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La Camera delle Lacrime, Bruno Bonhoure - Noël baroque en Pays d'Oc - Natalis Cordat & Nicolas Saboly (2011)
BAND/ARTIST: La Camera delle Lacrime, Bruno Bonhoure
- Title: Noël baroque en Pays d'Oc - Natalis Cordat & Nicolas Saboly
- Year Of Release: 2011
- Label: Alpha
- Genre: Classical
- Quality: flac lossless
- Total Time: 01:05:18
- Total Size: 311 mb
- WebSite: Album Preview
Tracklist
01. Ben urosa la naissença
02. Orgulhós, plen de maganha
03. Tu que cerques tei delices
04. O monde, que tu es heureux
05. Mortels, assamblez tous vos voix
06. Li a quauqua ren que m'a fat paur
07. Adam fut un pauvre homme
08. Coratge, moainada
09. Aquò's pro durmit, mainada
10. Adam e sa companha
11. Soleil, de toutes parts
12. Li a pron de gens
13. Sus chrestiens, préparons nous
14. Aquel ange qu'es vengut
15. Sant Jousè m'a dit
Natalis Cordat (ca1610-1663), was a country vicar who wrote very refined and aristocratic 'noëls' whilst Nicolas Saboly (1614-1678), the caustic master of an Avignon Chapel, was a writer of small pieces in a popular vein. The Camera delle Lacrime approaches these noëls in a most delightful way.They perfectly catch the historical context of these works, which originate in medieval mystery plays, and which were very popular in the 16th and 17th centuries. Such a performance is the trademark of this ensemble. None of Natalis Cordat's noëls has ever been recorded before.
01. Ben urosa la naissença
02. Orgulhós, plen de maganha
03. Tu que cerques tei delices
04. O monde, que tu es heureux
05. Mortels, assamblez tous vos voix
06. Li a quauqua ren que m'a fat paur
07. Adam fut un pauvre homme
08. Coratge, moainada
09. Aquò's pro durmit, mainada
10. Adam e sa companha
11. Soleil, de toutes parts
12. Li a pron de gens
13. Sus chrestiens, préparons nous
14. Aquel ange qu'es vengut
15. Sant Jousè m'a dit
Natalis Cordat (ca1610-1663), was a country vicar who wrote very refined and aristocratic 'noëls' whilst Nicolas Saboly (1614-1678), the caustic master of an Avignon Chapel, was a writer of small pieces in a popular vein. The Camera delle Lacrime approaches these noëls in a most delightful way.They perfectly catch the historical context of these works, which originate in medieval mystery plays, and which were very popular in the 16th and 17th centuries. Such a performance is the trademark of this ensemble. None of Natalis Cordat's noëls has ever been recorded before.
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