La Morra, Michał Gondko, Diabolus in Musica, Antoine Guerber - Johannes Ciconia: Opera omnia (2011)
BAND/ARTIST: La Morra, Michał Gondko, Diabolus in Musica, Antoine Guerber
- Title: Johannes Ciconia: Opera omnia
- Year Of Release: 2011
- Label: Ricercar
- Genre: Classical
- Quality: flac lossless +Booklet
- Total Time: 02:31:34
- Total Size: 636 mb
- WebSite: Album Preview
Tracklist
CD1
01. Musique profane: I. Una panthera in compagnia di marte
02. Musique profane: II. Sus un' fontayne
03. Musique profane: III. Chi nel servir
04. Musique profane: IV. Le ray au soleyl
05. Musique profane: V. Caçando un giorno
06. Musique profane: VI. Per quella strada
07. Musique profane: VII. Con lagreme
08. Musique profane: VIII. Chi vole amar
09. Musique profane: IX. Dolçe fortuna
10. Musique profane: X. Gli atti col dançar
11. Musique profane: XI. La fiamma del to amor
12. Musique profane: XII. Poy che morir
13. Musique profane: XIII. Aler m'en veus
14. Musique profane: XIV. I cani sono fuora
15. Musique profane: XV. Ligiadra donna
16. Musique profane: XVI. Merçe o morte
17. Musique profane: XVII. O rosa bella
18. Contrafacta / Canon: I. Regina gloriosa
19. Contrafacta / Canon: II. O Petre, Christi discipule
20. Contrafacta / Canon: III. O beatum incendium
21. Contrafacta / Canon: IV. Quod jactatur
CD2
01. Motets et mouvements de messe: I. Petrum Marcello venetum - O Petre antistes inclite
02. Motets et mouvements de messe: II. O virum omnimoda - O lux et decus - O beate Nicholae
03. Motets et mouvements de messe: III. Ut per te omnes celitus - Ingens alumnus Padue
04. Motets et mouvements de messe: IV. Gloria No. 3
05. Motets et mouvements de messe: V. Gloria No. 4
06. Motets et mouvements de messe: VI. Gloria spiritus et alme No. 6
07. Motets et mouvements de messe: VII. Venecie, mundi splendor - Michael qui Stena domus
08. Motets et mouvements de messe: VIII. Gloria suscipe trinitas
09. Motets et mouvements de messe: IX. O beatum incendium
10. Motets et mouvements de messe: X. O felix templum incendium
11. Motets et mouvements de messe: XI. Gloria No. 9
12. Motets et mouvements de messe: XII. Doctorum principem - Melodia suavissima - Vir mitis
13. Motets et mouvements de messe: XIII. Gloria No. 1
14. Motets et mouvements de messe: XIV. Credo No. 2
15. Motets et mouvements de messe: XV. Albane, misse celitus - Albane doctor maxime
16. Motets et mouvements de messe: XVI. Gloria spiritus et alme No. 5
17. Motets et mouvements de messe: XVII. Credo No. 10
18. Motets et mouvements de messe: XVIII. Gloria No. 8
19. Motets et mouvements de messe: XIX. O Padua sidus preclarum
Active in Venice and Padua at the beginning of the 15th century, Johannes Ciconia was undoubtedly the most important composer of this transitional period. Born in Liège and trained in the principles of the French and Italian Ars Nova, he played a considerable role in the musical development that led little by little towards the Renaissance. His works are in all the forms current for the period: French chansons, Italian ballades and madrigals and Latin motets for particular occasions as well as individual movements from the Mass that proclaim the arrival of the form’s golden age in the 15th century. This recording of his complete works has been entrusted to two remarkable ensembles that are no strangers to Outhere’s catalogue: La Morra for the secular music and Diabolus In Musica for the sacred works and the motets for particular occasions.
CD1
01. Musique profane: I. Una panthera in compagnia di marte
02. Musique profane: II. Sus un' fontayne
03. Musique profane: III. Chi nel servir
04. Musique profane: IV. Le ray au soleyl
05. Musique profane: V. Caçando un giorno
06. Musique profane: VI. Per quella strada
07. Musique profane: VII. Con lagreme
08. Musique profane: VIII. Chi vole amar
09. Musique profane: IX. Dolçe fortuna
10. Musique profane: X. Gli atti col dançar
11. Musique profane: XI. La fiamma del to amor
12. Musique profane: XII. Poy che morir
13. Musique profane: XIII. Aler m'en veus
14. Musique profane: XIV. I cani sono fuora
15. Musique profane: XV. Ligiadra donna
16. Musique profane: XVI. Merçe o morte
17. Musique profane: XVII. O rosa bella
18. Contrafacta / Canon: I. Regina gloriosa
19. Contrafacta / Canon: II. O Petre, Christi discipule
20. Contrafacta / Canon: III. O beatum incendium
21. Contrafacta / Canon: IV. Quod jactatur
CD2
01. Motets et mouvements de messe: I. Petrum Marcello venetum - O Petre antistes inclite
02. Motets et mouvements de messe: II. O virum omnimoda - O lux et decus - O beate Nicholae
03. Motets et mouvements de messe: III. Ut per te omnes celitus - Ingens alumnus Padue
04. Motets et mouvements de messe: IV. Gloria No. 3
05. Motets et mouvements de messe: V. Gloria No. 4
06. Motets et mouvements de messe: VI. Gloria spiritus et alme No. 6
07. Motets et mouvements de messe: VII. Venecie, mundi splendor - Michael qui Stena domus
08. Motets et mouvements de messe: VIII. Gloria suscipe trinitas
09. Motets et mouvements de messe: IX. O beatum incendium
10. Motets et mouvements de messe: X. O felix templum incendium
11. Motets et mouvements de messe: XI. Gloria No. 9
12. Motets et mouvements de messe: XII. Doctorum principem - Melodia suavissima - Vir mitis
13. Motets et mouvements de messe: XIII. Gloria No. 1
14. Motets et mouvements de messe: XIV. Credo No. 2
15. Motets et mouvements de messe: XV. Albane, misse celitus - Albane doctor maxime
16. Motets et mouvements de messe: XVI. Gloria spiritus et alme No. 5
17. Motets et mouvements de messe: XVII. Credo No. 10
18. Motets et mouvements de messe: XVIII. Gloria No. 8
19. Motets et mouvements de messe: XIX. O Padua sidus preclarum
Active in Venice and Padua at the beginning of the 15th century, Johannes Ciconia was undoubtedly the most important composer of this transitional period. Born in Liège and trained in the principles of the French and Italian Ars Nova, he played a considerable role in the musical development that led little by little towards the Renaissance. His works are in all the forms current for the period: French chansons, Italian ballades and madrigals and Latin motets for particular occasions as well as individual movements from the Mass that proclaim the arrival of the form’s golden age in the 15th century. This recording of his complete works has been entrusted to two remarkable ensembles that are no strangers to Outhere’s catalogue: La Morra for the secular music and Diabolus In Musica for the sacred works and the motets for particular occasions.
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