Kate Carr - It Was a Time of Laboured Metaphors (2016)
BAND/ARTIST: Kate Carr
- Title: It Was a Time of Laboured Metaphors
- Year Of Release: 2016
- Label: Helen Scarsdale Agency
- Genre: Electronic, Ambient
- Quality: FLAC (tracks)
- Total Time: 38:07 min
- Total Size: 168 MB
- WebSite: Album Preview
Tracklist:
01. She Said Goodbye With An Avocado 8:49
02. Many Goats With Many Bells In Valez 0:51
03. Redblooded 8:37
04. Bells From My Bedroom In Berlin 1:01
05. Save My Blushes 4:07
06. Skateboarders Outside The Palais De Tokyo 2:48
07. Things Did Seem Kind Of Magical 5:27
08. Echoes Of Vultures 6:27
01. She Said Goodbye With An Avocado 8:49
02. Many Goats With Many Bells In Valez 0:51
03. Redblooded 8:37
04. Bells From My Bedroom In Berlin 1:01
05. Save My Blushes 4:07
06. Skateboarders Outside The Palais De Tokyo 2:48
07. Things Did Seem Kind Of Magical 5:27
08. Echoes Of Vultures 6:27
The field recordist and lucid-dream composer kate carr conjures a liminal art, seeking to articulate the remembrances, the concrete fact, and the deliberate exaggerations of detail, all in the pursuit of addressing the human interaction with the environment. Psychology, history, politics, geography, storytelling, fantasy, the notion of the self, and the disintegration of these rigors at their transect all come into play in her ongoing work. She has set herself on path to make these investigations, relocating herself from her native australia to northern ireland, followed by innumerable detours. Hence, it was a time of labored metaphors.
This album from carr intertwines the lugubrious wash of environmental detail with the dissolved songwriting described in the distant past as 'rural psychedelia' rendering an aesthetic in the orbit of :zoviet*france: or as the dub of a dub of a dub abstractions from dome. For example, a guitar swollen with ethereal blight cycles in soft whirlpools of drone and thrum as the gloom of an irish rainstorm pours down a sewer drain. Electricity proves a nobel tool as well, as she tapes into telephone wires to extract deadtones of unanswered calls. It is as if carr is peeling back the layers of history to uncover the ghostly stains of human existence at a particular place. The dead may not be talking but the soil and its occupiers still do.
This album from carr intertwines the lugubrious wash of environmental detail with the dissolved songwriting described in the distant past as 'rural psychedelia' rendering an aesthetic in the orbit of :zoviet*france: or as the dub of a dub of a dub abstractions from dome. For example, a guitar swollen with ethereal blight cycles in soft whirlpools of drone and thrum as the gloom of an irish rainstorm pours down a sewer drain. Electricity proves a nobel tool as well, as she tapes into telephone wires to extract deadtones of unanswered calls. It is as if carr is peeling back the layers of history to uncover the ghostly stains of human existence at a particular place. The dead may not be talking but the soil and its occupiers still do.
Year 2016 | Electronic | Ambient | FLAC / APE
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