Veronika Skuplik, Torsten Johann, Frauke Hess, Dominik Worner, Andreas Arend, Josh Cheatham, Torsten Johann - Komm, süsses Kreuz!: The German viol in fantastic dialogues (2012) [Hi-Res]
![Veronika Skuplik, Torsten Johann, Frauke Hess, Dominik Worner, Andreas Arend, Josh Cheatham, Torsten Johann - Komm, süsses Kreuz!: The German viol in fantastic dialogues (2012) [Hi-Res]](https://www.dibpic.com/uploads/posts/2020-12/1608379165_andreas-arend-josh-cheatham-torsten-johann-komm-susses-kreuz-2012.jpg)
BAND/ARTIST: Veronika Skuplik, Torsten Johann, Frauke Hess, Dominik Worner, Andreas Arend, Josh Cheatham
- Title: Komm, süsses Kreuz!: The German viol in fantastic dialogues
- Year Of Release: 2012
- Label: Coviello Classics
- Genre: Classical
- Quality: flac lossless / flac 24bits - 48.0kHz +Booklet
- Total Time: 01:05:35
- Total Size: 357 / 727 mb
- WebSite: Album Preview
Tracklist
01. Sonata terza: I. Adagio - Allegro - Lento (From: VI. Sonate à Violino e Viola da Gamba col suo Basso Continuo, Nürnberg, 1694)
02. Sonata terza: II. Allemande
03. Sonata terza: III. Courante
04. Sonata terza: IV. Sarabande
05. Sonata terza: V. Ciaconne
06. Sonata terza: VI. Final - Adagio
07. Matthäus-Passion, BWV 244: Rezitativ. "Ja! Freilich will in uns das Fleisch und Blut"
08. Matthäus-Passion, BWV 244: Arie. "Komm, süsses Kreuz"
09. Concerto à Liuto, viola di gamba, basso: I. Allegro - Adagio - Allegro
10. Concerto à Liuto, viola di gamba, basso: II. Adagio
11. Concerto à Liuto, viola di gamba, basso: III. Allegro
12. Sonate ô partite ad una ô due viola da gamba con il basso continuo: Sonata III à 2
13. Sonata No. 4 for Violin, Viola da gamba and Basso Continuo in C Minor, BuxWV 262: I. Poco adagio
14. Sonata No. 4 for Violin, Viola da gamba and Basso Continuo in C Minor, BuxWV 262: II. Allegro
15. Sonata No. 4 for Violin, Viola da gamba and Basso Continuo in C Minor, BuxWV 262: III. Lento - Adagio
16. Sonata No. 4 for Violin, Viola da gamba and Basso Continuo in C Minor, BuxWV 262: IV. Vivace
17. Sonate ô partite ad una ô due viola da Gamba con il basso continuo, Sonata No. 9: I. Sonata
18. Sonate ô partite ad una ô due viola da Gamba con il basso continuo, Sonata No. 9: II. Aria and Variations
![Veronika Skuplik, Torsten Johann, Frauke Hess, Dominik Worner, Andreas Arend, Josh Cheatham, Torsten Johann - Komm, süsses Kreuz!: The German viol in fantastic dialogues (2012) [Hi-Res]](https://www.dibpic.com/uploads/posts/2020-12/1608379205_andreas-arend-josh-cheatham-torsten-johann-komm-susses-kreuz-2012-back.jpg)
„The Stylus Phantasticus is the most free and unrestrained type of playing“ said Johann Mattheson in 1739. Around 1700 this style was transfered from the organ to the chamber music where the viol played an important role. Famous viol virtuosos, like August Kühnel, tried to draw attention to the instrument with their compositions. Dieterich Buxtehude also wrote charming trio sonatas in which a viol was required explicitly as second solo voice. Finally the great Johann Sebastian Bach used the gamba in his St Matthew Passion. Frauke Hess and her colleagues develop the blaze of color of Baroque viol music with their new recording.
01. Sonata terza: I. Adagio - Allegro - Lento (From: VI. Sonate à Violino e Viola da Gamba col suo Basso Continuo, Nürnberg, 1694)
02. Sonata terza: II. Allemande
03. Sonata terza: III. Courante
04. Sonata terza: IV. Sarabande
05. Sonata terza: V. Ciaconne
06. Sonata terza: VI. Final - Adagio
07. Matthäus-Passion, BWV 244: Rezitativ. "Ja! Freilich will in uns das Fleisch und Blut"
08. Matthäus-Passion, BWV 244: Arie. "Komm, süsses Kreuz"
09. Concerto à Liuto, viola di gamba, basso: I. Allegro - Adagio - Allegro
10. Concerto à Liuto, viola di gamba, basso: II. Adagio
11. Concerto à Liuto, viola di gamba, basso: III. Allegro
12. Sonate ô partite ad una ô due viola da gamba con il basso continuo: Sonata III à 2
13. Sonata No. 4 for Violin, Viola da gamba and Basso Continuo in C Minor, BuxWV 262: I. Poco adagio
14. Sonata No. 4 for Violin, Viola da gamba and Basso Continuo in C Minor, BuxWV 262: II. Allegro
15. Sonata No. 4 for Violin, Viola da gamba and Basso Continuo in C Minor, BuxWV 262: III. Lento - Adagio
16. Sonata No. 4 for Violin, Viola da gamba and Basso Continuo in C Minor, BuxWV 262: IV. Vivace
17. Sonate ô partite ad una ô due viola da Gamba con il basso continuo, Sonata No. 9: I. Sonata
18. Sonate ô partite ad una ô due viola da Gamba con il basso continuo, Sonata No. 9: II. Aria and Variations
„The Stylus Phantasticus is the most free and unrestrained type of playing“ said Johann Mattheson in 1739. Around 1700 this style was transfered from the organ to the chamber music where the viol played an important role. Famous viol virtuosos, like August Kühnel, tried to draw attention to the instrument with their compositions. Dieterich Buxtehude also wrote charming trio sonatas in which a viol was required explicitly as second solo voice. Finally the great Johann Sebastian Bach used the gamba in his St Matthew Passion. Frauke Hess and her colleagues develop the blaze of color of Baroque viol music with their new recording.
Classical | FLAC / APE | HD & Vinyl
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