La Compagnia del Madrigale - Luca Marenzio: Primo libro di Madrigali a cinque voci (1580) (2013) [Hi-Res]
![La Compagnia del Madrigale - Luca Marenzio: Primo libro di Madrigali a cinque voci (1580) (2013) [Hi-Res]](https://www.dibpic.com/uploads/posts/2020-12/1608634931_la-compagnia-del-madrigale-luca-marenzio-primo-libro-di-madrigali-a-cinque-voci-1580-2013.jpg)
BAND/ARTIST: Rossana Bertini, Francesca Cassinari, Elena Carzaniga, Giuseppe Maletto, Raffaele Giordani, Daniele Carnovich, Paolo Borgonovo, Marco Ricagno, La Compagnia del Madrigale
- Title: Luca Marenzio: Primo libro di Madrigali a cinque voci (1580)
- Year Of Release: 2013
- Label: Glossa
- Genre: Classical
- Quality: flac lossless / flac 24bits - 44.1kHz +Booklet
- Total Time: 01:07:36
- Total Size: 331 / 647 mb
- WebSite: Album Preview
Tracklist
01. Liquide perle Amor da gli occhi sparse
02. Ohime, dov’e 'l mio ben, dov’e 'l mio core
03. Spuntavan gia per far il mondo adorno
04. Quando i vostri begl'occhi un caro velo
05. Tirsi morir volea
06. Dolorosi martir, fieri tormenti
07. Che fa hoggi il mio sole
08. Lasso ch'io ardo e 'l mio bel sole ardente
09. Venuta era Madonna al mio languire
10. Madonna mia gentil ringratio Amore
11. Cantava la piu vaga pastorella
12. Questa di verd’herbette
13. Partiro dunque, ohime mi manca il core
14. O tu che fra le selve occulta vivi
15. In quel ben nato
16. Mentre ti fui si grato (G.M. Nanino)
17. Mentre ti fui si cara (G.B. Moscaglia)
18. Hor pien d'altro desio (L. Marenzio)
19. Or un laccio, un ardore (G. de Macque)
20. Lasso dunque, che fia (F. Soriano)
21. Benche seza mentire (A. Zoilo)
22. Donna bella e crudele, se sdegn' havete
![La Compagnia del Madrigale - Luca Marenzio: Primo libro di Madrigali a cinque voci (1580) (2013) [Hi-Res]](https://www.dibpic.com/uploads/posts/2020-12/1608634881_la-compagnia-del-madrigale-luca-marenzio-primo-libro-di-madrigali-a-cinque-voci-1580-2013-back.jpg)
Further evidence of rich and pictorial artistry in the interpretation of Italian madrigals comes from La Compagnia del Madrigale as they now bring all their experience to bear on the early five-part works of Luca Marenzio. The ensemble’s new Glossa recording is set to reflect la dolce vita in Rome in the 1580s and 1590s, and both music and text in Marenzio’s 'Primo Libro di Madrigali a cinque voci' powerfully evoke this age of gold in the arts and sciences, with sumptuous patronage from cardinals and princes.
Marenzio’s 'Primo Libro' (a huge success when published) adds another jewel to Glossa’s madrigalian crown: as well as the Gesualdo Book Six from the same group, there is much Monteverdi, of course, and the Marenzio Books 6 and 9 and Gesualdo Books 4 and 5, all recorded by La Venexiana (which shares many of the same singers as La Compagnia). In addition to the madrigals from the 'Primo Libro' the new recording contains the rarely-performed 'Sestina Mentre ti fui sì grato', co-written by six members of the Renaissance collective known as the ‘Musici di Roma’ (Nanino, Moscaglia, de Macque, Soriano, Zoilo and Marenzio himself).
Once again, the recording benefits from an entertaining essay courtesy of Marco Bizzarini, which vividly sets the scene for the musical life of Luca Marenzio in the Eternal City.
01. Liquide perle Amor da gli occhi sparse
02. Ohime, dov’e 'l mio ben, dov’e 'l mio core
03. Spuntavan gia per far il mondo adorno
04. Quando i vostri begl'occhi un caro velo
05. Tirsi morir volea
06. Dolorosi martir, fieri tormenti
07. Che fa hoggi il mio sole
08. Lasso ch'io ardo e 'l mio bel sole ardente
09. Venuta era Madonna al mio languire
10. Madonna mia gentil ringratio Amore
11. Cantava la piu vaga pastorella
12. Questa di verd’herbette
13. Partiro dunque, ohime mi manca il core
14. O tu che fra le selve occulta vivi
15. In quel ben nato
16. Mentre ti fui si grato (G.M. Nanino)
17. Mentre ti fui si cara (G.B. Moscaglia)
18. Hor pien d'altro desio (L. Marenzio)
19. Or un laccio, un ardore (G. de Macque)
20. Lasso dunque, che fia (F. Soriano)
21. Benche seza mentire (A. Zoilo)
22. Donna bella e crudele, se sdegn' havete
Further evidence of rich and pictorial artistry in the interpretation of Italian madrigals comes from La Compagnia del Madrigale as they now bring all their experience to bear on the early five-part works of Luca Marenzio. The ensemble’s new Glossa recording is set to reflect la dolce vita in Rome in the 1580s and 1590s, and both music and text in Marenzio’s 'Primo Libro di Madrigali a cinque voci' powerfully evoke this age of gold in the arts and sciences, with sumptuous patronage from cardinals and princes.
Marenzio’s 'Primo Libro' (a huge success when published) adds another jewel to Glossa’s madrigalian crown: as well as the Gesualdo Book Six from the same group, there is much Monteverdi, of course, and the Marenzio Books 6 and 9 and Gesualdo Books 4 and 5, all recorded by La Venexiana (which shares many of the same singers as La Compagnia). In addition to the madrigals from the 'Primo Libro' the new recording contains the rarely-performed 'Sestina Mentre ti fui sì grato', co-written by six members of the Renaissance collective known as the ‘Musici di Roma’ (Nanino, Moscaglia, de Macque, Soriano, Zoilo and Marenzio himself).
Once again, the recording benefits from an entertaining essay courtesy of Marco Bizzarini, which vividly sets the scene for the musical life of Luca Marenzio in the Eternal City.
Classical | FLAC / APE | HD & Vinyl
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