouard Du Puy (c.17701822) but, by mistake, he was sent a copy of the autograph manuscript for Du Puys Concerto pour le basson in C minor. Spirited support comes from the acclaimed Swedish Chamber Orchestra conducted by his colleague and long-time collaborator, the oboist Alexei Ogrintchouk.
01. Bassoon Concerto in B-Flat Major, K. 191: I. Allegro
02. Bassoon Concerto in B-Flat Major, K. 191: II. Andante ma Adagio
03. Bassoon Concerto in B-Flat Major, K. 191: III. Rondo
04. Bassoon Concerto in F Major, Op. 75, J. 127: I. Allegro ma non troppo
05. Bassoon Concerto in F Major, Op. 75, J. 127: II. Adagio
06. Bassoon Concerto in F Major, Op. 75, J. 127: III. Rondo
07. Bassoon Concerto in C Minor: I. Adagio non troppo - Allegro moderato
08. Bassoon Concerto in C Minor: II. Adagio
09. Bassoon Concerto in C Minor: III. Rondo
As Bram van Sambeek writes in the liner notes, bassoonists consider Mozarts Concerto in B-flat major the absolute pinnacle of their repertoire. A man of great contrasts himself, Mozart recognised the potential of the bassoon as a vehicle for expressing a wide range of moods and attitudes from the joking and playful to the dreamily tuneful.
Another composer who showed a special understanding for the instrument was Carl Maria von Weber, whose Concerto in F major doesn't come far behind Mozarts on the list of all-time bassoon hits. But as all bassoonists would agree, that list is on the short side compared to the piano or the violin, the bassoon has been sadly underused by composers. How much easier then to imagine van Sambeeks excitement when, by chance, he came across an unknown bassoon concerto. From a library in Stockholm he had requested a quintet for bassoon and strings by the Swiss-born, Swedish-based singer-conductor-composer and jack-of-most-trades Édouard Du Puy (c.17701822) but, by mistake, he was sent a copy of the autograph manuscript for Du Puys Concerto pour le basson in C minor. Spirited support comes from the acclaimed Swedish Chamber Orchestra conducted by his colleague and long-time collaborator, the oboist Alexei Ogrintchouk.
Year 2020 | Classical | FLAC / APE | CD-Rip
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