Lawrence Brownlee - Virtuoso Rossini Arias (2013)
BAND/ARTIST: Lawrence Brownlee
- Title: Virtuoso Rossini Arias
- Year Of Release: 2013
- Label: Delos
- Genre: Opera, Vocal
- Quality: FLAC (image+.cue,log)
- Total Time: 54:32
- Total Size: 236 MB
- WebSite: Album Preview
Tracklist:
01 "La Gazza ladra: Vieni fra questa braccia"
02 "Le comte ory: Que les destins prosperes"
03 "Loccasione fa in ladro: D.ogni piu sacro impegno"
04 "Otello: Che ascolto"
05 "Semiramide: Ah dov.e il cimento"
06 "Il turco in italia: Tu seconda il mio disegno"
07 "la donna del lago: O fiamma soave"
08 "Zelmira: Terra amica"
01 "La Gazza ladra: Vieni fra questa braccia"
02 "Le comte ory: Que les destins prosperes"
03 "Loccasione fa in ladro: D.ogni piu sacro impegno"
04 "Otello: Che ascolto"
05 "Semiramide: Ah dov.e il cimento"
06 "Il turco in italia: Tu seconda il mio disegno"
07 "la donna del lago: O fiamma soave"
08 "Zelmira: Terra amica"
Lawrence Brownlee's international career began at the top, with Il barbiere di Siviglia at Milan's La Scala. And as his stock among the world's bel canto elect has continued to rise--on April 17 he returns to the Met for Bellini's I puritani--Rossini's demanding heroes, barely castable not so long ago, remain his principal calling card.
This overdue recital CD presents eight numbers from as many works. If Le comte Ory and La donna del lago hardly still count among "the old master's most rarely performed operas," as the CD booklet claims, the program still thoughtfully avoids hoary chestnuts from Barbiere, Cenerentola and Italiana in Algeri.
Terrific though Brownlee is in those roles, it's nice for collectors to have worthy accounts of Zelmira and L'occasione fa il ladro as well. In the latter opera's "D'ogni più sacro impegno," Brownlee takes a long, leisurely weekend on his shining last high note. His breath control, impressive throughout, is wedded to dazzling agility and a tone admirers find more ingratiating than that of his better-known peer Juan Diego Flórez.
In just one example, Brownlee starts the first track (from La gazza ladra) with a melting messa di voce ornament, throws in a high D in recitative and dispatches the aria's demanding passagework like child's play. Every cut on the disc supplies similarly stylish thrills. --David Shengold, Opera News, June 2014
This American tenor has a high-flying instrument that he unleashes at will in strong and graceful performances. --NPR Top 50 Songs of 2014 So Far, June 2014
Brownlee employs his fresh sound with an aristocratic reserve that always serves the musical style. --Judith Malafronte, Opera News, August 2014
This overdue recital CD presents eight numbers from as many works. If Le comte Ory and La donna del lago hardly still count among "the old master's most rarely performed operas," as the CD booklet claims, the program still thoughtfully avoids hoary chestnuts from Barbiere, Cenerentola and Italiana in Algeri.
Terrific though Brownlee is in those roles, it's nice for collectors to have worthy accounts of Zelmira and L'occasione fa il ladro as well. In the latter opera's "D'ogni più sacro impegno," Brownlee takes a long, leisurely weekend on his shining last high note. His breath control, impressive throughout, is wedded to dazzling agility and a tone admirers find more ingratiating than that of his better-known peer Juan Diego Flórez.
In just one example, Brownlee starts the first track (from La gazza ladra) with a melting messa di voce ornament, throws in a high D in recitative and dispatches the aria's demanding passagework like child's play. Every cut on the disc supplies similarly stylish thrills. --David Shengold, Opera News, June 2014
This American tenor has a high-flying instrument that he unleashes at will in strong and graceful performances. --NPR Top 50 Songs of 2014 So Far, June 2014
Brownlee employs his fresh sound with an aristocratic reserve that always serves the musical style. --Judith Malafronte, Opera News, August 2014
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