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Edward Gardner - Bartók: Four Orchestral Pieces & Music for Strings, Percussion & Celesta (2013)

Edward Gardner - Bartók: Four Orchestral Pieces & Music for Strings, Percussion & Celesta (2013)

BAND/ARTIST: Edward Gardner

  • Title: Bartók: Four Orchestral Pieces & Music for Strings, Percussion & Celesta
  • Year Of Release: 2013
  • Label: Chandos
  • Genre: Classical
  • Quality: FLAC (tracks+booklet)
  • Total Time: 73:12 min
  • Total Size: 273 MB
  • WebSite:
Edward Gardner - Bartók: Four Orchestral Pieces & Music for Strings, Percussion & Celesta (2013)

Tracklist:

01. Opening
02. First seduction game: the shabby old rake
03. Second seduction game: the young student
04. Third seduction game
05. The girl begins a hesitant dance…
06. The Mandarin stumbles – the chase becomes even more passionate
07. I. Andante tranquillo
08. II. Allegro
09. III. Adagio
10. IV. Allegro molto
11. No. 1. Preludio: Moderato
12. No. 2. Scherzo: Allegro
13. No. 3. Intermezzo: Moderato
14. No. 4. Marcia funebre: Maestoso

Edward Gardner and the Melbourne Symphony Orchestra perform three great orchestral works by Béla Bartók in this new Chandos release. Music for Strings, Percussion, and Celesta is a seminal work written for a unique ensemble consisting two string orchestras, playing from opposite sides of the stage, and a group of percussion instruments in addition to the piano, harp, and celesta. The piece took on wider recognition when it was used by Stanley Kubrick on the soundtrack of The Shining. Also on this disc is the Suite from Bartók’s dark and gritty ballet The Miraculous Mandarin. The work, featuring some of the most colourful music Bartók wrote, tells the story of three criminals who force a young woman to lure passers-by into a room where they intend to rob them. The third passer-by to enter the room is the mandarin. The men try to kill him, but only when the girl satisfies his desire do his wounds begin to bleed, and he dies. The Four Orchestral Pieces, drafted in 1912, but not orchestrated until 1921, were written at a time when Bartók felt both misunderstood and ignored and had withdrawn from musical life in Budapest. These feelings of rejection may well have intensified the anger and cynicism found in this work.


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