Luis Beduschi, Philippe Grisvard - Corelli: Sonatas, Op. V (2013) [Hi-Res]
![Luis Beduschi, Philippe Grisvard - Corelli: Sonatas, Op. V (2013) [Hi-Res]](https://www.dibpic.com/uploads/posts/2020-11/1605186770_luis-beduschi-philippe-grisvard-corelli-sonatas-op_-v-2013.jpg)
BAND/ARTIST: Luis Beduschi, Philippe Grisvard
- Title: Corelli: Sonatas, Op. V
- Year Of Release: 2010/2013
- Label: Eloquentia
- Genre: Classical
- Quality: flac lossless / flac 24bits - 44.1kHz +Booklet
- Total Time: 01:21:24
- Total Size: 446 / 838 mb
- WebSite: Album Preview
Tracklist
01. 12 Violin Sonatas, Op. 5, No. 1 in F Major: I. Grave-Allegro-Adagio
02. 12 Violin Sonatas, Op. 5, No. 1 in F Major: II. Allegro
03. 12 Violin Sonatas, Op. 5, No. 1 in F Major: III. Allegro
04. 12 Violin Sonatas, Op. 5, No. 1 in F Major: IV. Adagio
05. 12 Violin Sonatas, Op. 5, No. 1 in F Major: V. Allegro
06. 12 Violin Sonatas, Op. 5, No. 5 in D Minor: I. Preludio al cembalo. Adagio
07. 12 Violin Sonatas, Op. 5, No. 5 in D Minor: II. Vivace
08. 12 Violin Sonatas, Op. 5, No. 5 in D Minor: III. Adagio
09. 12 Violin Sonatas, Op. 5, No. 5 in D Minor: IV. Interludio al cembalo secondo Johann Mattheson. Vivace
10. 12 Violin Sonatas, Op. 5, No. 5 in D Minor: V. Giga con variazioni
11. 12 Violin Sonatas, Op. 5, No. 3 in F Major: I. Adagio
12. 12 Violin Sonatas, Op. 5, No. 3 in F Major: II. Allegro
13. 12 Violin Sonatas, Op. 5, No. 3 in F Major: III. Adagio
14. 12 Violin Sonatas, Op. 5, No. 3 in F Major: IV. Allegro
15. 12 Violin Sonatas, Op. 5, No. 3 in F Major: V. Allegro
16. 12 Violin Sonatas, Op. 5, No. 4 in B-Flat Major: I. Adagio
17. 12 Violin Sonatas, Op. 5, No. 4 in B-Flat Major: II. Allegro
18. 12 Violin Sonatas, Op. 5, No. 4 in B-Flat Major: III. Vivace con variazione
19. 12 Violin Sonatas, Op. 5, No. 4 in B-Flat Major: IV. Adagio
20. 12 Violin Sonatas, Op. 5, No. 4 in B-Flat Major: V. Vivace
21. 12 Violin Sonatas, Op. 5, No. 2 in F Major: I. Grave
22. 12 Violin Sonatas, Op. 5, No. 2 in F Major: II. Allegro
23. 12 Violin Sonatas, Op. 5, No. 2 in F Major: III. Vivace I
24. 12 Violin Sonatas, Op. 5, No. 2 in F Major: IV. Adagio II
25. 12 Violin Sonatas, Op. 5, No. 2 in F Major: V. Vivace II
26. 12 Violin Sonatas, Op. 5, No. 6 in C Major: I. Preludio al cembalo. Grave
27. 12 Violin Sonatas, Op. 5, No. 6 in C Major: II. Allegro
28. 12 Violin Sonatas, Op. 5, No. 6 in C Major: III. Allegro
29. 12 Violin Sonatas, Op. 5, No. 6 in C Major: IV. Adagio
30. 12 Violin Sonatas, Op. 5, No. 6 in C Major: V. Allegro
![Luis Beduschi, Philippe Grisvard - Corelli: Sonatas, Op. V (2013) [Hi-Res]](https://www.dibpic.com/uploads/posts/2020-11/1605186755_luis-beduschi-philippe-grisvard-corelli-sonatas-op_-v-2013-back.jpg)
It is unlikely that Corelli expected his Opus.V to be as influential as it turned out to be throughout the eighteenth century and well beyond. Indeed, by 1800 his Solos, as his sonatas were then called, had been republished more than fifty times. No other set of pieces in the eighteenth century gave rise to so many examples of free ornamentation. Manuscripts by twenty different authors are known to researchers today. The abundance of ornamented versions of the same piece by musicians from different generations and of such different origins has made Corelli’s op. 5 Sonatas a prime subject for the study of free ornamentation.
'For this recording I have chosen to play the ‘Corellian’ ornaments, and this for two main reasons: their undeniable qualities and beauty, which are immediately obvious to the listener and become even more so after a detailed analytical study of the sonatas, and the fact that they form a stylistically coherent body, i.e. all the slow movements from Sonatas I to VI of Corelli’s op. 5. [...] I chose to rule out those Baroque transcriptions, since they do not form a set, their ornamentation is not as refined as that of ‘Corelli’, and they were clearly intended for amateurs with limited technical abilities – this is obvious from the narrow ambitus, whence a frequent need to octaviate that all too often distorts Corelli’s original melodies.
