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Maurizio Pollini - The Art of Maurizio Pollini (2020)

Maurizio Pollini - The Art of Maurizio Pollini (2020)

BAND/ARTIST: Maurizio Pollini

  • Title: The Art of Maurizio Pollini
  • Year Of Release: 2020
  • Label: UMG Recordings, Inc.
  • Genre: Classical
  • Quality: FLAC (tracks)
  • Total Time: 14:02:51
  • Total Size: 2.78 GB
  • WebSite:
Tracklist:

01. Mazurka No.22 In G Sharp Minor Op.33 No.1
02. Mazurka No.23 In D Op.33 No.2
03. Mazurka No.24 In C Op.33 No.3
04. Mazurka No.25 in B minor Op.33 No.4
05. Waltz No.2 In A Flat, Op.34 No.1 - "Valse brillante"
06. Waltz No.3 In A Minor, Op.34 No.2
07. Waltz No.4 In F, Op.34 No.3
08. Impromptu No.2 In F Sharp, Op.36
09. Nocturne No.1 In B Flat Minor, Op.9 No.1
10. Nocturne No.2 In E Flat, Op.9 No.2
11. Nocturne No.3 In B, Op.9 No.3
12. Nocturne No.4 In F, Op.15 No.1
13. Nocturne No.5 In F Sharp, Op.15 No.2
14. Nocturne No.6 In G Minor, Op.15 No.3
15. Nocturne No.7 In C Sharp Minor, Op.27 No.1 (2005 Recording)
16. Nocturne No.8 In D Flat, Op.27 No.2 (2005 Recording)
17. Nocturne No.9 In B, Op.32 No.1
18. Nocturne No.10 In A Flat, Op.32 No.2
19. Nocturne No.11 In G Minor, Op.37 No.1
20. Nocturne No.12 In G, Op.37 No.2
21. Nocturne No.13 In C Minor, Op.48 No.1
22. Nocturne No.14 In F Sharp Minor, Op.48 No.2
23. Nocturne No.15 In F Minor, Op.55 No.1
24. Nocturne No.16 In E Flat, Op.55 No.2
25. Nocturne No.17 In B, Op.62 No.1
26. Nocturne No.18 In E, Op.62 No.2
27. Nocturne No.19 In E Minor, Op.72 No.1
28. Davidsbuendlertaenze, Op.6 - First Edition (1837) : 1. Lebhaft
29. Davidsbuendlertaenze, Op.6 - First Edition (1837) : 2. Innig
30. Davidsbuendlertaenze, Op.6 - First Edition (1837) : 3. Etwas hahnbüchen
31. Davidsbuendlertaenze, Op.6 - First Edition (1837) : 4. Ungeduldig
32. Davidsbuendlertaenze, Op.6 - First Edition (1837) : 5. Einfach
33. Davidsbuendlertaenze, Op.6 - First Edition (1837) : 6. Sehr rasch und in sich hinein
34. Davidsbuendlertaenze, Op.6 - First Edition (1837) : 7. Nicht schnell mit aeusserst starker Empfindung
35. Davidsbuendlertaenze, Op.6 - First Edition (1837) : 8. Frisch
36. Davidsbuendlertaenze, Op.6 - First Edition (1837) : 9. [Lebhaft]
37. Davidsbuendlertaenze, Op.6 - First Edition (1837) : 10. Balladenmässig, sehr rasch
38. Davidsbuendlertaenze, Op.6 - First Edition (1837) : 11. Einfach
39. Davidsbuendlertaenze, Op.6 - First Edition (1837) : 12. Mit Humor
40. Davidsbuendlertaenze, Op.6 - First Edition (1837) : 13. Wild und lustig
41. Davidsbuendlertaenze, Op.6 - First Edition (1837) : 14. Zart und singend
42. Davidsbuendlertaenze, Op.6 - First Edition (1837) : 15. Frisch
43. Davidsbuendlertaenze, Op.6 - First Edition (1837) : 16. Mit gutem Humor
44. Davidsbuendlertaenze, Op.6 - First Edition (1837) : 17. Wie aus der Ferne
45. Davidsbuendlertaenze, Op.6 - First Edition (1837) : 18. Nicht schnell
46. Concert sans Orchestre, Op.14, Piano Sonata No.3, First edition (1835/36) : 1. Allegro brillante
47. Concert sans Orchestre, Op.14, Piano Sonata No.3, First edition (1835/36) : 2. Quasi Variazioni. Andantino de Clara Wieck
48. Concert sans Orchestre, Op.14, Piano Sonata No.3, First edition (1835/36) : 3. Prestissimo possibile
