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Filarmonica della Scala, Carlo Maria Giulini - Carlo Maria Giulini Conducts Beethoven (2016)

Filarmonica della Scala, Carlo Maria Giulini - Carlo Maria Giulini Conducts Beethoven (2016)
  • Title: Carlo Maria Giulini Conducts Beethoven
  • Year Of Release: 2016
  • Label: Sony Classical
  • Genre: Classica
  • Quality: flac lossless
  • Total Time: 05:33:18
  • Total Size: 1.31 gb
  • WebSite:
Tracklist

CD1
01. Symphony No. 1 in C Major, Op. 21: I. Adagio molto-Allegro con brio
02. Symphony No. 1 in C Major, Op. 21: II. Andante cantabile con moto
03. Symphony No. 1 in C Major, Op. 21: III. Menuetto, allegro molto e vivace
04. Symphony No. 1 in C Major, Op. 21: IV. Adagio-Allegro molto e vivace
05. Symphony No. 7 in A Major, Op. 92: I. Poco sostenuto-Vivace
06. Symphony No. 7 in A Major, Op. 92: II. Allegretto
07. Symphony No. 7 in A Major, Op. 92: III. Presto-Presto meno assai
08. Symphony No. 7 in A Major, Op. 92: IV. Allegro con brio

CD2
01. Symphony No. 2 in D Major, Op. 36: I. Adagio molto-Allegro con brio
02. Symphony No. 2 in D Major, Op. 36: II. Larghetto
03. Symphony No. 2 in D Major, Op. 36: III. Scherzo-Allegro
04. Symphony No. 2 in D Major, Op. 36: IV. Allegro molto
05. Symphony No. 8 in F Major, Op. 93: I. Allegro vivace e con brio
06. Symphony No. 8 in F Major, Op. 93: II. Allegretto scherzando
07. Symphony No. 8 in F Major, Op. 93: III. Tempo di menuetto
08. Symphony No. 8 in F Major, Op. 93: IV. Allegro vivace

CD3
01. Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": I. Allegro con brio
02. Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai
03. Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": III. Scherzo. Allegro vivace
04. Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": IV. Finale-Allegro molto

CD4
01. Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio
02. Symphony No. 5 in C Minor, Op. 67: II. Andante con moto
03. Symphony No. 5 in C Minor, Op. 67: III. Allegro
04. Symphony No. 5 in C Minor, Op. 67: IV. Allegro
05. Symphony No. 4 in B-Flat Major, Op. 60: I. Adagio-Allegro vivace
06. Symphony No. 4 in B-Flat Major, Op. 60: II. Adagio
07. Symphony No. 4 in B-Flat Major, Op. 60: III. Allegro vivace
08. Symphony No. 4 in B-Flat Major, Op. 60: IV. Allegro ma non troppo

CD5
01. Overture "Coriolan", Op. 62: Allegro con brio
02. Symphony No. 6 in F Major, Op. 68 "Pastoral": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande
03. Symphony No. 6 in F Major, Op. 68 "Pastoral": II. Szene am Bach
04. Symphony No. 6 in F Major, Op. 68 "Pastoral": III. Lustiges Zusammensein der Landleute
05. Symphony No. 6 in F Major, Op. 68 "Pastoral": IV. Gewitter, Sturm
06. Symphony No. 6 in F Major, Op. 68 "Pastoral": V. Hirtengesang-Frohe und dankbare Gefühle nach dem Sturm
07. Overture "Egmont", Op. 84: Sostenuto, ma non troppo-Allegro

Filarmonica della Scala, Carlo Maria Giulini - Carlo Maria Giulini Conducts Beethoven (2016)


As a young orchestral violist in Rome Carlo Maria Giulini played Beethoven under the likes of Wilhelm Furtwängler, Bruno Walter and Otto Klemperer. In his late maturity, Giulini, by then a conducting icon and revered Beethoven interpreter himself, turned once again to the symphonies, recording the complete cycle in Milan with the La Scala Philharmonic in the 1990s. Reviewers were unstinting in their praise. BBC Music Magazine wrote: “This is a throwback to an older style of Beethoven playing … The sound is massive, full, and beautifully blended … [The performances] have a wonderfully spacious quality, and the slowish tempi allow the inner parts to sound with unusual clarity.” Of Giulini’s Scala Eroica, that journal’s reviewer declared that “every minute is worth savouring”. The Penguin Guide wrote that Giulini’s newest version of the Pastoral, measured, essentially warm and relaxed, speaks very much of the sunny Italian scene where it was recorded. The La Scala players are on their finest form throughout and play with great radiance in the finale.” Gramophone called this “by some distance, the finest” of Giulini’s three recordings of the Sixth, called the finale of No. 4 “a miracle of unforced motion”, and described the coupling of Nos. 2 and 8 as “a personal statement from a master who remains one of music’s great visionaries.”

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