Alexander Baillie - Twentieth-Century Sonatas for Cello and Piano (2014)
BAND/ARTIST: Alexander Baillie
- Title: Twentieth-Century Sonatas for Cello and Piano
- Year Of Release: 2014
- Label: SOMM Recordings
- Genre: Classical
- Quality: FLAC (tracks+booklet)
- Total Time: 129:18 min
- Total Size: 521 MB
- WebSite: Album Preview
Tracklist:
CD1:
01. I. Allegro ben moderato
02. II. Adagio ma non troppo - Molto allegro e agitato - Adagio ma non troppo - Tempo I - Allegro moderato
03. Cello Sonata
04. I. Moderato e sostenuto
05. II. Poco largamente
06. III. Con moto e marcato - Meno mosso - Largamente - Piu mosso
CD2:
01. I. Impetuoso: Poco agitato - Meno mosso - Largamente - Piu mosso - Tempo I
02. II. Vivace - Meno mosso - Tempo I
03. III. Adagio - Allegro - Agitato - Comodo quasi pastorale - Quasi fantasia - Agitato - Piu mosso
04. I. Allegro ben moderato ma appassionato
05. II. Lento cantabile
06. III. Theme and Variations
07. I. Andante moderato - con moto - Tempo I - a tempo II - a tempo I
08. II. Vivace flessibile
09. III. Theme and Variations: Adagio - Allegro con moto - molto sostenutno - Fugue: Adagio e molto sereno
CD1:
01. I. Allegro ben moderato
02. II. Adagio ma non troppo - Molto allegro e agitato - Adagio ma non troppo - Tempo I - Allegro moderato
03. Cello Sonata
04. I. Moderato e sostenuto
05. II. Poco largamente
06. III. Con moto e marcato - Meno mosso - Largamente - Piu mosso
CD2:
01. I. Impetuoso: Poco agitato - Meno mosso - Largamente - Piu mosso - Tempo I
02. II. Vivace - Meno mosso - Tempo I
03. III. Adagio - Allegro - Agitato - Comodo quasi pastorale - Quasi fantasia - Agitato - Piu mosso
04. I. Allegro ben moderato ma appassionato
05. II. Lento cantabile
06. III. Theme and Variations
07. I. Andante moderato - con moto - Tempo I - a tempo II - a tempo I
08. II. Vivace flessibile
09. III. Theme and Variations: Adagio - Allegro con moto - molto sostenutno - Fugue: Adagio e molto sereno
This impressive double disc is no exception. It boasts the well loved Cello Sonatas of Bridge, Delius, Ireland and Rubbra as well as two world premieres, the Cello Sonatas by Rebecca Clarke (1919) and Ivor Keys (1960). Clarke was Stanford’s first female pupil at RCM and became a professional violist, having taken lessons with Lionel Tertis. Listening to her Viola (or Cello) Sonata, described as “sensuous, Bacchanalian and intoxicating and languid” by turns, reminds us that she felt closest to the music of both Debussy and Ravel.
As a ISRA.CLOUD's PREMIUM member you will have the following benefits:
- Unlimited high speed downloads
- Download directly without waiting time
- Unlimited parallel downloads
- Support for download accelerators
- No advertising
- Resume broken downloads