Gulliver Ralston - So Sweet a Melody (2014)
BAND/ARTIST: Hildegard Choir, James Brown, Jenny Broome, Katie Bircher, Lisa Cochrane, Peter McMullin, Valerie Botwright, Gulliver Ralston
- Title: So Sweet a Melody
- Year Of Release: 2014
- Label: SOMM Recordings
- Genre: Classical
- Quality: FLAC (tracks+booklet)
- Total Time: 59:27 min
- Total Size: 265 MB
- WebSite: Album Preview
Tracklist:
01. L'enfance du Christ, Op. 25: Part III, "L'arrivee a Sais," Scene 2: Trio des Ismaelites
02. In nativitate Domini in A Major, Op. 126: Gloria
03. Hymne de l'enfant a son reveil, S19:R508
04. Ecce puer
05. That yonge child
06. Balulalow
07. L'enfance du Christ, Op. 25, Part III, "L'arrivee a Sais," Scene 2: Trio des Ismaelites
08. In nativitate Domini in A Major, Op. 126: Benedictus
09. Dormi, Jesu (version for choir)
10. Verbum caro (version for choir, 2 violins and 2 violas, harmonium and organ)
11. 6 Hymns, Op. 118: No. 6. Puer natus in Bethlehem
12. Sweet was the Song
13. A Ceremony of Carols, Op. 28: Interlude
14. Bone Jesule
15. O My Dear Heart
16. As dew in Aprille
01. L'enfance du Christ, Op. 25: Part III, "L'arrivee a Sais," Scene 2: Trio des Ismaelites
02. In nativitate Domini in A Major, Op. 126: Gloria
03. Hymne de l'enfant a son reveil, S19:R508
04. Ecce puer
05. That yonge child
06. Balulalow
07. L'enfance du Christ, Op. 25, Part III, "L'arrivee a Sais," Scene 2: Trio des Ismaelites
08. In nativitate Domini in A Major, Op. 126: Benedictus
09. Dormi, Jesu (version for choir)
10. Verbum caro (version for choir, 2 violins and 2 violas, harmonium and organ)
11. 6 Hymns, Op. 118: No. 6. Puer natus in Bethlehem
12. Sweet was the Song
13. A Ceremony of Carols, Op. 28: Interlude
14. Bone Jesule
15. O My Dear Heart
16. As dew in Aprille
A recording of familiar and unfamiliar music from England, Slovakia, France and Germany. Music for Christmas and beyond. The Hildegard Choir & Guests. Gulliver Ralston, Conductor, Emily Van Evera, Soprano
This delightful recording with the Hildegard Choir of Oxford explores the rich repertoire of music written for female voices, focusing on the themes of childhood, motherhood (and fatherhood), and most obviously the Nativity from Mary’s perspective. The repertoire spans music from France, Germany, England, and some enchanting and little-known pieces from Slovakia.
This delightful recording with the Hildegard Choir of Oxford explores the rich repertoire of music written for female voices, focusing on the themes of childhood, motherhood (and fatherhood), and most obviously the Nativity from Mary’s perspective. The repertoire spans music from France, Germany, England, and some enchanting and little-known pieces from Slovakia.
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