49. 12 Etudes, L.136 : 1. Pour les "cinq doigts" (d'après Monsieur Czerny)
50. 12 Etudes, L.136 : 2. Pour les Tierces
51. 12 Etudes, L.136 : 3. Pour les Quartes
52. 12 Etudes, L.136 : 4. Pour les Sixtes
53. 12 Etudes, L.136 : 5. Pour les Octaves
54. 12 Etudes, L.136 : 6. Pour les huit doigts
55. 12 Etudes, L.136 : 7. Pour les Degrés chromatiques
56. 12 Etudes, L.136 : 8. Pour les Agréments
57. 12 Etudes, L.136 : 9. Pour les Notes répétées
58. 12 Etudes, L.136 : 10. Pour les Sonorités opposées
59. 12 Etudes, L.136 : 11. Pour les Arpèges composés
60. 12 Etudes, L.136 : 12. Pour les Accords
61. Piano Sonata, Op.1
62. Piano Sonata No. 30 in E Major, Op. 109 : 1. Vivace, ma non troppo - Adagio espressivo - Tempo I
63. Piano Sonata No. 30 in E Major, Op. 109 : 2. Prestissimo
64. Piano Sonata No. 30 in E Major, Op. 109 : 3. Gesangvoll, mit innigster Empfindung (Andante molto cantabile ed espressivo)
65. Piano Sonata No.21 In C, Op.53 -"Waldstein" : 1. Allegro con brio (Live)
66. Piano Sonata No.21 In C, Op.53 -"Waldstein" : 2. Introduzione (Adagio molto) (Live)
67. Piano Sonata No.21 In C, Op.53 -"Waldstein" : 3. Rondo (Allegretto moderato - Prestissimo) (Live)
68. Piano Sonata No.8 In C Minor, Op.13 -"Pathétique" : 1. Grave - Allegro di molto e con brio
69. Piano Sonata No.8 In C Minor, Op.13 -"Pathétique" : 2. Adagio cantabile
70. Piano Sonata No.8 In C Minor, Op.13 -"Pathétique" : 3. Rondo (Allegro)
71. Piano Concerto No. 4 in G, Op. 58 : 1. Allegro moderato
72. Piano Concerto No. 4 in G, Op. 58 : 2. Andante con moto
73. Piano Concerto No. 4 in G, Op. 58 : 3. Rondo (Vivace)
74. Piano Sonata No.14 In C Sharp Minor, Op.27 No.2 -"Moonlight" : 1. Adagio sostenuto
75. Piano Sonata No.14 In C Sharp Minor, Op.27 No.2 -"Moonlight" : 2. Allegretto
76. Piano Sonata No.14 In C Sharp Minor, Op.27 No.2 -"Moonlight" : 3. Presto agitato
77. Piano Sonata No.10 In G, Op.14 No.2 : 1. Allegro
78. Piano Sonata No.10 In G, Op.14 No.2 : 2. Andante
79. Piano Sonata No.10 In G, Op.14 No.2 : 3. Scherzo (Allegro assai)
80. Piano Concerto No.5 In E Flat Major Op.73 -"Emperor" : 1. Allegro
81. Piano Concerto No.5 In E Flat Major Op.73 -"Emperor" : 2. Adagio un poco mosso
82. Piano Concerto No.5 In E Flat Major Op.73 -"Emperor" : 3. Rondo (Allegro)
83. Piano Sonata No.23 In F Minor, Op.57 -"Appassionata" : 1. Allegro assai
84. Piano Sonata No.23 In F Minor, Op.57 -"Appassionata" : 2. Andante con moto
85. Piano Sonata No.23 In F Minor, Op.57 -"Appassionata" : 3. Allegro ma non troppo
86. Piano Sonata No.26 In E Flat, Op.81a -"Les adieux" : 1. Das Lebewohl (Adagio - Allegro)
87. Piano Sonata No.26 In E Flat, Op.81a -"Les adieux" : 2. Abwesenheit (Andante espressivo)
88. Piano Sonata No.26 In E Flat, Op.81a -"Les adieux" : 3. Das Wiedersehen (Vivacissimamente)
89. Piano Sonata No. 32 in C Minor, Op. 111 : 1. Maestoso - Allegro con brio ed appassionato
90. Piano Sonata No. 32 in C Minor, Op. 111 : 2. Arietta - Adagio molto semplice e cantabile
91. Piano Concerto No.3 In C Minor, Op.37 : 1. Allegro con brio
92. Piano Concerto No.3 In C Minor, Op.37 : 2. Largo
93. Piano Concerto No.3 In C Minor, Op.37 : 3. Rondo (Allegro)
94. Piano Sonata No.17 In D Minor, Op.31 No.2 -"Tempest" : 1. Largo - Allegro
