Mark Bebbington - Earth's Call (2014)
BAND/ARTIST: Mark Bebbington
- Title: Earth's Call
- Year Of Release: 2014
- Label: SOMM Recordings
- Genre: Classical
- Quality: FLAC (tracks+booklet)
- Total Time: 74:09 min
- Total Size: 301 MB
- WebSite: Album Preview
Tracklist:
01. Earth's Call
02. When I am Dead, my Dearest
03. No. 1. Newborn
04. No. 2. The only child
05. No. 3. Hope
06. No. 4. Skylark and nightingale
07. No. 5. The blind boy
08. No. 6. Baby
09. No. 7. Death-parting
10. No. 8. The garland
11. No. 1. The Trellis
12. No. 2. My true love hath my heart
13. No. 1. Love and friendship
14. No. 2. Friendship in misfortune
15. No. 3. The one hope
16. The Sacred Flame
17. No. 1. Tryst (In Fountain Court)
18. No. 2. During Music
19. Tutto e sciolto
20. The Three Ravens (arr. for voice and piano)
21. No. 1. The Advent
22. No. 2. Hymn for a Child
23. No. 3. My Fair
24. No. 4. The Salley Gardens
25. No. 5. The Soldier's Return
26. No. 6. The Scapegoat
27. No. 1. Summer Schemes
28. No. 2. Her Song
29. No. 3. Weathers
30. Love is a Sickness Full of Woes
31. Variations sur Cadet Rousselle
32. J'ai douze boeufs
01. Earth's Call
02. When I am Dead, my Dearest
03. No. 1. Newborn
04. No. 2. The only child
05. No. 3. Hope
06. No. 4. Skylark and nightingale
07. No. 5. The blind boy
08. No. 6. Baby
09. No. 7. Death-parting
10. No. 8. The garland
11. No. 1. The Trellis
12. No. 2. My true love hath my heart
13. No. 1. Love and friendship
14. No. 2. Friendship in misfortune
15. No. 3. The one hope
16. The Sacred Flame
17. No. 1. Tryst (In Fountain Court)
18. No. 2. During Music
19. Tutto e sciolto
20. The Three Ravens (arr. for voice and piano)
21. No. 1. The Advent
22. No. 2. Hymn for a Child
23. No. 3. My Fair
24. No. 4. The Salley Gardens
25. No. 5. The Soldier's Return
26. No. 6. The Scapegoat
27. No. 1. Summer Schemes
28. No. 2. Her Song
29. No. 3. Weathers
30. Love is a Sickness Full of Woes
31. Variations sur Cadet Rousselle
32. J'ai douze boeufs
Ireland was born into a literary household and throughout his life a deep love of poetry played an important part in his artistic development. His word settings include the poems of a variety of major poets (Christina Rossetti, Aldous Huxley, Mary Coleridge, Dante Gabriel Rossetti, Emily Brontë et al). Earth’s Call, which provides this disc with its title, is one of Ireland’s most striking songs and an evocative setting of a sonnet by Harold Monro, the proprietor of the Poetry Bookshop in London.
As a first-rate pianist himself and the composer of a large body of strikingly individual works for piano solo, (SOMM has recorded the Complete Piano Music in 3 Volumes with Mark Bebbington) including a popular concerto for the instrument, Ireland’s accompaniments to his songs provide highly effective counterparts to the vocal lines as well as having a distinctive character of their own.
Most previous recordings of Ireland’s songs have featured male voices — tenor and baritone — but this new collection contains several first recordings by a soprano. It also features a world première recording: Variations sur ‘Cadet Rousselle’ (sung in French), which Ireland wrote in 1918 in collaboration with three composer friends — Arnold Bax, Frank Bridge and Eugene Goossens — as a tribute to the music critic Edwin Evans, a staunch champion of both French and British music.
As a first-rate pianist himself and the composer of a large body of strikingly individual works for piano solo, (SOMM has recorded the Complete Piano Music in 3 Volumes with Mark Bebbington) including a popular concerto for the instrument, Ireland’s accompaniments to his songs provide highly effective counterparts to the vocal lines as well as having a distinctive character of their own.
Most previous recordings of Ireland’s songs have featured male voices — tenor and baritone — but this new collection contains several first recordings by a soprano. It also features a world première recording: Variations sur ‘Cadet Rousselle’ (sung in French), which Ireland wrote in 1918 in collaboration with three composer friends — Arnold Bax, Frank Bridge and Eugene Goossens — as a tribute to the music critic Edwin Evans, a staunch champion of both French and British music.
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