Alexander-Sergei Ramírez - Ximénez & Anónimos: Guitarra Clásica del Perú (2014)
BAND/ARTIST: Alexander-Sergei Ramírez
- Title: Ximénez & Anónimos: Guitarra Clásica del Perú
- Year Of Release: 2014
- Label: CAvi-music
- Genre: Classical Guitar
- Quality: flac lossless
- Total Time: 01:14:30
- Total Size: 277 mb
- WebSite: Album Preview
Tracklist
01. Minuet No. 4 in E Minor
02. Minuet No. 2 in E Minor
03. Minuet No. 15 in A Major
04. Minuet No. 6 in A Minor
05. Minuet No. 27 in D Minor
06. Minuet No. 23 in C Minor
07. Minuet No. 1 in A Major
08. Andante in E Minor
09. Rondo in G Major
10. Minuet No. 75 in E Minor
11. Minuet in A Minor No. 1
12. Minuet No. 21 in A Major
13. Minuet No. 17 in A Major
14. Minuet No. 90 in A Minor
15. Minuet No. 24 in C Minor
16. Minuet No. 38 in A Minor
17. Minuet No. 98 in C Minor
18. Minuet No. 48 in F Major
19. Minuet No. 74 in E Minor
20. Minuet in E Minor
21. Largo in B Minor
22. Minuet No. 61 in E Major
23. Minuet in D Minor
24. Minuet in G Minor No. 1 (Cuaderno)
25. Fandango in D Minor
26. Minuet in G Minor No. 1 (Dito)
27. Toccata in A Minor
28. Minuet in A Minor No. 2
29. Minuet No. 37 in A Minor
30. Minuet No. 40 in A Minor
31. Minuet No. 36 in A Minor
32. Minuet No. 95 in D Minor
33. Minuet in G Minor
34. Minuet No. 76 in G Minor
35. Minuet No. 35 in F Minor
36. Minuet in C Minor
Latin American guitar music - WORLD PREMIÈRES and an extraordinary discovery. It is rather ironic that, of the 36 examples of Peruvian classical guitar music recorded for this CD, the only known composer (the remainder are anonymous), lived, composed and died not in his native Peru, but in the city of Sucre, then capital of the Republic of Bolivia. The other 13 compositions on this CD are anonymous works, taken from 18th and 18th century Peruvian copybooks by three different individuals. The Mathías José Maestro notebook, dated in Lima in 1786, contains 17 pages of anonymous scores for guitar, most likely of European origin, since Maestro was born in Spain and emigrated to Lima toward the end of the 18th century. The Zifra copybook also dates to the final years of the 18th century and belonged to a Spanish officer in the Royal Corps of Engineers, stationed in Lima. The 31 pieces in the Zifra notebook are also mostly of European origin, anonymous compositions and arrangements inspired by Spanish guitar music of the second half of the 18th century.
01. Minuet No. 4 in E Minor
02. Minuet No. 2 in E Minor
03. Minuet No. 15 in A Major
04. Minuet No. 6 in A Minor
05. Minuet No. 27 in D Minor
06. Minuet No. 23 in C Minor
07. Minuet No. 1 in A Major
08. Andante in E Minor
09. Rondo in G Major
10. Minuet No. 75 in E Minor
11. Minuet in A Minor No. 1
12. Minuet No. 21 in A Major
13. Minuet No. 17 in A Major
14. Minuet No. 90 in A Minor
15. Minuet No. 24 in C Minor
16. Minuet No. 38 in A Minor
17. Minuet No. 98 in C Minor
18. Minuet No. 48 in F Major
19. Minuet No. 74 in E Minor
20. Minuet in E Minor
21. Largo in B Minor
22. Minuet No. 61 in E Major
23. Minuet in D Minor
24. Minuet in G Minor No. 1 (Cuaderno)
25. Fandango in D Minor
26. Minuet in G Minor No. 1 (Dito)
27. Toccata in A Minor
28. Minuet in A Minor No. 2
29. Minuet No. 37 in A Minor
30. Minuet No. 40 in A Minor
31. Minuet No. 36 in A Minor
32. Minuet No. 95 in D Minor
33. Minuet in G Minor
34. Minuet No. 76 in G Minor
35. Minuet No. 35 in F Minor
36. Minuet in C Minor
Latin American guitar music - WORLD PREMIÈRES and an extraordinary discovery. It is rather ironic that, of the 36 examples of Peruvian classical guitar music recorded for this CD, the only known composer (the remainder are anonymous), lived, composed and died not in his native Peru, but in the city of Sucre, then capital of the Republic of Bolivia. The other 13 compositions on this CD are anonymous works, taken from 18th and 18th century Peruvian copybooks by three different individuals. The Mathías José Maestro notebook, dated in Lima in 1786, contains 17 pages of anonymous scores for guitar, most likely of European origin, since Maestro was born in Spain and emigrated to Lima toward the end of the 18th century. The Zifra copybook also dates to the final years of the 18th century and belonged to a Spanish officer in the Royal Corps of Engineers, stationed in Lima. The 31 pieces in the Zifra notebook are also mostly of European origin, anonymous compositions and arrangements inspired by Spanish guitar music of the second half of the 18th century.
Classical | Instrumental | FLAC / APE
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