Chiaroscuro Quartet - Mozart, Schubert: Quatuors (2011) [Hi-Res]
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BAND/ARTIST: Chiaroscuro Quartet
- Title: Mozart, Schubert: Quatuors
- Year Of Release: 2011
- Label: Aparté
- Genre: Classical
- Quality: flac 24bits - 88.2kHz +Booklet
- Total Time: 01:08:38
- Total Size: 522 mb
- WebSite: Album Preview
Tracklist
01. String quartet No. 19 in C major 'Dissonance' K. 465: I. Allegro
02. String quartet No. 19 in C major 'Dissonance' K. 465: II. Andante cantabile
03. String quartet No. 19 in C major 'Dissonance' K. 465: III. Menuetto - Allegro
04. String quartet No. 19 in C major 'Dissonance' K. 465: IV. Allegro molto
05. String quartet No. 13 in A minor 'Rosamunde' D. 804 op. 29: I. Allegro ma non troppo
06. String quartet No. 13 in A minor 'Rosamunde' D. 804 op. 29: II. Andante
07. String quartet No. 13 in A minor 'Rosamunde' D. 804 op. 29: III. Menuetto - Allegretto - Trio
08. String quartet No. 13 in A minor 'Rosamunde' D. 804 op. 29: IV. Allegro moderato
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This recording brings together two quartets composed almost forty years apart. Mozart's 'Dissonant' was the last of his set of six quartets dedicated to Joseph Haydn and marked the apogee of Classicism. Schubert's 'Rosamunde' was his first mature string quartet, written at the dawn of Romanticism and in the shadow of Beethoven. The juxtaposition offers a lesson in both contrasts and connections. Played here by the period instrument Chiaroscuro Quartet, the power and beauty of these works are explored with virtuosity, wit and verve.
The Chiaroscuro Quartet is led by Alina Ibragimova – every inch a soloist – and there’s no doubting that it’s the excitement of her music-making that stamps its personality on these performances. Not that her fellow musicians sit back, but her dazzling playing in the outer movements of Mozart’s Dissonance Quartet makes them sound almost like violin concertos.
Certainly, it’s not often that you hear period-instrument playing of such consummate and seemingly effortless virtuosity. The two movements are done with both repeats observed, so that in each case the coda, following the second-half repeat, makes its full effect as the music’s culmination. It would be hard, too, to imagine the work’s slow introduction done with a greater sense of mystery.
The Chiaroscuro’s account of Schubert’s A minor Quartet – one of the most hauntingly melancholy of all his pieces – has much to offer, though there are times when its melodic warmth sounds rather underplayed. A good deal of this music unfolds at the pianissimo level, and it’s good to hear due note taken of Schubert’s markings, particularly in such moments as the slow movement’s ‘Rosamunde’ theme. If anything, the fortissimo of the finale’s central episode could do with more weight and tension. But this is an impressive debut recording, and the light and shade of the playing fully justifies the name the group has chosen for itself. (BBC Music Magazine)
01. String quartet No. 19 in C major 'Dissonance' K. 465: I. Allegro
02. String quartet No. 19 in C major 'Dissonance' K. 465: II. Andante cantabile
03. String quartet No. 19 in C major 'Dissonance' K. 465: III. Menuetto - Allegro
04. String quartet No. 19 in C major 'Dissonance' K. 465: IV. Allegro molto
05. String quartet No. 13 in A minor 'Rosamunde' D. 804 op. 29: I. Allegro ma non troppo
06. String quartet No. 13 in A minor 'Rosamunde' D. 804 op. 29: II. Andante
07. String quartet No. 13 in A minor 'Rosamunde' D. 804 op. 29: III. Menuetto - Allegretto - Trio
08. String quartet No. 13 in A minor 'Rosamunde' D. 804 op. 29: IV. Allegro moderato
This recording brings together two quartets composed almost forty years apart. Mozart's 'Dissonant' was the last of his set of six quartets dedicated to Joseph Haydn and marked the apogee of Classicism. Schubert's 'Rosamunde' was his first mature string quartet, written at the dawn of Romanticism and in the shadow of Beethoven. The juxtaposition offers a lesson in both contrasts and connections. Played here by the period instrument Chiaroscuro Quartet, the power and beauty of these works are explored with virtuosity, wit and verve.
The Chiaroscuro Quartet is led by Alina Ibragimova – every inch a soloist – and there’s no doubting that it’s the excitement of her music-making that stamps its personality on these performances. Not that her fellow musicians sit back, but her dazzling playing in the outer movements of Mozart’s Dissonance Quartet makes them sound almost like violin concertos.
Certainly, it’s not often that you hear period-instrument playing of such consummate and seemingly effortless virtuosity. The two movements are done with both repeats observed, so that in each case the coda, following the second-half repeat, makes its full effect as the music’s culmination. It would be hard, too, to imagine the work’s slow introduction done with a greater sense of mystery.
The Chiaroscuro’s account of Schubert’s A minor Quartet – one of the most hauntingly melancholy of all his pieces – has much to offer, though there are times when its melodic warmth sounds rather underplayed. A good deal of this music unfolds at the pianissimo level, and it’s good to hear due note taken of Schubert’s markings, particularly in such moments as the slow movement’s ‘Rosamunde’ theme. If anything, the fortissimo of the finale’s central episode could do with more weight and tension. But this is an impressive debut recording, and the light and shade of the playing fully justifies the name the group has chosen for itself. (BBC Music Magazine)
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