95. Piano Sonata No.17 In D Minor, Op.31 No.2 -"Tempest" : 2. Adagio
96. Piano Sonata No.17 In D Minor, Op.31 No.2 -"Tempest" : 3. Allegretto
97. Préludes - Book 2, L.123 : 1. Brouillards
98. Préludes - Book 2, L.123 : 2. Feuilles mortes
99. Préludes - Book 2, L.123 : 3. La puerta del vino
100. Préludes - Book 2, L.123 : 4. Les fées sont d'exquises danseuses
101. Préludes - Book 2, L.123 : 5. Bruyères
102. Préludes - Book 2, L.123 : 6. General Lavine - eccentric
103. Préludes - Book 2, L.123 : 7. La terrasse des audiences du clair de lune
104. Préludes - Book 2, L.123 : 8. Ondine
105. Préludes - Book 2, L.123 : 9. Hommage à S. Pickwick, Esq., P.P.M.P.C.
106. Préludes - Book 2, L.123 : 10. Canope
107. Préludes - Book 2, L.123 : 11. Les tierces alternées
108. Préludes - Book 2, L.123 : 12. Feux d'artifice
109. En blanc et noir, L.134 : 1. Avec emportement
110. En blanc et noir, L.134 : 2. Lent. Sombre
111. En blanc et noir, L.134 : 3. Scherzando
112. Kreisleriana, Op.16 : 1. Äusserst bewegt
113. Gesänge der Frühe, Op.133 (1853) : 2. Belebt, nicht zu rasch
114. Piano Sonata in B minor, S.178 : Grandioso
115. Fantasy In C Major "Wanderer", D. 760 : 1. Allegro con fuoco ma non troppo
116. Fantasy In C Major "Wanderer", D. 760 : 2. Adagio
117. Fantasy In C Major "Wanderer", D. 760 : 3. Presto
118. Fantasy In C Major "Wanderer", D. 760 : 4. Allegro
119. Piano Concerto No. 24 In C Minor, K.491 : 1. (Allegro)
120. Piano Concerto No.24 In C Minor, K.491 : 2. Larghetto
121. Piano Concerto No.24 in C minor, K.491 : 3. (Allegretto) (Snippet)
122. Das Wohltemperierte Klavier: Book 1, BWV 846-869 : Praeludium 4
123. Das Wohltemperierte Klavier: Book 1, BWV 846-869 : Fuga 4 a 5
124. Das Wohltemperierte Klavier: Book 1, BWV 846-869 : Praeludium 15
125. Das Wohltemperierte Klavier: Book 1, BWV 846-869 : Fuga 15 a 3
126. La Lugubre Gondola, S.200 No.1
127. Richard-Wagner - Venezia, S.201
128. Piano Concerto No. 12 in A major, K.414 : 1. Allegro
129. Piano Concerto No. 12 In A Major, K.414 : 2. Andante
130. Piano Concerto No. 12 In A Major, K.414 : 3. Rondeau (Allegretto)
131. Piano Concerto No.24 In C Minor, K.491 : 3. (Allegretto)
132. Piano Sonata No.16 In A Minor, D.845 : 1. Moderato
133. Piano Sonata No.16 In A Minor, D.845 : 2. Andante, poco mosso
134. Piano Sonata No.16 In A Minor, D.845 : 3. Scherzo (Allegro vivace) - Trio (Un poco più lento)
135. Piano Sonata No.16 In A Minor, D.845 : 4. Rondo (Allegro vivace)
136. Piano Sonata No.1 In F Sharp Minor, Op.11 : 1. Introduzione (Un poco adagio - Allegro vivace - Più lento)
137. Piano Sonata No.1 In F Sharp Minor, Op.11 : 2. Aria
138. Piano Sonata No.1 In F Sharp Minor, Op.11 : 3. Scherzo (Allegrissimo) ed Intermezzo
139. Piano Sonata No.1 In F Sharp Minor, Op.11 : 4. Finale (Allegro un poco maestoso - Più allegro)
140. 33 Piano Variations In C, Op.120 On A Waltz By Anton Diabelli : Tema (Vivace)
141. 33 Piano Variations In C, Op.120 On A Waltz By Anton Diabelli : Variation I (Alla marcia maestoso)
142. 33 Piano Variations In C, Op.120 On A Waltz By Anton Diabelli : Variation II (Poco allegro)
143. 33 Piano Variations in C, Op.120 on a Waltz by Anton Diabelli : Variation III (L'istesso tempo)
144. 33 Piano Variations In C, Op.120 On A Waltz By Anton Diabelli : Variation IV (Un poco più vivace)
