Mark Bebbington - Song of Paradise (2014)
BAND/ARTIST: Mark Bebbington
- Title: Song of Paradise
- Year Of Release: 2014
- Label: SOMM Recordings
- Genre: Classical
- Quality: FLAC (tracks+booklet)
- Total Time: 76:21 min
- Total Size: 239 MB
- WebSite: Album Preview
Tracklist:
01. Song of Paradise
02. Melody at Dusk
03. No. 1. Toccatina
04. No. 2. Valse impromptu
05. No. 3. Autumn Leaves
06. June Night on Marlow Reach
07. Money Spider
08. 3 Pieces, Op. 4: No. 1. Humoresque
09. Moonlight Reverie
10. No. 1. Snowflakes
11. No. 2. Reflections
12. No. 3. Swing Song
13. Spring Meadows
14. Pierrette on the Balcony
15. 3 Pieces, Op. 4: No. 2. Beside the Lake
16. Lilacs in the Rain
17. In the Shade of the Palms
18. Meditation
19. Summer Breezes
20. Dreamy Willows
21. Passing Clouds
22. Windflowers
23. A Prayer at Eventide
01. Song of Paradise
02. Melody at Dusk
03. No. 1. Toccatina
04. No. 2. Valse impromptu
05. No. 3. Autumn Leaves
06. June Night on Marlow Reach
07. Money Spider
08. 3 Pieces, Op. 4: No. 1. Humoresque
09. Moonlight Reverie
10. No. 1. Snowflakes
11. No. 2. Reflections
12. No. 3. Swing Song
13. Spring Meadows
14. Pierrette on the Balcony
15. 3 Pieces, Op. 4: No. 2. Beside the Lake
16. Lilacs in the Rain
17. In the Shade of the Palms
18. Meditation
19. Summer Breezes
20. Dreamy Willows
21. Passing Clouds
22. Windflowers
23. A Prayer at Eventide
Reginald King‘s name first came onto Mark Bebbington’s horizons in August 2011 when he was visiting Siva Oke from SOMM recordings to discuss a whole range of possible future repertoire ideas and session dates. Siva Oke, Director of SOMM, had been in conversation with King’s publisher at Bardic Edition who had expressed enthusiasm for SOMM to record some of the piano miniatures by Reginald King.
Mark Bebbington was instantly won over by the easy-going charm, beautiful craftsmanship and melodic freshness of these ‘light’ piano pieces. Not for a moment did he feel that tackling this repertoire would he be at odds with the grittier world of other areas of British music he had championed on SOMM.
Mark Bebbington was instantly won over by the easy-going charm, beautiful craftsmanship and melodic freshness of these ‘light’ piano pieces. Not for a moment did he feel that tackling this repertoire would he be at odds with the grittier world of other areas of British music he had championed on SOMM.
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