Tassis Christoyannis, Jeff Cohen, Tassis Christoyannis - Saint-Saëns: Mélodies (2016) [Hi-Res]
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BAND/ARTIST: Tassis Christoyannis, Jeff Cohen
- Title: Saint-Saëns: Mélodies
- Year Of Release: 2016
- Label: Aparté
- Genre: Classical
- Quality: flac lossless / flac 24bits - 96.0kHz +Booklet
- Total Time: 01:11:11
- Total Size: 293 / 1014 mb
- WebSite: Album Preview
Tracklist
01. Mélodies persanes, Op. 26: I. La Brise
02. Mélodies persanes, Op. 26: II. La Splendeur vide
03. Mélodies persanes, Op. 26: III. La Solitaire
04. Mélodies persanes, Op. 26: IV. Sabre en main
05. Mélodies persanes, Op. 26: V. Au Cimetière
06. Mélodies persanes, Op. 26: VI. Tournoiement (Songe d'opium)
07. Cinq poèmes de Ronsard: I. L'Amour oyseau
08. Cinq poèmes de Ronsard: II. L'Amour blessé
09. Cinq poèmes de Ronsard: III. A sainte Blaise
10. Cinq poèmes de Ronsard: IV. Grasselette et Maigrelette
11. Cinq poèmes de Ronsard: V. L'Amant malheureux
12. Vieilles chansons: I. Le Temps nouveau
13. Vieilles chansons: II. Avis
14. Vieilles chansons: III. Villanelle
15. La Cendre rouge, Op. 146: I. Prélude
16. La Cendre rouge, Op. 146: II. Âme triste
17. La Cendre rouge, Op. 146: III. Douceur
18. La Cendre rouge, Op. 146: IV. Silence
19. La Cendre rouge, Op. 146: V. Pâques
20. La Cendre rouge, Op. 146: VI. Jour de pluie
21. La Cendre rouge, Op. 146: VII. Amoroso
22. La Cendre rouge, Op. 146: VIII. Mai
23. La Cendre rouge, Op. 146: IX. Petite Main
24. La Cendre rouge, Op. 146: X. Reviens ! (Epilogue)
![Tassis Christoyannis, Jeff Cohen, Tassis Christoyannis - Saint-Saëns: Mélodies (2016) [Hi-Res]](https://www.dibpic.com/uploads/posts/2020-11/1605773183_tassis-christoyannis-jeff-cohen-tassis-christoyannis-saint-sans-melodies-2016-back.jpg)
Camille Saint-Saëns, a legendary figure of Romanticism, composed more than 150 mélodies, reflecting his love of poetry and the French language.
At the heart of this catalogue, four cycles stand out, falling perfectly within the golden age of French song (1870-1920). The first cycle, the 'Mélodies persanes' (1870), sets to music the loveliest poems by the Parnassian poet Armand Renaud (Nuits persanes). 'La Cendre rouge' (1914) bears witness to a close collaboration with Georges Docquois, the 'Cinq mélodies de Ronsard' and 'Vieilles Chansons', composed the very year of his death (1921) are settings of Renaissance poets: Ronsard, Belleau, de la Fresnaye, and d'Orléans.
"May music and poetry someday understand that they would be well advised to lean on each other! May poets learn music and musicians study poetry! They have everything to gain. Musicians must be firmly convinced of the truth that a beautiful verse is not a simple pretext for music; it is a diamond that the musician must set as best he can, to show it to full advantage. As for poets, one day they will notice that music makes possible all sorts of combinations that are forbidden to them without it." Camille Saint-Saëns
01. Mélodies persanes, Op. 26: I. La Brise
02. Mélodies persanes, Op. 26: II. La Splendeur vide
03. Mélodies persanes, Op. 26: III. La Solitaire
04. Mélodies persanes, Op. 26: IV. Sabre en main
05. Mélodies persanes, Op. 26: V. Au Cimetière
06. Mélodies persanes, Op. 26: VI. Tournoiement (Songe d'opium)
07. Cinq poèmes de Ronsard: I. L'Amour oyseau
08. Cinq poèmes de Ronsard: II. L'Amour blessé
09. Cinq poèmes de Ronsard: III. A sainte Blaise
10. Cinq poèmes de Ronsard: IV. Grasselette et Maigrelette
11. Cinq poèmes de Ronsard: V. L'Amant malheureux
12. Vieilles chansons: I. Le Temps nouveau
13. Vieilles chansons: II. Avis
14. Vieilles chansons: III. Villanelle
15. La Cendre rouge, Op. 146: I. Prélude
16. La Cendre rouge, Op. 146: II. Âme triste
17. La Cendre rouge, Op. 146: III. Douceur
18. La Cendre rouge, Op. 146: IV. Silence
19. La Cendre rouge, Op. 146: V. Pâques
20. La Cendre rouge, Op. 146: VI. Jour de pluie
21. La Cendre rouge, Op. 146: VII. Amoroso
22. La Cendre rouge, Op. 146: VIII. Mai
23. La Cendre rouge, Op. 146: IX. Petite Main
24. La Cendre rouge, Op. 146: X. Reviens ! (Epilogue)
Camille Saint-Saëns, a legendary figure of Romanticism, composed more than 150 mélodies, reflecting his love of poetry and the French language.
At the heart of this catalogue, four cycles stand out, falling perfectly within the golden age of French song (1870-1920). The first cycle, the 'Mélodies persanes' (1870), sets to music the loveliest poems by the Parnassian poet Armand Renaud (Nuits persanes). 'La Cendre rouge' (1914) bears witness to a close collaboration with Georges Docquois, the 'Cinq mélodies de Ronsard' and 'Vieilles Chansons', composed the very year of his death (1921) are settings of Renaissance poets: Ronsard, Belleau, de la Fresnaye, and d'Orléans.
"May music and poetry someday understand that they would be well advised to lean on each other! May poets learn music and musicians study poetry! They have everything to gain. Musicians must be firmly convinced of the truth that a beautiful verse is not a simple pretext for music; it is a diamond that the musician must set as best he can, to show it to full advantage. As for poets, one day they will notice that music makes possible all sorts of combinations that are forbidden to them without it." Camille Saint-Saëns
Year 2016 | Classical | Musique Française | FLAC / APE | HD & Vinyl
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