Roberta Invernizzi, Silvia Frigato, Krystian Adam, Thomas E. Bauer, La Risonanza, Fabio Bonizzoni - Handel: Duetti e Terzetti italiani (2015) [Hi-Res]
![Roberta Invernizzi, Silvia Frigato, Krystian Adam, Thomas E. Bauer, La Risonanza, Fabio Bonizzoni - Handel: Duetti e Terzetti italiani (2015) [Hi-Res]](https://www.dibpic.com/uploads/posts/2020-12/1609324656_roberta-invernizzi-silvia-frigato-krystian-adam-handel-duetti-e-terzetti-italiani-2015.jpg)
BAND/ARTIST: Roberta Invernizzi, Silvia Frigato, Krystian Adam, Thomas E. Bauer, La Risonanza, Fabio Bonizzoni
- Title: Handel: Duetti e Terzetti italiani
- Year Of Release: 2015
- Label: Glossa
- Genre: Classical
- Quality: flac 24bits - 88.2kHz +Booklet
- Total Time: 01:01:41
- Total Size: 1.07 gb
- WebSite: Album Preview
Tracklist
01. Quel fior che all'alba ride, HWV 200
02. Giù nei Tartari Regni, HWV 187
03. Quando in calma ride il mare, HWV 191
04. Amor gioie mi porge, HWV 180
05. Caro autor di mia doglia, HWV 182b
06. Che vai pensando, HWV 184
07. Và, speme infida, HWV 199
08. Tacete, ohimè, tacete, HWV 196
09. Se tu non lasci amore, HWV 201a
![Roberta Invernizzi, Silvia Frigato, Krystian Adam, Thomas E. Bauer, La Risonanza, Fabio Bonizzoni - Handel: Duetti e Terzetti italiani (2015) [Hi-Res]](https://www.dibpic.com/uploads/posts/2020-12/1609324607_roberta-invernizzi-silvia-frigato-krystian-adam-handel-duetti-e-terzetti-italiani-2015-back.jpg)
Fabio Bonizzoni returns with a further Glossa release dedicated to the chamber vocal output of Georg Friedrich Handel: here, a second volume of duets (and trios), which features the vocal talents of Roberta Invernizzi, Silvia Frigato, Thomas Bauer and Krystian Adam. Whilst Handel wrote these small-scale vocal works across his career, this new selection focuses on that astonishingly fertile brief stay that the young Saxon made in Italy from 1707-09 (when he also produced many of the cantatas which Bonizzoni has recorded to great critical success for Glossa). These sensual duets and trios are imbued with Handel’s discovery of Italian – especially the Arcadian – culture, which included him hearing and understanding the music of Corelli and Alessandro Scarlatti. How quickly and successfully Handel developed the chamber duet form is discussed in another of Stefano Russomanno’s detailed explorations of Handel’s music in the booklet essay. Much of the music for these duets and trios on this recording is scored for soprano and bass singers and Roberta Invernizzi, in particular, is afforded another opportunity to demonstrate her magical reaction to Handel’s responsiveness to the Italian language. Not to be outdone in this respect are also the other vocal soloists and of course the experienced continuo team from La Risonanza: Caterina Dell’Angello (cello), Evangelina Mascardi (theorbo) and Fabio Bonizzoni himself (harpsichord).
01. Quel fior che all'alba ride, HWV 200
02. Giù nei Tartari Regni, HWV 187
03. Quando in calma ride il mare, HWV 191
04. Amor gioie mi porge, HWV 180
05. Caro autor di mia doglia, HWV 182b
06. Che vai pensando, HWV 184
07. Và, speme infida, HWV 199
08. Tacete, ohimè, tacete, HWV 196
09. Se tu non lasci amore, HWV 201a
Fabio Bonizzoni returns with a further Glossa release dedicated to the chamber vocal output of Georg Friedrich Handel: here, a second volume of duets (and trios), which features the vocal talents of Roberta Invernizzi, Silvia Frigato, Thomas Bauer and Krystian Adam. Whilst Handel wrote these small-scale vocal works across his career, this new selection focuses on that astonishingly fertile brief stay that the young Saxon made in Italy from 1707-09 (when he also produced many of the cantatas which Bonizzoni has recorded to great critical success for Glossa). These sensual duets and trios are imbued with Handel’s discovery of Italian – especially the Arcadian – culture, which included him hearing and understanding the music of Corelli and Alessandro Scarlatti. How quickly and successfully Handel developed the chamber duet form is discussed in another of Stefano Russomanno’s detailed explorations of Handel’s music in the booklet essay. Much of the music for these duets and trios on this recording is scored for soprano and bass singers and Roberta Invernizzi, in particular, is afforded another opportunity to demonstrate her magical reaction to Handel’s responsiveness to the Italian language. Not to be outdone in this respect are also the other vocal soloists and of course the experienced continuo team from La Risonanza: Caterina Dell’Angello (cello), Evangelina Mascardi (theorbo) and Fabio Bonizzoni himself (harpsichord).
Classical | FLAC / APE | HD & Vinyl
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