145. 33 Piano Variations In C, Op.120 On A Waltz By Anton Diabelli : Variation V (Allegro vivace)
146. 33 Piano Variations In C, Op.120 On A Waltz By Anton Diabelli : Variation VI (Allegro ma non troppo e serioso)
147. 33 Piano Variations In C, Op.120 On A Waltz By Anton Diabelli : Variation VII (Un poco più allegro)
148. 33 Piano Variations In C, Op.120 On A Waltz By Anton Diabelli : Variation VIII (Poco vivace)
149. 33 Piano Variations In C, Op.120 On A Waltz By Anton Diabelli : Variation IX (Allegro pesante e risoluto)
150. 33 Piano Variations In C, Op.120 On A Waltz By Anton Diabelli : Variation X (Presto)
151. 33 Piano Variations In C, Op.120 On A Waltz By Anton Diabelli : Variation XI (Allegretto)
152. 33 Piano Variations In C, Op.120 On A Waltz By Anton Diabelli : Variation XII (Un poco più moto)
153. 33 Piano Variations In C, Op.120 On A Waltz By Anton Diabelli : Variation XIII (Vivace)
154. 33 Piano Variations In C, Op.120 On A Waltz By Anton Diabelli : Variation XIV (Grave e maestoso)
155. 33 Piano Variations In C, Op.120 On A Waltz By Anton Diabelli : Variation XV (Presto scherzando)
156. 33 Piano Variations In C, Op.120 On A Waltz By Anton Diabelli : Variation XVI (Allegro)
157. 33 Piano Variations In C, Op.120 On A Waltz By Anton Diabelli : Variation XVII
158. 33 Piano Variations In C, Op.120 On A Waltz By Anton Diabelli : Variation XVIII (Poco moderato)
159. 33 Piano Variations In C, Op.120 On A Waltz By Anton Diabelli : Variation XIX (Presto)
160. 33 Piano Variations In C, Op.120 On A Waltz By Anton Diabelli : Variation XX (Andante)
161. 33 Piano Variations In C, Op.120 On A Waltz By Anton Diabelli : Variation XXI (Allegro con brio - Meno allegro - Tempo I)
162. 33 Piano Variations In C, Op.120 On A Waltz By Anton Diabelli : Variation XXII (Allegro molto): Alla "Notte e giorno faticar" di Mozart
163. 33 Piano Variations In C, Op.120 On A Waltz By Anton Diabelli : Variation XXIII (Allegro assai)
164. 33 Piano Variations In C, Op.120 On A Waltz By Anton Diabelli : Variation XXIV: Fughetta (Andante)
165. 33 Piano Variations In C, Op.120 On A Waltz By Anton Diabelli : Variation XXV (Allegro)
166. 33 Piano Variations In C, Op.120 On A Waltz By Anton Diabelli : Variation XXVI
167. 33 Piano Variations In C, Op.120 On A Waltz By Anton Diabelli : Variation XXVII (Vivace)
168. 33 Piano Variations In C, Op.120 On A Waltz By Anton Diabelli : Variation XXVIII (Allegro)
169. 33 Piano Variations In C, Op.120 On A Waltz By Anton Diabelli : Variation XXIX (Adagio ma non troppo)
170. 33 Piano Variations In C, Op.120 On A Waltz By Anton Diabelli : Variation XXX (Andante, sempre cantabile)
171. 33 Piano Variations In C, Op.120 On A Waltz By Anton Diabelli : Variation XXXI (Largo, molto espressivo)
172. 33 Piano Variations In C, Op.120 On A Waltz By Anton Diabelli : Variation XXXII: Fuga (Allegro - Poco adagio)
173. 33 Piano Variations In C, Op.120 On A Waltz By Anton Diabelli : Variation XXXIII (Tempo di minuetto moderato, ma non tirarsi dietro)
174. Piano Concerto No. 23 in A Major, K. 488 : 1. Allegro - Cadenza: Mozart
175. Piano Concerto No. 23 in A Major, K. 488 : 2. Adagio
176. Piano Concerto No. 23 in A Major, K. 488 : 3. Allegro assai