This led me to make my own transcription, with the aim of keeping insofar as possible to the original melodic line. From the arrangements made by the anonymous ‘eminent master’ I retained the idea of ??horizontalising the polyphonic passages in the fugal movements. This makes it possible to ‘translate’ them into the language of a wind instrument without too much loss of information.' (Luis Beduschi)
01. 12 Violin Sonatas, Op. 5, No. 1 in F Major: I. Grave-Allegro-Adagio
02. 12 Violin Sonatas, Op. 5, No. 1 in F Major: II. Allegro
03. 12 Violin Sonatas, Op. 5, No. 1 in F Major: III. Allegro
04. 12 Violin Sonatas, Op. 5, No. 1 in F Major: IV. Adagio
05. 12 Violin Sonatas, Op. 5, No. 1 in F Major: V. Allegro
06. 12 Violin Sonatas, Op. 5, No. 5 in D Minor: I. Preludio al cembalo. Adagio
07. 12 Violin Sonatas, Op. 5, No. 5 in D Minor: II. Vivace
08. 12 Violin Sonatas, Op. 5, No. 5 in D Minor: III. Adagio
09. 12 Violin Sonatas, Op. 5, No. 5 in D Minor: IV. Interludio al cembalo secondo Johann Mattheson. Vivace
10. 12 Violin Sonatas, Op. 5, No. 5 in D Minor: V. Giga con variazioni
11. 12 Violin Sonatas, Op. 5, No. 3 in F Major: I. Adagio
12. 12 Violin Sonatas, Op. 5, No. 3 in F Major: II. Allegro
13. 12 Violin Sonatas, Op. 5, No. 3 in F Major: III. Adagio
14. 12 Violin Sonatas, Op. 5, No. 3 in F Major: IV. Allegro
15. 12 Violin Sonatas, Op. 5, No. 3 in F Major: V. Allegro
16. 12 Violin Sonatas, Op. 5, No. 4 in B-Flat Major: I. Adagio
17. 12 Violin Sonatas, Op. 5, No. 4 in B-Flat Major: II. Allegro
18. 12 Violin Sonatas, Op. 5, No. 4 in B-Flat Major: III. Vivace con variazione
19. 12 Violin Sonatas, Op. 5, No. 4 in B-Flat Major: IV. Adagio
20. 12 Violin Sonatas, Op. 5, No. 4 in B-Flat Major: V. Vivace
21. 12 Violin Sonatas, Op. 5, No. 2 in F Major: I. Grave
22. 12 Violin Sonatas, Op. 5, No. 2 in F Major: II. Allegro
23. 12 Violin Sonatas, Op. 5, No. 2 in F Major: III. Vivace I
24. 12 Violin Sonatas, Op. 5, No. 2 in F Major: IV. Adagio II
25. 12 Violin Sonatas, Op. 5, No. 2 in F Major: V. Vivace II
26. 12 Violin Sonatas, Op. 5, No. 6 in C Major: I. Preludio al cembalo. Grave
27. 12 Violin Sonatas, Op. 5, No. 6 in C Major: II. Allegro
28. 12 Violin Sonatas, Op. 5, No. 6 in C Major: III. Allegro
29. 12 Violin Sonatas, Op. 5, No. 6 in C Major: IV. Adagio
30. 12 Violin Sonatas, Op. 5, No. 6 in C Major: V. Allegro
It is unlikely that Corelli expected his Opus.V to be as influential as it turned out to be throughout the eighteenth century and well beyond. Indeed, by 1800 his Solos, as his sonatas were then called, had been republished more than fifty times. No other set of pieces in the eighteenth century gave rise to so many examples of free ornamentation. Manuscripts by twenty different authors are known to researchers today. The abundance of ornamented versions of the same piece by musicians from different generations and of such different origins has made Corelli’s op. 5 Sonatas a prime subject for the study of free ornamentation.
'For this recording I have chosen to play the ‘Corellian’ ornaments, and this for two main reasons: their undeniable qualities and beauty, which are immediately obvious to the listener and become even more so after a detailed analytical study of the sonatas, and the fact that they form a stylistically coherent body, i.e. all the slow movements from Sonatas I to VI of Corelli’s op. 5. [...] I chose to rule out those Baroque transcriptions, since they do not form a set, their ornamentation is not as refined as that of ‘Corelli’, and they were clearly intended for amateurs with limited technical abilities – this is obvious from the narrow ambitus, whence a frequent need to octaviate that all too often distorts Corelli’s original melodies.
This led me to make my own transcription, with the aim of keeping insofar as possible to the original melodic line. From the arrangements made by the anonymous ‘eminent master’ I retained the idea of ??horizontalising the polyphonic passages in the fugal movements. This makes it possible to ‘translate’ them into the language of a wind instrument without too much loss of information.' (Luis Beduschi)
Classical | FLAC / APE | HD & Vinyl
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