Café Zimmermann - C.P.E. Bach: Symphonies & Cello Concerto (2006)
BAND/ARTIST: Café Zimmermann
- Title: C.P.E. Bach: Symphonies & Cello Concerto
- Year Of Release: 2006
- Label: Alpha
- Genre: Classical
- Quality: flac lossless +Booklet
- Total Time: 01:02:00
- Total Size: 332 mb
- WebSite: Album Preview
Tracklist
01. Sinfonia for Two Violins, Viola and Basso in C Major, Wq. 182/3: I. Allegro Assai
02. Sinfonia for Two Violins, Viola and Basso in C Major, Wq. 182/3: II. Adagio
03. Sinfonia for Two Violins, Viola and Basso in C Major, Wq. 182/3: III. Allegretto
04. Sinfonia for Two Violins, Viola and Basso in B Minor, Wq. 182/5: I. Allegretto
05. Sinfonia for Two Violins, Viola and Basso in B Minor, Wq. 182/5: II. Larghetto
06. Sinfonia for Two Violins, Viola and Basso in B Minor, Wq. 182/5: III. Presto
07. Concerto for Cello, with Two Violins, Viola and Basso in A Major, Wq. 172: I. Allegro
08. Concerto for Cello, with Two Violins, Viola and Basso in A Major, Wq. 172: II. Largo
09. Concerto for Cello, with Two Violins, Viola and Basso in A Major, Wq. 172: III. Allegro assai
10. Sinfonia for Two Violins, Viola and Basso in E Major, Wq. 182/6: I. Allegro di molto
11. Sinfonia for Two Violins, Viola and Basso in E Major, Wq. 182/6: II. Poco andante
12. Sinfonia for Two Violins, Viola and Basso in E Major, Wq. 182/6: III. Allegro spirituoso
13. Sinfonia for Two Violins, Viola and Basso in G Major, Wq. 182/1: I. Allegro di molto
14. Sinfonia for Two Violins, Viola and Basso in G Major, Wq. 182/1: II. Poco adagio
15. Sinfonia for Two Violins, Viola and Basso in G Major, Wq. 182/1: III. Presto
In Carl Philipp Emanuel Bach’s catalogue, the music for solo keyboard and the chamber music occupy central positions. In his youth, Carl Philipp Emanuel, who was left-handed, did not play string instruments such as the violin or viola, but rather the harpsichord and organ (not to overlook the flute). It was as a harpsichordist that, in 1738, he joined the entourage of the future King of Prussia, Frederick II, before following him to Berlin upon his accession two years later and then formally entering his service. In 1767, he was offered the succession of his godfather, Telemann, as director of music in Hamburg. He arrived in the Hanseatic city in March 1768, and for the last twenty years of his life, it was church music that occupied much of his time and effort. The symphonies of Carl Philipp Emanuel Bach are all in three movements, quite often linked without a break. Highly original and typical of north Germany, the symphonies turn their back on the style gallant, on Johann Stamitz, founder of the Mannheim School, and on the Viennese style. The Concerto in A major was originally written for harpsichord and strings, but was later transcribed for cello by the composer, likely for the cellist Christian Friedrich Schale, who hosted a Musikalische Assemblee in his Berlin home every week.
01. Sinfonia for Two Violins, Viola and Basso in C Major, Wq. 182/3: I. Allegro Assai
02. Sinfonia for Two Violins, Viola and Basso in C Major, Wq. 182/3: II. Adagio
03. Sinfonia for Two Violins, Viola and Basso in C Major, Wq. 182/3: III. Allegretto
04. Sinfonia for Two Violins, Viola and Basso in B Minor, Wq. 182/5: I. Allegretto
05. Sinfonia for Two Violins, Viola and Basso in B Minor, Wq. 182/5: II. Larghetto
06. Sinfonia for Two Violins, Viola and Basso in B Minor, Wq. 182/5: III. Presto
07. Concerto for Cello, with Two Violins, Viola and Basso in A Major, Wq. 172: I. Allegro
08. Concerto for Cello, with Two Violins, Viola and Basso in A Major, Wq. 172: II. Largo
09. Concerto for Cello, with Two Violins, Viola and Basso in A Major, Wq. 172: III. Allegro assai
10. Sinfonia for Two Violins, Viola and Basso in E Major, Wq. 182/6: I. Allegro di molto
11. Sinfonia for Two Violins, Viola and Basso in E Major, Wq. 182/6: II. Poco andante
12. Sinfonia for Two Violins, Viola and Basso in E Major, Wq. 182/6: III. Allegro spirituoso
13. Sinfonia for Two Violins, Viola and Basso in G Major, Wq. 182/1: I. Allegro di molto
14. Sinfonia for Two Violins, Viola and Basso in G Major, Wq. 182/1: II. Poco adagio
15. Sinfonia for Two Violins, Viola and Basso in G Major, Wq. 182/1: III. Presto
In Carl Philipp Emanuel Bach’s catalogue, the music for solo keyboard and the chamber music occupy central positions. In his youth, Carl Philipp Emanuel, who was left-handed, did not play string instruments such as the violin or viola, but rather the harpsichord and organ (not to overlook the flute). It was as a harpsichordist that, in 1738, he joined the entourage of the future King of Prussia, Frederick II, before following him to Berlin upon his accession two years later and then formally entering his service. In 1767, he was offered the succession of his godfather, Telemann, as director of music in Hamburg. He arrived in the Hanseatic city in March 1768, and for the last twenty years of his life, it was church music that occupied much of his time and effort. The symphonies of Carl Philipp Emanuel Bach are all in three movements, quite often linked without a break. Highly original and typical of north Germany, the symphonies turn their back on the style gallant, on Johann Stamitz, founder of the Mannheim School, and on the Viennese style. The Concerto in A major was originally written for harpsichord and strings, but was later transcribed for cello by the composer, likely for the cellist Christian Friedrich Schale, who hosted a Musikalische Assemblee in his Berlin home every week.
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