177. Piano Concerto No. 19 in F Major, K. 459 : 1. Allegro Vivace - Cadenza: Mozart
178. Piano Concerto No. 19 in F Major, K. 459 : 2. Allegretto
179. Piano Concerto No. 19 in F Major, K. 459 : 3. Allegro assai - Cadenza: Mozart

A marquee name among classical pianists since the 1970s, Maurizio Pollini has been noted for performances of some of the most monumental of contemporary music, and for pairing such works with standard repertory of the 19th century. Pollini's decades-long relationship as a recording artist with the Deutsche Grammophon label has been among the most stable in years. Pollini was born January 5, 1942, in Milan. His father was modernist architect and educator Gino Pollini. In 1957, in Milan, he performed a concert of Chopin Etudes that drew wide attention. Pollini attended the Milan Conservatory and won several major prizes as he completed his formal education, including the International Chopin Piano Competition in Warsaw in 1960. Arthur Rubinstein, one of the judges, is said to have remarked that the boy "can play the piano better than any of us." Pollini's concert and recording careers were launched, and his made his recording debut on the EMI label with the Philharmonia Orchestra, playing Chopin's Piano Concerto No. 1 in E minor, Op. 11. In the early and mid-'60s, however, Pollini hesitated, withdrawing from the scene for further study with Arturo Benedetti Michelangeli. Michelangeli's precise and graceful style exerted a formative influence on Pollini, who returned to the scene amidst the student unrest in the late '60s and together with conductor Claudio Abbado, performed concerts for students and workers. He made a major reappearance with his Carnegie Hall debut in New York in 1968, and for the next 50 years he would be an almost uninterrupted presence in the world's top concert halls. He has played contemporary works, including some, such as Luigi Nono's ... sofferte onde serene ... that were composed for him, and he has often paired the likes of Nono, Pierre Boulez (whose profoundly difficult Piano Sonata No. 2 is one of his specialties), and Karlheinz Stockhausen with Beethoven, Schubert, and Schumann, as if to emphasize the continuity of the classical tradition. In 1987 he rejoined Abbado, with the Vienna Philharmonic Orchestra, in New York for performances of all five of Beethoven's piano concertos. Later in his career he conducted piano concertos from the keyboard, and has sometimes led performances of opera. Beginning in 2000 he has presented concert series under the name "Pollini Project" (or Progetto Pollini) that have paired 19th century and contemporary works. Pollini made his first recording for the Deutsche Grammophon label in 1971, featuring works by Stravinsky and Prokofiev. In 2019 he released a recording on Deutsche Grammophon of works by Chopin, who has always remained at the center of his repertory. Although sometimes sidelined by illness, he has remained active in the concert hall and recording studio well into old age. Among his many awards is a 2007 Grammy for Best Solo Instrumental Performance, again for a Deutsche Grammophon recording of Chopin. ~ James Manheim


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